|
Goodbye Pork Pie Hat
"Goodbye Pork Pie Hat" is a jazz instrumental composed by Charles Mingus, originally recorded by his sextet in 1959 and released on his album '' Mingus Ah Um''. One of Mingus's best-known compositions, "Goodbye Pork Pie Hat" became a jazz standard, recorded by other jazz and jazz fusion artists. Mingus wrote it as an elegy for saxophonist Lester Young, who had died two months prior to the recording session and who was known for wearing unusually broad-brimmed pork pie hats. These were "busted down" by Young himself, from hats that might better be described as Homburgs, but which he only purchased in "Negro districts". This was since, according to an interview with Young in the November 1949 edition of '' Our World'', "You can't get the right type in a 'gray' neighborhood". Lyrics Originally written as an instrumental piece, lyrics have been added on a number of occasions. Rahsaan Roland Kirk performed lyrics for the song on his 1976 album, '' The Return of the 5000 Lb. Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz Double bass, upright bassist, composer, bandleader, pianist, and author. A major proponent of collective Musical improvisation, improvisation, he is considered one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus's work ranged from advanced bebop and avant-garde jazz with small and midsize jazz ensemble, ensembles to pioneering the post-bop style on seminal recordings like ''Pithecanthropus Erectus (album), Pithecanthropus Erectus'' (1956) and ''Mingus Ah Um'' (1959) and progressive big band experiments such as ''The Black Saint and the Sinner Lady'' (1963). Mingus's compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Return Of The 5000 Lb
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Carr (musician)
Mike Carr (born Michael Anthony Carr, 7 December 1937 – 22 September 2017) was an English jazz organist, pianist and vibraphonist. Biography Mike Carr was born on 7 December 1937 in South Shields, County Durham, England. The younger brother of trumpeter Ian Carr, with whom he formed the EmCee Five group, he began playing in Newcastle in the 1960s, before leaving for London in the 1970s and appearing regularly at Ronnie Scott's Jazz Club. EmCee Five featured some of the UK's leading jazz musicians of the 1960s and 1970s, including John McLaughlin, Ronnie Stephenson, Malcolm Cecil, Spike Heatley and Johnny Butts. In 1976, Carr was band member of Eric Burdon. From 1971 until 1975, Carr was a member of Ronnie Scott's trio, first with Tony Crombie and later with Bobby Gien. In the mid-1980s, Carr led the band Cargo. Discography with Emcee Five * 1961: ''Let's Take Five''. * 1962: ''Bebop from the East Coast'' (Birdland) with Ian Carr, John McLaughlin * 2005: ''Legend'' O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Goal's Beyond
''My Goal's Beyond'' is the third solo album (after ''Extrapolation'' and ''Devotion'') by guitarist John McLaughlin. The album was originally released in 1971 on Douglas Records in the US. It was later reissued by Douglas/Casablanca (1976), Elektra/Musician (1982), and in 1987 by Rykodisc on CD and LP.Jazzlists: Elektra Musician LP discography accessed March 20, 2018 This album marks the first chronological major stylistic change from McLaughlin, apart from his move to an acoustic guitar. The music is strongly influenced by , and was dedicated to McLaughlin's spiritual leader, Indian |
John McLaughlin (musician)
John McLaughlin (born 4 January 1942), also known as Mahavishnu, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made ''Extrapolation (album), Extrapolation'', his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams (drummer), Tony Williams's group The Tony Williams Lifetime, Lifetime and then with Miles Davis on his 1969-72 electric jazz fusion albums ''In a Silent Way'', ''Bitches Brew'', ''Jack Johnson (album), Jack Johnson'', ''Live-Evil (Miles Davis album), Live-Evil'', and ''On the Corner''. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Bey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefan Grossman
Stefan Grossman (born April 16, 1945) is an American acoustic fingerstyle guitarist and singer, music producer and educator, and co-founder of Kicking Mule records. He is known for his instructional videos and Vestapol line of videos and DVDs. Early life and influences Born in Brooklyn, New York, Brooklyn, United States, Grossman described his upbringing in Queens, New York, as "lower middle-class", and his parents as "very leftist", valuing education and the arts. He began playing acoustic guitar at the age of nine, when his father bought him an Archtop guitar, archtop-style (Sound hole, f-hole) acoustic guitar made by Harmony Company, Harmony. Later he moved on to a Gibson Guitar Corporation, Gibson archtop guitar which he played between the ages of nine and eleven, taking lessons and learning to read music. For a few years, he gave up playing but resumed again at the age of 15. Grossman's interest in the American folk music revival, folk revival was sparked by attending the W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Child
''Sweet Child'' is a 1968 double album by the British folk-rock band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. Background One disk of the double album was recorded at Pentangle's live concert in the Royal Festival Hall, which took place on 29 June 1968; the other was recorded in the studio. The material is the most wide-ranging of Pentangle's albums, including folk songs, jazz classics, blues, early music and Pentangle's own compositions. The album cover was designed by Peter Blake, better-known for his design of The Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'' album. Reception In his retrospective review for Allmusic, Matthew Greenwald called the album, "probably the most representative of their work... In all, Sweet Child is an awesome and delightful collection, and probably their finest hour." Track listing Charts Personnel ;Pentangle *Jacqui McShee - vocals *Bert Jansch - acoustic guitar, vocals *John Renbourn - acous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentangle (band)
Pentangle are a British folk rock band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn (vocals and guitar); Bert Jansch (vocals and guitar); Danny Thompson (double bass); and Terry Cox (drums). The name ''Pentangle'' was chosen to represent the five members of the band. It was also the device on shield in the Middle English poem ''Sir Gawain and the Green Knight'', which held a fascination for Renbourn. In 2007, the original members of the band were reunited to receive a Lifetime Achievement award at the BBC Radio 2 Folk Awards and to record a short concert that was broadcast on BBC radio. The following June, all five original members began a twelve-date UK tour. History Formation The original group formed in 1967. Renbourn and Jansch, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Renbourn
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). Several albums were credited to the John Renbourn Group. He worked later in a duo with Stefan Grossman. While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, ''Sir John Alot'' (1968), featured his take on tunes from the medieval period. Biography John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bert Jansch
Herbert Jansch (3 November 1943 – 5 October 2011) was a Scottish folk musician and founding member of the band Pentangle (band), Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century. Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years' break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist. Jansch' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Or Four Shades Of Blues
''Three or Four Shades of Blues'' is a studio album by the American jazz bassist and bandleader Charles Mingus. It was recorded in sessions held on March 9 and 11, 1977, at New York City's Atlantic Studios, and on March 29 at the Record Plant in Los Angeles. The album features two new versions of Mingus's "standards" and three new compositions performed by large ensembles featuring saxophonists Ricky Ford, George Coleman, and Sonny Fortune, pianist Jimmy Rowles, guitarists Larry Coryell, Philip Catherine and John Scofield, bassists Ron Carter and George Mraz, trumpeter Jack Walrath, and drummer Dannie Richmond. Critical reception In a contemporary review for ''The Village Voice'', Robert Christgau said the second side on ''Three or Four Shades of Blue'' was "the best composed bebop" he had heard in 1977, partly because Coryell and Fortune gave their most impressive performances in some time. ''The New Yorker'' found the record "subtle and funny and full of Mingus's peculiar and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mingus Mingus Mingus Mingus Mingus
''Mingus Mingus Mingus Mingus Mingus'' is a studio album by the American jazz composer and bassist Charles Mingus which was released on January 9, 1964. Background Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for a large ensemble of brass and saxophones. Most of the compositions on this album had been previously recorded or have since been rerecorded, some under different titles, on other albums: * "II B.S." as "Haitian Fight Song" on '' Plus Max Roach'' and '' The Clown'' * "I X Love" as "Duke's Choice" on ''A Modern Jazz Symposium of Music and Poetry''.Conversely, Nat Hentoff identifies "Nouroog" as the precursor to "I X Love". * "Celia" on '' East Coasting'' * "Mood Indigo" (Barney Bigard, Duke Ellington) on '' Mingus Dynasty'' * "Better Get Hit in Yo' Soul" as "Better Git It in Your Soul" on '' Mingus Ah Um'' (also "Better Git Hit in Your Soul" on '' Mingus at Antibes'') * "Theme for Lester Young" as "Goodbye Pork Pie Hat" on ''Mingus Ah Um ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
