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''Julia and Julia'' () is a 1987 Italian drama film directed by
Peter Del Monte Peter Del Monte (29 July 1943 – 31 May 2021) was an Italian film director and screenwriter. He directed fifteen films between 1969 and 2021. His 1982 film ''Invitation au voyage'' won the prize for the Best Artistic Contribution at the 1982 Ca ...
. The screenplay by Silvia Napolitano, Sandro Petraglia, Joseph Minion, and Del Monte is based on a story by Napolitano.


Synopsis

Julia, a young American woman living in Trieste, Italy, is widowed on her wedding day when her husband Paolo is killed in a car accident for which she is partly responsible. Six years later, Julia still lives in Trieste and works full-time at a local tourist travel office. She still keeps in close touch with Paolo's parents, but is cold and distant to her co-workers at the office and refuses to move on with her life or resume dating. One evening after work, Julia drives her car through a mysterious supernatural mist before returning to her apartment, where she discovers a strange woman living there. Across the street, in the elegant home she and Paolo had purchased and which she never sold, she finds him and their five-year-old son Marco treating her as if they have been together all along and the fatal car accident never happened. Paolo is a workaholic dedicated to his career as a ship designer, and a restless Julia has taken a lover: British photographer Daniel. Bewildered but happy to have her husband back, Julia tries to mend her marriage, but suddenly finds herself once again widowed and alone two days later when she finds herself transported back to the current reality that she knows. Over the next several weeks, Julia begins to slip back and forth between two different worlds, but she finds it increasingly difficult to determine which is reality and which is fantasy and starts to question her own sanity. Julia's two worlds become more similar when, in her widowed world, she meets Daniel after he walks into the travel office; smitten with him, she asks him out on a date. Reluctant at first, Daniel accepts, and they become involved in a sexual relationship just like her extramarital tryst with Daniel in her fantasy world in which her husband is alive. When Daniel becomes more possessive and controlling with Julia, she tries to break it off but he refuses to let their relationship end. Determined to free herself from a loveless romance, Julia ends up stabbing him to death in his hotel room one evening and dumping the body into the bay. Finally free from her relationship with Daniel, Julia quits her job and focuses entirely on her romance with Paolo and their son. However, several days later, while walking to the market to do food shopping, Julia is picked up by the police, who question her about Daniel's disappearance. When pressed to give an alibi for the day Daniel went missing, Julia tells the police investigator that she was with her husband despite having a sexual romance with Daniel. When the inspector tells Julia that her husband has been dead for the last six years, she breaks down, refusing to believe that Paolo is dead. Soon after, she confesses to killing Daniel. In the final scene, Julia is seen residing in a mental hospital where she tells Paolo's visiting mother that she now feels at peace with herself. She spends all her time alone in her room writing letters to Paolo and his parents while she keeps one memento that she took from her fantasy world: a photo of her, Paolo, and Marco together. It is left ambiguous whether this photo is real or just a figment of her fantasy world.


Production notes

The film debuted at the
Venice Film Festival The Venice Film Festival or Venice International Film Festival (, "International Exhibition of Cinematographic Art of the Venice Biennale") is an annual film festival held in Venice, Italy. It is the world's oldest film festival and one of the ...
in 1987 and was given limited release in the United States in January of the following year by Cinecom Pictures and earned $901,364. It was released in foreign markets as ''Giulia e Giulia''. This was the first feature shot using the
Sony HDVS Sony HDVS (High-Definition Video System) is a range of high-definition video equipment developed in the 1980s to support the Japanese Hi-Vision standard which was an early analog high-definition television system (used in multiple sub-Nyquist s ...
wideband analog
high-definition video High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines ( ...
technique and then transferred to 35mm film.


Principal cast

*
Kathleen Turner Mary Kathleen Turner (born June 19, 1954) is an American actress. Known for her distinctive deep husky voice, she is the recipient of two Golden Globes, as well as nominations for an Academy Award, a Grammy, and two Tony Awards. After debuting ...
as Julia *
Gabriel Byrne Gabriel James Byrne (born 12 May 1950) is an Irish actor. He has received a Golden Globe Award as well as nominations for a Grammy Award, two Primetime Emmy Awards and two Tony Awards. Byrne was awarded the Irish Film and Television Academy L ...
as Paolo * Sting as Daniel Osler *
Gabriele Ferzetti Gabriele Ferzetti (born Pasquale Ferzetti; 17 March 1925 – 2 December 2015) was an Italian actor with more than 160 credits across film, television, and stage. His career was at its peak in the 1950s and 1960s. Ferzetti's first leading rol ...
as Paolo's Father * Angela Goodwin as Paolo's Mother * Alexander Van Wyk as Marco * Renato Scarpa as Police Inspector * John Steiner as Alex * Yorgo Voyagis as Goffredo * Lidia Broccolino as Carla


Principal production credits

* Film producers: Francesco Pinto, Gaetano Stucchi * Film score: Maurice Jarre * Cinematography: Giuseppe Rotunno * Production design: Mario Garbuglia * Costume design: Nino Cerruti, Danda Ortona * Film editing: Michael Chandler


Critical reception

In his review in ''The New York Times'',
Vincent Canby Vincent Canby (July 27, 1924 – October 15, 2000) was an American film and theatre critic who was the chief film critic for ''The New York Times'' from 1969 until the early 1990s, then its chief theatre critic from 1994 until his death in 2000. ...
called the film "a not-very-spooky melodrama" and added, " tis minor movie making, but it does prove two things: that Kathleen Turner has become the kind of star who can carry even third-rate fiction without losing her beautiful, voluptuous cool, and that high-definition tape (on which this was initially shot) can be transferred to film and look as good as anything shot on film to start with." Roger Ebert of the ''Chicago Sun-Times'' observed "The construction of the story is ingenious and perverse and has a kind of inner logic of its own...This is the kind of movie that proves unbearably frustrating to some people, who demand explanations and resent obscurity. I have seen so many movies recently in which absolutely everything could be predicted that I found ''Julia and Julia'' perversely entertaining." In the ''Washington Post'', Rita Kempley described the film as "peculiar" and added "The unstable Julia must have seemed like a juicy opportunity for Turner, who likes to test herself with diverse roles."''Washington Post'' review
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References


External links

* * {{IMDb title, id=0093092, title=Julia and Julia 1987 films Italian mystery drama films 1980s mystery drama films Films directed by Peter Del Monte Films scored by Maurice Jarre Films set in Trieste 1987 drama films English-language Italian films 1980s English-language films 1980s Italian films English-language mystery drama films