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Giovanni Da Cascia
Giovanni da Cascia, also Jovannes de Cascia, Johannes de Florentia, Maestro Giovanni da Firenze, was an Italian composer of the medieval era, active in the middle of the fourteenth century. Life and career Virtually nothing is known about Giovanni's life. From his surname it is presumed that he was born in the village of Cascia, near Florence. It was once thought that he held a post at Florence Cathedral, but this is no longer accepted. A Florentine chronicle states that Giovanni and Jacopo da Bologna competed at Mastino II of Scala's court; Mastino died in 1351. The metaphors used in his works are consistent with prevailing idioms of the mid-14th century. His portrait in the Squarcialupi Codex shows him without priestly garments. Music Nineteen of Giovanni's compositions survive, scattered in nine manuscripts. Sixteen of these are madrigals, and three of them are '' cacce''. He is thought to have written some of his own texts. Musically, Giovanni's madrigals are of importance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nino Pirrotta
Nino Pirrotta (13 June 1908 in Palermo – 22 January 1998 in Palermo) was an Italian musicologist, pianist, music critic, and academic. As a musicologist, he achieved international renown for his scholarship of Italian music from the late medieval, Renaissance and early Baroque eras. Early life and education Born Antonino Pirrotta in Palermo, Pirotta was the son of Vincenzo Pirotta and Adele Pirrotta (née Restivo). His father owned a tinplate lithography factory. The family moved in intellectual circles in Palermo, and his father's cousin was the dramatist and novelist Luigi Pirandello. His sister Giulia married the composer Ottavio Ziino. In his youth, Pirrotta studied the piano privately with Luigi Amadio who was a professor of the organ at the Palermo Conservatory. He enrolled at the conservatory as a teenager while attending high school, but never graduated from that institution. He obtained his high school diploma in 1925 and later that year became a student of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imitation (music)
In music, imitation is the repetition of a melody in a polyphonic texture shortly after its first appearance in a different voice. The melody may vary through transposition, inversion, or otherwise, but retain its original character. The intervals and rhythms of an imitation may be exact or modified; imitation occurs at varying distances relative to the first occurrence, and phrases may begin with voices in imitation before they freely go their own ways. Imitation helps provide unity to a composition and is used in forms such as the fugue and canon. Definitions When a phrase recurs exactly as before (except perhaps transposed), it is called strict imitation. A round is thus an example of strict imitation. Repetition is defined as the repetition of a phrase or melody often with variations in key, rhythm, and voice. Different authors define imitation somewhat differently: The point of imitation, "marks the beginning of a series of imitative entries in a con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''. In this hierarchy, the single pitch or the root (music), root of a triad (music), triad with the greatest ''stability'' in a melody or in its harmony is called the tonic (music), ''tonic''. In this context "stability" approximately means that a pitch occurs frequently in a melody – and usually is the final note – or that the pitch often appears in the harmony, even when it is not the pitch used in the melody. The ''root'' of the tonic triad forms the name given to the key (music), key, so in the key of C major, C major the note C can be both the tonic of the scale (music), scale and the root of the tonic triad. However, the tonic can be a different Musical tone, tone in the same scale, and then the work is said to be in one of the mode (music), ''modes'' of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisation
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Skills and techniques The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more. Technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossi Codex
The Rossi Codex is a music manuscript collection of the 14th century. The manuscript is presently divided into two sections, one in the Vatican Library and another, smaller section in the Northern Italian town of Ostiglia. The codex contains 37 secular works including madrigals, cacce and, uniquely among trecento sources, monophonic ballatas. The codex is of great interest for trecento musicologists because for many years it was considered the earliest source of fourteenth-century Italian music. Although other pre-1380 sources of secular, polyphonic, Italian music have now been identified, none are nearly so extensive as the Rossi Codex. Structure and history Although the manuscript originally had at least 32 folios, only 18 survive today. The largest part of the Rossi Codex is currently in the Vatican Library (''Biblioteca Apostolica Vaticana, Rossi 215''). This section comprises seven bifolios, ff. 1–8 and ff. 18–21. In the early nineteenth century, it wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hocket
In music, hocket is the rhythmic linear technique using the alternation of notes, pitches, or chords. In medieval practice of hocket, a single melody is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests. History In European music, hocket or hoquet was used primarily in vocal and choral music of the 13th and early 14th centuries. It was a predominant characteristic of music of the Notre Dame school, during the '' ars antiqua'', in which it was found in sacred vocal music and string compositions. In the 14th century, this compositional device was most often found in secular vocal music. Although the term is in reference to this secular music of the 13th and 14th centuries in France, the technique under other names can be heard in different types of music across the world. The term originated in reference to medieval French motets, though the technique remains in common use in contemporary music. Examples include L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caccia (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called rounds—familiar singalong versions of " Row, Row, Row Your Boat" and " Frère Jacques" that call for each successive group of voices to begin the same song a bar or two after the previous group began are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Middle Ages, Renaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cascia
Cascia () is a town and ''comune'' (municipality) of the Italian province of Perugia in a rather remote area of the mountainous southeastern corner of Umbria. It is about 21 km from Norcia on the road to Rieti in the Lazio (63 km). It is also very close to Terni. History The modern territory of Cascia was the home of the Roman settlement of '' Carsulae'', destroyed in the 1st century BC by an earthquake. In the Middle Ages it was sacked by the Byzantines and the Lombards, and was later a fief of the Trinci family. It was occupied by Papal troops in the 15th century, and thenceforth it was a Papal town until the unification of Italy in 1860. Cascia was the home of Saint Rita of Cascia, who was born in the nearby ''frazione A ''frazione'' (: ''frazioni'') is a type of subdivision of a ''comune'' ('municipality') in Italy, often a small village or hamlet outside the main town. Most ''frazioni'' were created during the Fascist era (1922–1943) as a way to consolidat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
