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Fuzuli Cantata
Fuzuli Cantata is a cantata composed by the musician Jahangir Jahangirov in 1959, and premiered the same year at the Azerbaijan State Opera and Ballet Theater. The work uses verses from classic Azerbaijani poet Fuzuli's ghazals and a poem by Rasul Rza dedicated to Fuzuli. The cantata consists of three parts, starting with an introduction. Here, Jahangirov captured the atmosphere and lyrical philosophical ideas of Fuzuli's era with a high emotional tone. To achieve this, the composer skillfully used the "Rahab" mugham. In general, the spirit of Fuzuli's ghazals is reflected in the music of the cantata. At the same time, the composer achieves dramatic development through the juxtaposition of various emotional states. Fuzuli Cantata is considered one of the finest examples of the music genre to which it belongs. Jahangir Jahangirov's cantata eclipses other works written in this genre. For nearly 500 years, Fuzuli's miracle in poetry has found its musical expression in Jahangir Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijani Folk Music
Azerbaijani may refer to: * Somebody or something related to Azerbaijan * Azerbaijanis * Azerbaijani language See also * Azerbaijan (other) * Azeri (other) * Azerbaijani cuisine * Culture of Azerbaijan The culture of Azerbaijan () combines a diverse and heterogeneous set of elements which developed under the influence of Iranian peoples, Iranic, Turkic peoples, Turkic and Peoples of the Caucasus, Caucasian cultures. Azerbaijani culture include ... * {{Disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rashid Behbudov
Rashid Macid oglu Behbudov (14 December 1915 – 9 June 1989) was a Soviet and Azerbaijani singer and actor. He has been referred to as the "golden voice of Azerbaijan". He performed his songs in multiple languages. Biography Rashid Behbudov was born in Tbilisi into the family of singer Majid Behbudov and Firuza Vakilova. His siblings included theatre director, ; and actress, . Between 1934 and 1944 Behbudov worked at the Philharmonic Theater in Yerevan. In the mid-1940s, composer and pianist Tofig Guliyev began creative collaboration with Behbudov. In 1945, upon the invitation of Tofig Guliyev, Rashid Behbudov moved to Baku. In the same year, he was assigned the main role of Asgar in the film ''The Cloth Peddler'' (1945 film) (), based on a play by Uzeyir Hajibeyov. His role in this film combined with his vocal skills brought him fame throughout Azerbaijan. In a short time, Behbudov also became a prominent Azerbaijani pop singer. His combination of vocal masterpieces r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shovkat Alakbarova
Shovkat Feyzulla qizi Alakbarova () (20 October 1922 in Baku – 7 February 1993 in Baku) was an Azerbaijani singer. Life and career development Shovkat Alakbarova was born to Azerbaijani parents - Feyzulla and Hokuma Alakbarov, and was the third of the family's four children. Her mother was a professional tar player and her father, a labourer, was a folk music lover. Both parents passed similar interests on to their children. by Rafael Huseynov. ''Azerbaijan International''. Summer 1993. Retrieved 27 August 2006 As a child, Shovkat took up kamancha lessons. In 1937, she became one of the finalists at a contest held among amateur singers and judged by prominent Azerbaijani composers and musicians, such as |
Azerbaijan State Choir Capella
The Azerbaijan State Choir Capella an Azerbaijani choir collective established in 1966 and affiliated with the Azerbaijan State Philharmonic Hall. Repertoire of the capella includes more than thousand compositions of Azerbaijani and foreign composers (Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giuseppe Verdi, Carl Orff, Igor Stravinsky, Vasif Adigozalov Vasif Zulfugar oghlu Adigozalov (alternative spellings: Adigezalov, Adygozal) (; 28 July 1935 – 15 September 2006) was one of Azerbaijan's most distinguished composers. He is the son of khananda Zulfu Adigozalov, brother of violinist and sing ..., Mammad Guliyev and others) and also folk songs and various patterns of choir music in it. Members of the capella have participated at Soviet and international festivals and ceremonies held both in Azerbaijan and other countries. Conductors of the capella * E.Novruzov, Honored Art Worker, was the first director and chief conductor of the capella. * Gulbaji Imanova, professor an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijan State Symphony Orchestra
The Hajibeyov Azerbaijan State Symphony Orchestra (Azerbaijani language, Azeri: ''Hacıbəyov adına Azərbaycan Dövlət Simfonik Orkestri'') was formed in 1920 being one of the first orchestras in the Soviet Union, at the request of composer Uzeyir Hajibeyov after whom it was later named. It is affiliated with the Azerbaijan State Philharmonic Society. Composers such as Rhené-Baton and Otto Klemperer were invited from abroad to assist in establishing and training the orchestra body. From 1938 to 1984, Hajibeyov's nephew Niyazi was conducting the orchestra. After his death, the conducting has been performed by People's Artist of Azerbaijan, Professor Rauf Abdullayev. The orchestra has toured a number of countries including the United States, the United Kingdom, France, Germany, Switzerland, Italy, Turkey, and Egypt. Principal conductors * Uzeyir Hajibeyov (1920–1938) * Niyazi Hajibeyov (1938–1984) * Rauf Abdullayev (1984– ) References Azerbaijani symphony orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Paleolithic flutes with hand-bored holes are the earliest known identifiable musical instruments. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany, indicating a developed musical tradition from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia also has a long history with the instrument. A playable bone flute discovered in China is dated to about 9,000 years ago. The Americas also had an ancient flute culture, with instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baku Academy Of Music
The Hajibeyli Baku Academy of Music (Azeri: ''Hacıbəyli adına Bakı Musiqi Akademiyası'') is a music school in Baku, Azerbaijan. It was established in 1920 in Baku and was previously known as the Hajibeyli Azerbaijan State Conservatoire. History In 1920, Azerbaijani composer Uzeyir Hajibeyli began a movement aimed at propagating classical music among the people. His report presented at the Azerbaijani People's Commissariat of Education (early Soviet analogue of a Ministry of Education) offering the establishment of a high-level music education institution resulted in the approval of his proposal. Thus, the Azerbaijan State Conservatoire was founded on 25 May 1920. Hajibeyli became one of its first instructors. In the 1920s, he established the Oriental Department, where Azeri folk music was taught both traditionally (orally) and by European methods, i.e., using notes. Along with composer Muslim Magomayev, he developed the textbook ''Azeri Folk Songs,'' published in 1927. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford University Press, 2006). ) is a Counterpoint, contrapuntal, Polyphony, polyphonic Musical composition, compositional technique in two or more voice (music), voices, built on a Subject (music), subject (a musical theme) that is introduced at the beginning in imitation (music), imitation (repetition at different pitches), which recurs frequently throughout the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to Music history of the United States, early American (i.e. shape note or "Sacred Harp") music and West gallery music, West Gallery music. A fugue usually has three main sections: an exposition (music), exposition, a development (music), development, and a final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shur (mugham)
“Shur”() – is one of the great mughams (a multifrequency vocal-instrumental composition) and one of seven main modes in Azerbaijani music. This is the second mode and consists of 1-0.5-1 tone, which is created in the result of amalgamation of three tetra-chords with reach method of the first tetra-chord. Shur mode is the most used mode in Ashik art. Shur creates a joyful lyrical mood for the listener. Subgenres of Shur includes: Bardasht, Maye, Salmak, Shur-Shahnaz, Busalik, Bayaty-Turk, Shikasteyi-Fars, Mubarriga, Ashiran, Semai-Shams, Hijaz, Shakh Khatai, Sarenj, Gemengiz, Nishibi-Feraz, space for Shur. Mugams relating to the Shur are: Shahnaz, Sarenj, Arazbary, Osmani, Rahab, Neva.There are seven main modes and three auxiliary modes in Azerbaijan Mugam In comparison with S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast (maqam)
Rast Panjgah (or Rast; ) is the name of a ''dastgah'' (musical mode) in Iranian music and of a ''Arabic maqam, maqam'' in Arabic music, Arabic and related systems of music. ''Rast'' () is a Persian word meaning "right" or "direct". Rast is regarded as the basic ''dastgah'' in Iranian music and later on was adopted in Arabic music, Arabic and Turkish makam music, in the same way as the major scale in Western music, though it is rather different from the major scale in detail. ''Rast'' features a quarter tone, half-flat third and a half-flat seventh scale degrees. Middle eastern Sephardic Jews liken the word ''rast'' to "head" from the Hebrew word ''rosh''. Therefore, they have a tradition of applying maqam rast to the prayers whenever they begin a new Torah book in the weekly Torah portions (this occurs approximately five times a year as there are five books in the Torah). Rast in different music traditions * Rast (Arabic maqam) * Rast (Turkish makam) *Rast pitch class set * Ras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
