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Gimme Dat Ding (album)
''Gimme Dat Ding'' is a split album by English bands The Sweet (side one) and The Pipkins (side two), released on EMI's budget record label, MFP ( Music For Pleasure) in 1970. It is named after the 1970 song " Gimme Dat Ding" by the Pipkins. In North America, The Pipkins released a full album of the same name, consisting of the six songs here and an additional four. It charted at No. 27 in Canada and No.132 in the US. Background This unusual alliance between two groups so radically opposed is attributed to that, in that time, both shared the same record producer ( John Burgess) and the same team of composers. After the poor commercial results with Burgess, in 1971 The Sweet decided to follow their own way, signing with the successful duet of songwriters Nicky Chinn and Mike Chapman and with a new producer, Phil Wainman. On the other hand, The Pipkins disappeared that same year due to the brief success that their comedy act had in their native Britain. According to the ...
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The Sweet
Sweet (known as the Sweet until the early 1970s) are a British glam rock band who rose to prominence in the 1970s. Their best-known line-up consisted of lead vocalist Brian Connolly, bassist Steve Priest, guitarist Andy Scott and drummer Mick Tucker. The band formed in London in 1968, originally with the name the Sweetshop, and achieved their first hit, " Funny, Funny", in 1971, after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman. During 1971 and 1972, their musical style showed a marked progression, from the Archies-like bubblegum style of "Funny, Funny" to a Who-influenced hard rock style, supplemented by a use of high-pitched backing vocals. The band achieved success in the UK charts during the 1970s, having thirteen top 20 hits, with " Block Buster!" (1973) topping the chart, followed by three consecutive number-two hits: "Hell Raiser" (1973), " The Ballroom Blitz" (1973) and " Teenage Rampage" (1974). The band turned ...
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Music Hall
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the World War I, Great War. It faded away after 1918 as the halls rebranded their entertainment as Variety show, variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These t ...
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Brian Connolly
Brian Francis Connolly (5 October 1945 – 10 February 1997) was a Scottish singer-songwriter, musician and actor, best known as the lead singer of glam rock band Sweet between 1968 and 1979 and known for his charismatic stage presence and distinctive voice. Early life Connolly was born in 1945 in Hamilton, South Lanarkshire. His mother was a teenage waitress, Frances Connolly, who left him in a Glasgow hospital as an infant. The identity of his biological father was never made public. Connolly was fostered at the age of two by Jim and Helen McManus of Blantyre, South Lanarkshire, and took their family name. After inadvertently discovering his lineage, he eventually reverted to the name Connolly. The McManuses were the family of Mark McManus, of ''Taggart'' fame. Both men perceived a resemblance between them, and supposed McManus's father to have also been Connolly's. Brian was known as Brian MacManus until he the age of eighteen, when he was informed he was adopted and chan ...
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The Coasters
The Coasters are an American rhythm and blues/rock and roll vocal group who had a string of hits in the late 1950s. With hits including "Searchin'", "Young Blood (The Coasters song), Young Blood", "Charlie Brown (The Coasters song), Charlie Brown", "Poison Ivy (song), Poison Ivy", and "Yakety Yak", their most memorable songs were written by the songwriting and producing team of Jerry Leiber and Mike Stoller, Leiber and Stoller. Although the Coasters originated outside of mainstream doo-wop, their records were so frequently imitated that they became an important part of the doo-wop legacy through the 1960s. In 1987, they were the first group inducted into the Rock and Roll Hall of Fame. History The Coasters were formed on October 12, 1955, when Carl Gardner and Bobby Nunn (doo-wop musician), Bobby Nunn left Los Angeles, California, Los Angeles–based rhythm and blues, rhythm-and-blues group the Robins and signed to Atlantic Records. Dubbed the Coasters because they had moved f ...
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Yakety Yak
"Yakety Yak" is a song written, produced, and arranged by Jerry Leiber and Mike Stoller for the Coasters and released on Atco Records in 1958, spending seven weeks as #1 on List of number-one rhythm and blues hits (United States), the R&B charts and a week at #2 on the Hot 100. This song was one of a string of singles released by the Coasters between 1957 and 1959 that dominated the charts, making them one of the biggest performing acts of the rock and roll era. In 1999, the original 1958 recording on the ATCO label by the Coasters was inducted into the Grammy Hall of Fame. Song The song is a "playlet," a word Stoller used for the glimpses into teenage life that characterized the songs he and Lieber wrote and produced. The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager's response ("yakety yak") and the parents' retort ("don't talk back") — an experience very familiar to a middle-class teenager of the day. Leiber has said the Coas ...
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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Mike Hazlewood
Mike Hazlewood (died 6 May 2001)Mike Hazelwood – Credits
AllMusic (6 May 2001). Retrieved 4 January 2013.
was a British singer-songwriter and composer. He variously worked with , , and .


Biography

Educated at
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Albert Hammond
Albert Louis Hammond Order of the British Empire, OBE (born 18 May 1944) is a Gibraltarians, Gibraltarian singer, songwriter and record producer. A prolific songwriter, he also collaborated with other songwriters such as Mike Hazlewood, John Bettis, Hal David, Diane Warren, Holly Knight, Carole Bayer Sager and Roy Orbison. Hammond wrote commercially successful singles for artists including Celine Dion, Joe Dolan, Aretha Franklin, Whitney Houston, Diana Ross, Leo Sayer, Tina Turner, Glen Campbell, Julio Iglesias, Willie Nelson, Lynn Anderson and Bonnie Tyler, and bands Ace of Base, Air Supply, Blue Mink, Chicago (band), Chicago, Heart (band), Heart, Living in a Box, the Carpenters, the Hollies, the Pipkins, Starship (band), Starship, and Westlife. Notable songs co-written by Hammond include "Make Me an Island" and "You're Such a Good Looking Woman" by Joe Dolan, "Nothing's Gonna Stop Us Now" by Starship, "One Moment in Time" sung by Whitney Houston, "The Air That I Breathe", a h ...
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Gimme Dat Ding
"Gimme Dat Ding" is a 1970 popular UK song, of the novelty type, sung by "one-hit wonder" The Pipkins, and written and composed by Albert Hammond and Mike Hazlewood. Released as a single, it is the title selection of an album which The Pipkins recorded and released on the EMI Columbia Records label. It also appeared on a compilation album of the same name, which The Pipkins shared with another up-and-coming UK group, The Sweet. It has also been included on many other compilation albums. "Gimme Dat Ding" was arranged by Big Jim Sullivan. Chart history The song peaked at number 6 on the UK Chart in March/April 1970. It reached number 7 in Canada, number 9 on the US Hot 100 and number 20 in US Easy Listening. It did best in New Zealand, where it reached number 1. Weekly charts Year-end charts Song profile "Gimme Dat Ding" is a call-and-response duet between a deep, gravelly voice, that of Tony Burrows, and a high tenor, that of Roger Greenaway. The voices are said to repre ...
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Studio Band
A session musician (also known as studio musician or backing musician) is a musician hired to perform in a recording session or a live performance. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres, and styles. Examples of "doubling" include double bass and electric bass, acoustic guitar and mandolin, piano and accordion, and saxophone and other woodwind instruments. Session musicians are used when musical skills are needed on a short-term basis. Typically, session musicians are used by recording studios to provide backing ...
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Falsetto
Falsetto ( , ; Italian language, Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal, or modal, voice (M1). The typical tone of falsetto register, or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound co ...
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