|
Giovanni Animuccia
Giovanni Animuccia ( – March 1571)Lockwood and O’Regan, ''Animuccia, Giovanni,'' Grove Music Online. was an Italian composer of the Renaissance who was involved in the heart of Rome's liturgical musical life. He was one of Giovanni Pierluigi da Palestrina's most important predecessors and possibly his mentor. As ' of St Philip Neri's Oratory and the Capella Giulia at St Peter's, he was composing music at the very center of the Roman Catholic Church, during the turbulent reforms of the Counter-Reformation and as part of the new movements that began to flourish around the middle of the century. His music reflects these changes. Early life: Florence Animuccia was born in Florence around the beginning of the 16th century. The exact date is variously given as the end of the 15th century, , , and . His brother Paolo Animuccia was also a celebrated composer. However, little is known about their training and work during this period. Giovanni's first and second book of madriga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Savonarola
Girolamo Savonarola, OP (, ; ; 21 September 1452 – 23 May 1498), also referred to as Jerome Savonarola, was an ascetic Dominican friar from Ferrara and a preacher active in Renaissance Florence. He became known for his prophecies of civic glory, his advocacy of the destruction of secular art and culture, and his calls for Christian renewal. He denounced clerical corruption, despotic rule, and the exploitation of the poor. In September 1494, when King Charles VIII of France invaded Italy and threatened Florence, Savonarola's prophecies seemed on the verge of fulfillment. While the friar intervened with the French king, the Florentines expelled the ruling Medicis and at Savonarola's urging established a "well received" republic, effectively under Savonarola's control. Declaring that Florence would be the New Jerusalem, the world centre of Christianity and "richer, more powerful, more glorious than ever", he instituted an extreme moralistic campaign, enlisting the active he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that provide the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Borromeo
Charles Borromeo (; ; 2 October 1538 – 3 November 1584) was an Catholic Church in Italy, Italian Catholic prelate who served as Archdiocese of Milan, Archbishop of Milan from 1564 to 1584. He was made a Cardinal (Catholicism), cardinal in 1560. Borromeo founded the Confraternity of Christian Doctrine and was a leading figure of the Counter-Reformation together with Ignatius of Loyola and Philip Neri. In that role, he was responsible for significant reforms in the Catholic Church, including the founding of seminaries for the education of priests. He was canonized in 1610 and his feast day is 4 November. Early life Borromeo was a descendant of nobility; the Borromeo family was one of the most ancient and wealthy in Lombardy, made famous by several notable men, both in the church and state. The family coat of arms included the Borromean rings, which are sometimes taken to symbolize the Holy Trinity. Borromeo's father Gilbert was Count of Arona, Piedmont, Arona. His mother Marga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy
Liturgy is the customary public ritual of worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek (), ''leitourgia'', which means "work or service for the people" is a literal translation of the two affixes λήϊτος, "leitos", derived from the Attic form of λαός ("people, public"), and ἔργον, "ergon", meaning "work, service". In origin, it signified the often expensive offerings wealthy Greeks made in serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Trent
The Council of Trent (), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation at the time, it has been described as the "most impressive embodiment of the ideals of the Counter-Reformation.""Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). It was the last time an ecumenical council was organized outside the city of Rome. The Council issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass, and the veneration of saintsWetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. and also issued condemnations of what it defined to be heresies committed by proponents of Protestantism. The consequences of the council were als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius III
Pope Julius III (; ; 10 September 1487 – 23 March 1555), born Giovanni Maria Ciocchi del Monte, was head of the Catholic Church and ruler of the Papal States from 22 February 1550 to his death, in March 1555. After a career as a distinguished and effective diplomat, he was elected to the papacy as a compromise candidate after the death of Paul III. As pope, he made only reluctant and short-lived attempts at reform, mostly devoting himself to a life of personal pleasure. His reputation, and that of the Catholic Church, were greatly harmed by his scandal-ridden relationship with his adopted nephew, Innocenzo Ciocchi Del Monte. He is the most recent pope to take the pontifical name "Julius". Education and early career Giovanni Maria Ciocchi del Monte was born in Monte San Savino, the son of a distinguished Roman jurist. He was educated by the humanist Raffaele Brandolini Lippo, and later studied law at Perugia and Siena. During his career, he distinguished himself as a bril ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Hill
Vatican Hill (; ; ) is a hill in Rome, located on the right bank (west side) of Tiber river, opposite to the traditional seven hills of Rome. The hill also gave the name to Vatican City. It is the location of St. Peter's Basilica. Etymology The ancient Romans had several opinions about the derivation of the Latin word ''Vaticanus''. Varro (1st century BC) connected it to a ''Deus Vaticanus'' or '' Vagitanus'', a Roman deity thought to endow infants with the capacity for speech evidenced by their first wail (''vagitus'', the first syllable of which is pronounced in Classical Latin). Varro's rather complicated explanation relates this function to the tutelary deity of the place and to the advanced powers of speech possessed by a prophet ('' vates''), as preserved by the later antiquarian Aulus Gellius: We have been told that the word ''Vatican'' is applied to the hill, and the deity who presides over it, from the ''vaticinia'', or prophecies, which took place there by the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (music)
In music, texture is how the tempo and the melodic and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th centuries) and early Baroque music, Baroque (1580–1650) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. Madrigals written by Italianized Franco–Flemish composers in the 1520s in music, 1520s partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry writt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that he only ordered a compilation of melodies throughout the whole Christian world, after having instructed his emissaries in the Schola cantorum, where the Neume, neumatical notation was perfected, with the result of most of those melodies being a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 mode (music), modes. Typical melodic features include a characteristic Ambitus (music), ambitus, and also characteristic intervallic patterns relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
