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Francesca Da Rimini (Zandonai)
''Francesca da Rimini'', Op. 4, is an opera in four acts, composed by Riccardo Zandonai, with a libretto by , after D'Annunzio's play '' Francesca da Rimini''. It was premiered at the Teatro Regio in Turin on 19 February 1914 and is still staged occasionally. This opera is Zandonai's best-known work. In the ''New Grove Dictionary of Opera'', Renato Chiesa calls it "one of the most original and polished Italian melodramas of the 20th century, hichcombines a powerful gift for Italian melody ... with an exceptional command of orchestration." Celebrated performers of the title role have included Gilda dalla Rizza, Magda Olivero (who recorded excerpts from the opera in 1969, for Decca Records), Raina Kabaivanska and Renata Scotto. Roles Synopsis The story takes place in Ravenna and Rimini. Francesca, daughter of Guido I da Polenta, for state reasons, is to be married to Giovanni, known as Gianciotto, the malformed son of Malatesta da Verucchio. But as Francesca would certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riccardo Zandonai
Riccardo Zandonai (28 May 1883 – 5 June 1944) was an Italian composer and conducting, conductor. Biography Zandonai was born in Borgo Sacco, Rovereto, then part of Austria-Hungary. As a young man, he showed such an aptitude for music that he entered the Pesaro Conservatorio in 1899 and completed his studies in 1902; he completed the nine-year curriculum in only three years. Among his teachers was Pietro Mascagni, who regarded him highly. During this period he composed the ''Inno degli studenti trentini'', that is, the anthem of the organised irredentism, irredentist youth of his native province. His essay for graduation was an opera named ''Il ritorno di Odisseo'' (''The Return of Ulysses''), based on a poem by Giovanni Pascoli, for singers, choir and orchestra. The same year 1902 he put to music another Pascoli poem, ''Il sogno di Rosetta''. At a soirée in Milan in 1908, he was heard by Arrigo Boito, who introduced him to Giulio Ricordi, one of the dominating figures in Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malatesta Da Verucchio
Malatesta da Verucchio (1212–1312) was the founder of the powerful Italian Malatesta family and a notable ''condottiero.'' He was born in Verucchio. He was the son of Malatesta della Penna (1183–1248). Biography He was the leader of the Guelphs in Romagna and became ''podestà'' (chief magistrate) of Rimini in 1239. In 1295, he made himself the undisputed ruler of Rimini by killing the chief members of the rival Ghibelline family, the Parcitati, including their leader Montagna. His eldest son was Giovanni Malatesta, famous for the 1285 tragedy, recorded in Dante's '' Inferno'', in which he killed his wife Francesca da Polenta and his younger brother Paolo Paolo is a masculine given name, the Italian language, Italian form of the name Paul (name), Paul. It may refer to: People Art * Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Alboni (1671–1734), Italian painter * Paolo Anton ..., having discovered them in adultery. He was succeeded as seignior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido I Da Polenta
Guido I da Polenta (died 1310) was lord of Ravenna from 1275 until his abdication in 1297. The son of Lamberto da Polenta, he was ousted from Ravenna by the imperial troops in 1240. When the city was returned to the Papal States in 1248, Guido was able to return and was made chief of the local council. In 1270, after the death of Bishop Felix, he divided the power in the city and that of Comacchio with Guido Riccio da Polenta, in collaboration with the other major Ravennate family, the Traversari. However, Guido and Guido Riccio soon were at war, and Guido allied with the Malatesta of Rimini in order also to counter Guido I da Montefeltro who had conquered Forlì and Cervia. Through this alliance Guido was able to gain the complete seigniory of Ravenna. The marriage of his daughter Francesca with Giovanni Malatesta caused a revolt in the city, whose outcome was the expulsion of the Traversari. In 1282 he took part to the offensive of the Pope against Guido da Montefeltro, and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rimini
Rimini ( , ; or ; ) is a city in the Emilia-Romagna region of Northern Italy. Sprawling along the Adriatic Sea, Rimini is situated at a strategically-important north-south passage along the coast at the southern tip of the Po Valley. It is one of the most notable seaside resorts in Europe, with a significant domestic and international tourist economy. The first bathing establishment opened in 1843. The city is also the birthplace of the film director Federico Fellini, and the nearest Italian city to the independent Republic of San Marino. The ancient Romans founded the ''colonia'' of in 268 BC, constructing the Arch of Augustus and the Ponte di Tiberio at the start of strategic roads that ended in Rimini. During the Renaissance, the city benefited from the court of the House of Malatesta, hosting artists like Leonardo da Vinci and producing the Tempio Malatestiano. In the 19th century, Rimini hosted many movements campaigning for Italian unification. Much of the cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravenna
Ravenna ( ; , also ; ) is the capital city of the Province of Ravenna, in the Emilia-Romagna region of Northern Italy. It was the capital city of the Western Roman Empire during the 5th century until its Fall of Rome, collapse in 476, after which it served as the capital of the Ostrogothic Kingdom and then the Byzantine Exarchate of Ravenna. It has 156,444 inhabitants as of 2025.Initially settled by the Umbri people, Ravenna came under Roman Republic control in 89 BC. Augustus, Octavian built the military harbor of Classe, ancient port of Ravenna, Classis at Ravenna, and the city remained an important seaport on the Adriatic Sea, Adriatic until the early Middle Ages. The city prospered under imperial rule. In 401, Western Roman emperor Honorius (emperor), Honorius moved his court from Mediolanum to Ravenna; it then served as capital of the empire for most of the 5th century. After the fall of the Western Roman Empire, Ravenna became the capital of Odoacer until he was defeated by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Nessi
Giuseppe Nessi (25 September 1887 – 16 December 1961) was an Italian operatic tenor. Life Nessi was born in Bergamo, near Milan in Italy. He made his debut in Saluzzo in 1910, in the role of Alfredo in '' La Traviata''.Harold Rosenthal/R, "Nessi Giuseppe", in Sadie, Stanley (ed.), ''The New Grove Dictionary of Opera'', Oxford University Press, 1997, III, p. 575. However, on the advice of renowned Italian conductor Tullio Serafin, the majority of his career was focussed on character tenor roles.Rosenthal, Harold; & Warrack, John (1964). ''Concise Oxford Dictionary of Opera''. London: Oxford University Press, p. 279 He was La Scala's leading comprimario tenor between 1921 and 1959, and also performed at the Royal Opera House, Covent Garden, and at the Salzburg Festival under Arturo Toscanini. He created, among others, the roles of Pong in '' Turandot'', the Priest in '' Il re'', Donna Pasqua in '' Il campiello'', and an archer in '' Francesca da Rimini''; in Zandonai's opera h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriella Besanzoni
Gabriella Besanzoni (20 September 1888 – 8 July 1962) was an Italian opera singer (mezzo-soprano and contralto). Early life Gabriella Besanzoni was born in Rome and studied at the Accademia Nazionale di Santa Cecilia. Career Besanzoni had her debut at Viterbo in 1911. From 1918 she was a star of the Teatro Colón of Buenos Aires, with regular appearances in other South American cities, especially Rio de Janeiro. Her debut in the United States happened in 1919, when she sang Amneris in ''Aida'' with Claudia Muzio, Giovanni Martinelli, and Renato Zanelli. That same season, she starred with Enrico Caruso in productions of ''Samson et Dalila'' and '' La Forza del Destino'' at the Metropolitan Opera. The pair were appearing together in ''Aida'' in Havana in 1920 when a bomb exploded in the auditorium during the second act of the final performance.Richard P. ConnellLiner Notes, ''Jose Mojica - Tenor; Gabriella Besanzoni - Alto'', ArkivMusic. She left the Teatro Colón in 1935, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a classical music, classical female singing human voice, voice whose vocal range is the lowest of their voice type, voice types. The contralto's vocal range is fairly rare, similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable Voice classification in non-classical music, system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
