|
Gomantak Maratha Samaj
Gomantak Maratha Samaj is a Hindu community found in the Indian state of Goa. They are known as ''Nutan Maratha Samaj'' in the Sindhudurg district of Maharashtra and ''Naik Maratha Samaj'' in Maharashtra, Uttara Kannada district of Karnataka, also Telangana respectively. Origin Gomantak Maratha is a relatively new ameliorative name."Gomantak Prakruti ani Sanskruti" by B.D.Satoskar adopted by a community of traditional Hindu temple servants. They were previously known by the following names: Kalavantin/ Kulambini *Those who participated in music or singing and Dancing were known as ‘Kalavantini’ and '' Kalavant '', literally meaning ''an artiste,’ they enjoyed a high status in the community. They were beauties with high Intelligence with vast knowledge of Hinduism, traditional puranic stories, honesty, and high devotion. Earlier they meant to remain celibate and provide music and dance for their Deity. They used to sing and dance in front of palanquin too during ritual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharashtra
Maharashtra () is a state in the western peninsular region of India occupying a substantial portion of the Deccan Plateau. It is bordered by the Arabian Sea to the west, the Indian states of Karnataka and Goa to the south, Telangana to the southeast and Chhattisgarh to the east, Gujarat and Madhya Pradesh to the north, and the Indian union territory of Dadra and Nagar Haveli and Daman and Diu to the northwest. Maharashtra is the second-most populous state in India, the third most populous country subdivision in South Asia and the fourth-most populous in the world. The state is divided into 6 divisions and 36 districts. Mumbai is the capital of Maharashtra due to its historical significance as a major trading port and its status as India's financial hub, housing key institutions and a diverse economy. Additionally, Mumbai's well-developed infrastructure and cultural diversity make it a suitable administrative center for the state, and the most populous urban are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sati (practice)
Sati or suttee is a practice, a chiefly historical one, Quote: Between 1943 and 1987, some thirty women in Rajasthan (twenty-eight, according to official statistics) immolated themselves on their husband's funeral pyre. This figure probably falls short of the actual number. (p. 182) in which a Hindu widow burns alive on her deceased husband's funeral pyre, the death by burning entered into voluntarily, by coercion, or by a perception of the lack of satisfactory options for continuing to live. Although it is debated whether it received scriptural mention in early Hinduism, it has been linked to related Hindu practices in the Indo-Aryan-speaking regions of India, which have diminished the rights of women, especially those to the inheritance of property. A cold form of sati, or the neglect and casting out of Hindu widows, has been prevalent from ancient times. Quote: Sati is a particularly relevant social practice because it is often used as a means to prevent inheritance of pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moghubai Kurdikar
Mogubai Kurdikar (15 July 1904 – 10 February 2001) was an Indian classical vocalist of the Jaipur-Atrauli Gharana. She was known for being a leading student of Alladiya Khan and the guru and mother of Kishori Amonkar, a popular Hindustani classical female vocalist from the 20th century. Life and career Early life Kurdikar was born in Kurdi village, Portuguese Goa to a Gomantak Maratha Samaj family. Little is known of her father; her mother, Jayashreebai, was from the Devadasi community and known locally as a talented singer. In 1913, Kurdikar began learning music for a while from a holy man at the Shri Damodar Sansthaan in Zambaulim, Goa, arranged by her mother. Later, Kurdikar's mother took her to a traveling theater company, the Chandreshwar Bhootnath Sangeet Mandali, which accepted her as an actress. Work in sangeet nataks While working for the Chandreshwar Bhootnath Mandali sangeet natak company, Kurdikar's mother died in 1914. Kurdikar's mother entrusted her to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kesarbai Kerkar
Kesarbai Kerkar (13 July 1892 – 16 September 1977) was an Indian classical vocalist of the Jaipur-Atrauli gharana. A protege of Ustad Alladiya Khan (1855–1946), the founder of the gharana, from age sixteen, she went on to become one of the most noted khayal singers of the second half of the 20th century. She was awarded the Sangeet Natak Akademi Award in 1953, followed by Padma Bhushan is the third highest civilian award in India, in 1969. Biography Early life and training Born in the tiny village of Keri (also spelled "Querim"), in a family from Ponda ''taluka'' of North Goa, Goa (then a Portuguese colony), at the age of eight Kerkar moved to Kolhapur, where she studied for eight months with Abdul Karim Khan. Upon her return to Goa, she studied with the vocalist Ramkrishnabuwa Vaze (1871–1945), during his visits to Lamgaon. Meanwhile, Mumbai (then Bombay) under British Raj, was fast developing as a business and trade centre of the country. Several musicians a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shashikala Kakodkar
Shashikala Kakodkar (7 January 1935 – 28 October 2016), also known as ''Tai'' (), was an Indian politician and a leader of the Maharashtrawadi Gomantak Party (MGP). She served as the Chief Minister of Goa, Daman and Diu on two occasions, and was the president of the MGP. She is the first and only woman to serve as the Chief Minister of Goa, Daman and Diu. Early life and background Shashikala Kakodkar was born on 7 January 1935 at Pernem, Goa, Portuguese India, to Dayanand Bandodkar, Dayanand and Sunandabai Bandodkar as their eldest child. Her younger siblings were Usha Vengurlekar, Kranti Rao, Jyoti Bandekar and Siddharth Bandodkar. Kakodkar completed her elementary education from the Mushtifund Saunstha and completed her matriculation from the People's High School in Nova Goa (now Panjim). At age eleven, she participated in Goa's liberation movement by shouting patriotic slogans, and was beaten by Portuguese police officers for doing so. She graduated from Karnatak Universit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dayanand Bandodkar
Dayanand Balkrishna "Bhausaheb" Bandodkar (12 March 1911 – 12 August 1973) was an Indian politician who served as the first Chief Minister of Goa, Daman and Diu. Born in Pernem to a Marathi family who had immigrated from Tuljapur in British India, he became a wealthy mine owner following the Annexation of Goa. He unsuccessfully sought to merge the territory with the state of Maharashtra. Bandodkar swept the polls in 1963, 1967 and in 1972 while representing the Maharashtrawadi Gomantak Party and remained in power until his death in 1973. Attempt to merge Goa Bandodkar was a member of the Gomantak Maratha Samaj in Portuguese Goa.Goa world book review His proposal to merge with |
Kishori Amonkar
Kishori Amonkar (10 April 1932 – 3 April 2017) was an Hindustani classical music, Indian classical vocalist, belonging to the Jaipur-Atrauli gharana, Jaipur Gharana, or a community of musicians sharing a distinctive musical style. She is considered to be one of the foremost classical singers in India. She was a performer of the classical genre khyal and the light classical genres ''thumri'' and ''bhajan''. Amonkar trained under her mother, classical singer Mogubai Kurdikar also from the Jaipur Gharana, but she experimented with a variety of vocal styles in her career. Career Training Amonkar's initial training in music was by her mother, the classical vocalist Mogubai Kurdikar. She has stated in an interview that her mother was an exacting teacher, initially teaching her by singing phrases and making Amonkar repeat them. In the early stages of her career, she travelled with her mother to performances, accompanying her on the tanpura while Kurdikar sang. In the early 1940s, yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mangeshkar Family
The Mangeshkar family (pronunciation: aŋɡeːʃkəɾ is a prominent Indian family, headed by Deenanath Mangeshkar. The family is of Marathi and Konkani origin. Overview Deenanath Mangeshkar The father of this famous musical family, Deenanath Mangeshkar, was born on 29 December 1900 in the village of Mangeshi (then in Portuguese India) to a temple pujari and handmaiden of the deity Mangesh. His father, Ganesh Bhatt Navathe (Abhisheki), was a married Karhade Brahmin who served as pujari at the famous Mangueshi Temple in Goa, and his mother was Ganesh's mistress, Yesubai, belonging to Gomantak Maratha Samaj. Since Deenanath's parents were not married to each other, he did not inherit his father's Brahmin caste and surname. Deenanath Mangeshkar had five children with his Gujarati wife Shevanti, namely Lata Mangeshkar, Asha Bhosle, Usha Mangeshkar, Meena Khadikar and Hridaynath Mangeshkar. Lata Mangeshkar Lata Mangeshkar was one of the best-known and most respected p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poinguinim
Poinguinim is a village in the Canacona taluka administrative region of Goa, India, near the Goa-Karnataka border, and close to the Cotigao Wildlife Sanctuary. The village is home to a population of 6,625 people as of the 2011 Census of India, 2011 census. The name of the village derives from ''poi,'' a strip of low-lying land along a river or sea, or a narrow inlet that floods in high tide, and ''guim'' or ''guine'', meaning low-lying area. See also *Majali, Karnataka, Majali *Sadishivgarh *Karwar *Ankola References Cities and towns in South Goa district {{Goa-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese First Republic
The First Portuguese Republic (; officially: ''República Portuguesa'', Portuguese Republic) spans a complex 16-year period in the history of Portugal, between the end of the period of constitutional monarchy marked by the 5 October 1910 revolution and the 28 May 1926 ''coup d'état''. The latter movement instituted a military dictatorship known as '' Ditadura Nacional'' (national dictatorship) that would be followed by the corporatist '' Estado Novo'' (new state) regime of António de Oliveira Salazar. The sixteen years of the First Republic saw eight presidents and 45 ministries, and were altogether more of a transition between the Kingdom of Portugal and the Estado Novo than they were a coherent period of governance. Early years of the Republic After the republican uprising of 5 October 1910 that overthrew King Manuel II, a republican constitution was approved in 1911, inaugurating a parliamentary regime with little power in the hands of the president and a bicamer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gharana
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style. The word gharana comes from the Hindi word 'ghar' which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Gwalior, Delhi, Agra, Indore, Kashmiri, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh. Vocal gharanas Khyal gharanas The gharana system in khyal was rooted in the '' guru–shishya tradition'' and was similar to the Dhrupad ''Bani'' system. The gharana system was greatly influenced by the gradual fall of the Mughal Empire, which forced musicians to move from Delhi to princely states such as Gwalior, Lucknow, Hyderabad, Patiala and Rampur. The ghara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
