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Gogyōka
Gogyohka () is a five-line, untitled, Japanese poetic form. Unlike tanka (57577 syllables), Gogyohka has no restrictions on line length. Poets such as Kenji Miyazawa, Jun Ishiwara, Yūgure Maeda, Hakushu Kitahara, Toson Yashiro and Shinobu Orikuchi have written five-line poetry as free-style tankas since the Taishō period around the 1910s. However, they did not name the form. In 1983, Enta Kusakabe named it Gogyohka () and for the first time laid out the five rules of five-line poetry. He trademarked Gogyohka in Japan. The form of English Gogyohka is the same as that of free English tanka because both are untitled and are written in five free lines. As of 2018, at least five Gogyohka magazines existed: ''Gogyohka'', ''Hamakaze'', ''Minami no kaze'', ''Sai'' and ''Kojimachi club''. Five rules Five rules of Gogyohka by Enta Kusakabe (1983). *Gogyohka is a new form of short poem that is based on the ancient Japanese Tanka and Kodai kayo. *Gogyohka has five lines, but exception ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanka
is a genre of classical Japanese poetry and one of the major genres of Japanese literature. Etymology Originally, in the time of the ''Man'yōshū'' (latter half of the eighth century AD), the term ''tanka'' was used to distinguish "short poems" from the longer . In the ninth and tenth centuries, however, notably with the compilation of the '' Kokinshū'', the short poem became the dominant form of poetry in Japan, and the originally general word ''waka'' became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term ''tanka'' in the early twentieth century for his statement that ''waka should be renewed and modernized''. '' Haiku'' is also a term of his invention, used for his revision of standalone hokku, with the same idea. Form Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of '' on'' (often treated as, roughly, the number of syllables per unit or line): :5-7-5 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Miyazawa
was a Japanese novelist and poet of children's literature from Hanamaki, Iwate, in the late Taishō and early Shōwa periods. He was also known as an agricultural science teacher, a vegetarian, cellist, devout Buddhist, and utopian social activist.Curley, Melissa Anne-Marie, "Fruit, Fossils, Footprints: Cathecting Utopia in the Work of Miyazawa Kenji", in Daniel Boscaljon (ed.)''Hope and the Longing for Utopia: Futures and Illusions in Theology and Narrative'' James Clarke & Co./ /Lutterworth Press 2015. pp.96–118, p.96. Some of his major works include '' Night on the Galactic Railroad'', ''Kaze no Matasaburō'', ''Gauche the Cellist'', and '' The Night of Taneyamagahara''. Miyazawa converted to Nichiren Buddhism after reading the Lotus Sutra, and joined the Kokuchūkai, a Nichiren Buddhist organization. His religious and social beliefs created a rift between him and his wealthy family, especially his father, though after his death his family eventually followed him in c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jun Ishiwara
Jun Ishiwara or Atsushi Ishihara (石原 純; January 15, 1881 – January 19, 1947) was a Japanese theoretical physicist, known for his works on the electronic theory of metals, the theory of relativity and quantum theory. Being the only Japanese scientist who made an original contribution to the old quantum theory, in 1915, independently of other scientists, he formulated quantization rules for systems with several degrees of freedom. Biography Jun Ishiwara was born in the family of Christian priest Ryo Ishiwara and Chise Ishiwara. In 1906, he completed his studies at the Department of Theoretical Physics at the University of Tokyo, where he was a student of Hantaro Nagaoka. Since 1908, Ishiwara taught at the Army School of Artillery and Engineers, and in 1911 received the position of Assistant Professor at the College of Science of Tohoku University. From April 1912 to May 1914 he trained in Europe – at the University of Munich, ETH Zurich and Leiden University, where he wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yūgure Maeda
Yūgure Maeda (前田 夕暮 ''Maeda Yūgure''; 1883–1951) was a Japanese ''tanka'' poet. Biography Yūgure Maeda was born on 27 July 1883. He was born in Minamiyana Village, Ōsumi District (modern-day Hadano City), Kanagawa Prefecture. His real name was Yōzō Maeda (前田 洋造 ''Maeda Yōzō''). He dropped out of middle school without graduating. In 1904 he moved to Tokyo and became a student of the ''tanka'' poet Saishū Onoe. He was noted as a representative poet of naturalism along with Bokusui Wakayama. He painted an era called the "Yugure / Bokusui era" in the history of literature. He founded Hakujitsu and published the tanka magazine "Poetry" every month. Rofu Miki, Bochō Yamamura, Mokichi Saito, Saisei Murou, Sakutaro Hagiwara, Kotaro Takamura and other poets and poets were given a place to play an active role and raised many poets. He contributed to the publication of the magazine "Nikko" and published many colloquial tanka and prose. He has never lived in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinobu Orikuchi
, also known as , was a Japanese ethnologist, linguist, folklorist, novelist, and poet. As a disciple of Kunio Yanagita, he established an original academic field named , which is a mixture of Japanese folklore, Japanese classics, and Shintō. He produced many works in a diversity of fields covering the history of literature, folkloric performing arts, folklore itself, Japanese language, the classics study, Shintōology, ancient study, and so on. Yukio Mishima once called him the "Japanese Walter Pater". Biography Orikuchi was born in the former Nishinari, Ōsaka (now part of Naniwa-ku, Osaka). After graduating with a degree in Japanese literature from Kokugakuin University in 1910, he started to teach Japanese and Chinese classics at junior high schools. In 1919, he was employed as a part-time instructor in Kokugakuin University. In 1922, he was promoted to professor. In 1924, he was hired as a professor at Keio University as well; afterward, he taught at two different universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinquain
Cinquain is a class of poetic forms that employ a 5-line pattern. Earlier used to describe any five-line form, it now refers to one of several forms that are defined by specific rules and guidelines. American cinquain The modern form, known as American cinquain inspired by Japanese haiku and tanka, is akin in spirit to that of the Imagists. In her 1915 collection titled ''Verse'', published a year after her death, Adelaide Crapsey included 28 cinquains. Crapsey's American Cinquain form developed in two stages. The first, fundamental form is a stanza of five lines of accentual verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses. Then Crapsey decided to make the criterion a stanza of five lines of accentual-syllabic verse, in which the lines comprise, in order, 1, 2, 3, 4, and 1 stresses and 2, 4, 6, 8, and 2 syllables. Iambic feet were meant to be the standard for the cinquain, which made the dual criteria match perfectly. Some resource materials define classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limerick (poetry)
A limerick ( ) is a form of verse, usually humorous and frequently rude, in five-line, predominantly trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme. The following example is a limerick of unknown origin: The form appeared in England in the early years of the 18th century. It was popularized by Edward Lear in the 19th century, although he did not use the term. Gershon Legman, who compiled the largest and most scholarly anthology, held that the true limerick as a folk form is always obscene, and cites similar opinions by Arnold Bennett and George Bernard Shaw, describing the clean limerick as a "periodic fad and object of magazine contests, rarely rising above mediocrity". From a folkloric point of view, the form is essentially transgressive; violation of taboo is part of its function. Form The standard form of a limerick is a stanza of five lines, with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the '' Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetic Forms
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
