Francesco Civalli
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Francesco Civalli
Francesco Civalli (Perugia, 1660- January 7, 1703 in Rome) was an Italian painter of the Baroque, active in Perugia. He was the pupil of Andrea Carlone, but then trained with Giovanni Battista Gaulli in Rome.The History of Painting in Italy, From the Period of the Revival of the Fine Arts.
By Luigi Antonio Lanzi, page 516. He frescoed ceilings in
San Giorgio in Velabro San Giorgio in Velabro is a church in Rome, Italy, dedicated to St. George. The church is located next to the Arch of Janus in the rione of Ripa in the ancient Roman Velabrum. According to the founding legend of Rome, the church was built wh ...< ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ...
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Perugia
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia is also a well-known cultural and art ...
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Andrea Carlone
Andrea Carlone (16 May 1626 – 4 April 1697) was an Italian painter of the Baroque period, active mainly in his natal city of Genoa. He was the son of the painter Giovanni Battista Carlone and Niccoletta Scorza. He traveled and painted extensively through Italy. After initial work with his father, he traveled to Venice for a few years. His first works were pictures at the church of the Gesù at Perugia, and the ''Life of St. Felician'' in the church of that saint at Foligno. He went afterwards to Rome to the studio of Carlo Maratta Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition .... He married in Rome, with the sister of Perruchi, the personal secretary (Maggiordomo) for Marchese Costaguti. His brother Niccolò was also a painter. Works *''Life of St. Felician'', San Feliciano ...
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Giovanni Battista Gaulli
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Gio ...
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San Giorgio In Velabro
San Giorgio in Velabro is a church in Rome, Italy, dedicated to St. George. The church is located next to the Arch of Janus in the rione of Ripa in the ancient Roman Velabrum. According to the founding legend of Rome, the church was built where Roman history began: it is near here that the mythical she-wolf found the mythical babies, Romulus and Remus. The façade of the church encroaches upon and incorporates the ancient ''Arcus Argentariorum''. San Giorgio in Velabro is the station church for the first Thursday in Lent. History An inscription, dated in 461 or 482, found in the catacombs of St. Callixtus, probably refers of a church in the same zone, "LOCVS AVGVSTI LECTORIS DE BELABRV", though there is nothing to connect the lector with S. Giorgio. The first religious building attested in the place of the current basilica is a diaconia, funded by Pope Gregory I. In September or October 598, Pope Gregory wrote to the abbot Marinianus, that, since his monastery was next do ...
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1660 Births
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers ( Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. ...
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1703 Deaths
Seventeen or 17 may refer to: * 17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *'' Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Chr ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian film by A ...
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18th-century Italian Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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Umbrian Painters
Umbrian is an extinct Italic language formerly spoken by the Umbri in the ancient Italian region of Umbria. Within the Italic languages it is closely related to the Oscan group and is therefore associated with it in the group of Osco-Umbrian languages, a term generally replaced by Sabellic in modern scholarship. Since that classification was first formulated, a number of other languages in ancient Italy were discovered to be more closely related to Umbrian. Therefore, a group, the Umbrian languages, was devised to contain them. Corpus Umbrian is known from about 30 inscriptions dated from the 7th through 1st centuries BC. The largest cache by far is the Iguvine Tablets, sevenThe tradition born in the 17th century that the tablets were originally nine, and that two, sent to Venice, never came back, must be considered spurious. Paolucci (1966), p. 44 inscribed bronze tablets found in 1444 near the village of Scheggia or, according to another tradition, in an underground chamb ...
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