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Giuseppe Rotunno
Giuseppe Rotunno (19 March 1923 – 7 February 2021) was an Italian cinematographer. Biography Sometimes credited as Peppino Rotunno, he was director of photography on eight films by Federico Fellini. He collaborated with several celebrated Italian directors including; Vittorio De Sica on '' Yesterday, Today and Tomorrow'' starring Sophia Loren and Marcello Mastroianni, and Luchino Visconti on ''Rocco and His Brothers'' (1960), '' The Leopard'' (1963), and '' The Stranger'' (1967). Rotunno also served as the director of photography for '' Julia and Julia'' (1987), the first feature shot using high definition television taping technique and then transferred to 35 mm film. He was nominated for the Academy Award for Best Cinematography for '' All That Jazz'' and won seven Silver Ribbon Awards. Rotunno was the first non-American member admitted to the American Society of Cinematographers in 1966. Rotunno died on 7 February 2021, at the age of 97. Mark Lager, on '' Senses of Cin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittorio De Sica
Vittorio De Sica ( , ; 7 July 1901 – 13 November 1974) was an Italian film director and actor, a leading figure in the neorealist movement. Widely considered one of the most influential filmmakers in the history of cinema, four of the films he directed won Academy Awards: '' Sciuscià'' and '' Bicycle Thieves'' (honorary), while '' Yesterday, Today and Tomorrow'', and '' Il giardino dei Finzi Contini'' won the Academy Award for Best Foreign Language Film. Indeed, the great critical success of ''Sciuscià'' (the first foreign film to be so recognized by the Academy of Motion Picture Arts and Sciences) and ''Bicycle Thieves'' helped establish the permanent Best Foreign Film Award. These two films are considered part of the canon of classic cinema. ''Bicycle Thieves'' was deemed the greatest film of all time by '' Sight & Sound'' magazine's poll of filmmakers and critics in 1952, and was cited by Turner Classic Movies as one of the 15 most influential films in cinema history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senses Of Cinema
''Senses of Cinema'' is a quarterly online film magazine founded in 1999 by filmmaker Bill Mousoulis. Based in Melbourne, Australia, ''Senses of Cinema'' publishes work by film critics from all over the world, including critical essays, career overviews of the works of key directors, and coverage of many international festivals. Its contributors have included Raphaël Bassan, Salvador Carrasco, Barbara Creed, Wheeler Winston Dixon, David Ehrenstein, Thomas Elsaesser, Valie Export, Gwendolyn Audrey Foster, Dušan Makavejev, Edgar Morin, Joseph Natoli, Murray Pomerance, Berenice Reynaud, Jonathan Rosenbaum, David Sanjek, Sally Shafto, David Sterritt, Robert Dassanowsky, and Viviane Vagh. The magazine's current editors are Amanda Barbour, Tara Judah, Abel Muñoz-Hénonin and Fiona Villella. Format Every issue of ''Senses of Cinema'' follows roughly the same format: about a dozen "featured articles," often related to a unifying theme, a special dossier often devot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Repubblica
(; English: "the Republic") is an Italian daily general-interest newspaper with an average circulation of 151,309 copies in May 2023. It was founded in 1976 in Rome by Gruppo Editoriale L'Espresso (now known as GEDI Gruppo Editoriale) and led by Eugenio Scalfari, Carlo Caracciolo, and Arnoldo Mondadori Editore as a leftist newspaper, which proclaimed itself a "newspaper-party" (). During the early years of , its political views and readership ranged from the reformist left to the extraparliamentary left. Into the 21st century, it is identified with centre-left politics, and was known for its anti- Berlusconism, and Silvio Berlusconi's personal scorn for the paper. In April 2020, the paper was acquired by the GEDI Gruppo Editoriale of John Elkann and the Agnelli family, who is also the founder and owner of . Maurizio Molinari, the then editor of , was appointed as 's editor in place of ; this prompted the resignation of several journalists opposed to this change. Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Society Of Cinematographers
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Shelly Johnson. Members use the post-nominal letters "ASC". On the 1920 film titled ''Sand'', cinematographer Joseph H. August, who was an original member of the ASC, became the first individual to have the "ASC" appear after his name on the onscreen credit. Only cinematographers and special effect supervisors can become an ASC member. Basic requirements include being a director of photography for a minimum five out of the last eight years, having a high professional reputation and being recommended by three active or retired ASC members. History In th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silver Ribbon
The (plural: ''Nastri d'Argento''; English: Silver Ribbon) is an Italian film award, held since 1946 by the ''Sindacato Nazionale Giornalisti Cinematografici Italiani'' (Italian National Union of Film Journalists). Awards are given annually in a wide range of categories, covering not only feature films but also short films (''Corti d'argento'') and television series (''Nastri d'Argento Grandi Serie''). The main awards are given at Taormina Film Fest, Sicily, while the short film awards ceremony is held in Naples. History The Nastri d'Argento awards, which are also known by their name in English, Silver Ribbons, have been given each year since 1946 by the Italian National Syndicate of Film Journalists (Italian: ''Sindacato Nazionale Giornalisti Cinematografici Italiani''). From 1950, the main award was Best Director, with no award given for Best Film until sometime after 1991. This is because it was assumed that the best director made the best film. This was different from ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Cinematography
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. History In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on ''Sunrise.'' Still, three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. Finally, for the 1931 awards, the modern s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard negative pulldown, image exposure length on 35 mm for movies ("single-frame" format) is four film perforations, perforations per Film frame, frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th and early 20th centuries, along with various film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition. 480 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high-definition in some contexts. Some television series shot on high-definition video are made to look as if they have been shot on film, a technique which is often known as filmizing. History The first electronic scanning format, 405 lines, was the first ''high definition'' television system, since the mechanical systems it replaced had far fewer. From 1939, Europe and the US tried 605 and 441 lines until, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia And Julia
''Julia and Julia'' () is a 1987 Italian drama film directed by Peter Del Monte. The screenplay by Silvia Napolitano, Sandro Petraglia, Joseph Minion, and Del Monte is based on a story by Napolitano. Synopsis Julia, a young American woman living in Trieste, Italy, is widowed on her wedding day when her husband Paolo is killed in a car accident for which she is partly responsible. Six years later, Julia still lives in Trieste and works full-time at a local tourist travel office. She still keeps in close touch with Paolo's parents, but is cold and distant to her co-workers at the office and refuses to move on with her life or resume dating. One evening after work, Julia drives her car through a mysterious supernatural mist before returning to her apartment, where she discovers a strange woman living there. Across the street, in the elegant home she and Paolo had purchased and which she never sold, she finds him and their five-year-old son Marco treating her as if they have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stranger (1967 Film)
''The Stranger'' () is a 1967 film by Italian film director Luchino Visconti, based on Albert Camus's 1942 novel '' The Stranger'', with Marcello Mastroianni. Plot Arthur Mersault's friend Raymond beats his girlfriend and is sued by her. In court, Mersault testifies to his friend's advantage. Raymond is off the hook, but now his girlfriend's male relatives stalk Mersault. He shoots one of them and ends up in prison. Cast * Marcello Mastroianni as Arthur Meursault * Anna Karina as Marie Cardona * Bernard Blier as the Defense counsel * Georges Wilson as the Examining magistrate * Bruno Cremer as Priest * Pierre Bertin as the judge * Jacques Herlin as the Director of the rest home * Marc Laurent as Emmanuel * Georges Géret as Raymond * Brahim Haggiag as the Arab * Alfred Adam as the prosecutor * Jean-Pierre Zola as the employer * Mimmo Palmara as Monsieur Masson * Angela Luce as Madame Masson * Larry J. McDonald as the bearded man at the port Production Alain Delon Alain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of Italian neorealism, cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Critic Jonathan Jones (journalist), Jonathan Jones wrote that “no one did as much to shape Italian cinema as Luchino Visconti.” Born into a Milanese Visconti di Modrone, noble family with close ties to the artistic world, Visconti began his career in France as an assistant director to Jean Renoir. His 1943 directorial debut, , was condemned by the Fascist Italy (1922–1943), Fascist regime for its unvarnished depictions of working-class characters, but is today renowned as a pioneering work of Italian cinema, generally regarded as the first neorealist film. During Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
