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Francesca Da Rimini
Francesca da Rimini or Francesca da Polenta (died between 1283 and 1286) was an Italian noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta. She was a contemporary of Dante Alighieri, who portrayed her as a character in the ''Divine Comedy''. Life and death Daughter of Guido I da Polenta of Ravenna, Francesca was wedded in or around 1275 to the brave, yet crippled Giovanni Malatesta (also called Gianciotto or "Giovanni the Lame"), son of Malatesta da Verucchio, lord of Rimini. The marriage was a political one; Guido had been at war with the Malatesta family, and the marriage of his daughter to Giovanni was a way to secure the peace that had been negotiated between the Malatesta and the Polenta families. While in Rimini, she fell in love with Giovanni's younger brother, Paolo. Though Paolo, too, was married, they managed to carry on an affair for some ten years, until Giovanni ultimat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti - Paolo And Francesca Da Rimini (1862)
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian Italian poetry, poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal dialect, Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galehaut
Galehaut (or Galaha ''l/u''t, Galeho ''l/u''t, Gallehau ''l''t, Galhault, Galeotto, et al.) is a half-giant knight and sovereign prince in Arthurian legend. He is most prominent within the Lancelot-Grail prose cycle where he is a noble enemy turned an ally of King Arthur as well as an inseparable friend (and possible lover, according to some interpretations) of Arthur's champion Lancelot. The figure of Galehaut should not be mistaken with Lancelot's son, Galahad (which is also Lancelot's own birth name), and some other similarly named characters. Legend Galehaut, a half-blood giant lord of the Distant Isles (''le sire des Isles Lointaines''), appears for the first time in the Matter of Britain in the "Book of Galehaut" section of the early 13th-century Prose ''Lancelot Proper'', the central work in the series of anonymous Old French prose romances collectively known as '' Lancelot-Grail'' (the Vulgate Cycle). An ambitious, charismatic, towering figure of a man (six inche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Jean Guillaume Martin
Henri-Jean Guillaume "Henri" Martin (; 5 August 1860 – 12 November 1943) was a French Painting, painter. Elected to the Académie des Beaux-Arts in 1917, he has been described as a prolific master whose work has touches of melancholy, dreaminess and mystery. Martin is known for his early 1920s work on the walls of the Salle de l'Assemblée générale, where the members of the Conseil d'État (France), Conseil d'État meet in the Palais-Royal in Paris. Other notable institutions that have featured his Post-Impressionism, Post-Impressionist paintings in their halls through public procurement include the Élysée Palace, Sorbonne (building), Sorbonne, Hôtel de Ville, Paris, Hôtel de Ville de Paris, Palais de Justice, Paris, Palais de Justice de Paris and Capitole de Toulouse. The Musée des Beaux-Arts de Bordeaux and Musée des Augustins also have sizeable public collections. Life and career Early years Born at 127 Grande-Rue Saint-Michel in Toulouse to a French cabinet maker an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria D'Arte Moderna, Milan
The Galleria d'Arte Moderna is a modern art museum in Milan, in Lombardy in northern Italy. It is housed in the Villa Reale, at Via Palestro 16, opposite the Giardini Pubblici Indro Montanelli. The collection consists largely of Italian and European works from the eighteenth to the twentieth centuries. The museum has works by Francesco Filippini, Giuseppe Ferrari, Giovanni Fattori, Silvestro Lega, Giovanni Boldini, Vincent van Gogh, Édouard Manet, Paul Gauguin, Paul Cézanne, Pablo Picasso, Giacomo Balla, Umberto Boccioni, Francesco Hayez, Giovanni Segantini, Giuseppe Pellizza da Volpedo and Antonio Canova, among others. Works have been donated by Milanese families including the Treves, Ponti, Grassi and Vismara. After the Second World War the twentieth-century works in the collection were moved to the Padiglione d'Arte Contemporanea, built in 1955 on the site of the former stables of the palace, which had been destroyed by wartime bombing. In 2011, some works were moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosè Bianchi
Mosè Bianchi (13 October 184015 March 1904) was an Italian painter and printmaker. Biography The son of Giosuè Bianchi (1806–75), a painter of portraits and religious subjects in the academic style, he enrolled at the Brera Academy, Milan, in 1856. In 1859 he temporarily abandoned his studies to fight in the second Italian War of Independence, returning to Milan to study under Giuseppe Bertini. Among his fellow pupils was Tranquillo Cremona, whose involvement with the Scapigliati later had an impact on Bianchi’s work. In 1862 Bianchi exhibited his first large-scale, independently executed work, the history painting the ''Priest Stefano Guandeca Accusing the Archbishop of Milan, Anselmo Pusterla, of Sacrilegious Betrayal'' (1862; priv. col.). He continued to exhibit regularly and in 1866 he was awarded the Pensionato Oggioni for his ''Conversion of St. Paul'' (1866; priv. col.), which enabled him to visit Venice, Paris and Rome. During this period Bianchi met the artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watts Gallery
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. History Watts moved to "Limnerslease" in Compton in 1891, and with his artist wife, Mary Fraser-Tytler, planned a museum devoted to his work, which opened in April 1904, just before his death. The architect of the Gallery was Christopher Hatton Turnor, an admirer of Edwin Lutyens and C.F.A. Voysey. Inspired by the Arts and Crafts movement, the building contains top-lit galleries that allow Watts's work to be displayed under natural light. It is one of only a few galleries in the UK devoted to a single artist and is often hailed as a national gallery in the heart of a village. The present director is Alistair Burtenshaw and the curator is Dr Cicely Robinson. Former curators include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frederic Watts
George Frederic Watts (23 February 1817 – 1 July 1904) was a British painter and sculptor associated with the Symbolism (arts), Symbolist movement. Watts became famous in his lifetime for his allegorical works, such as ''Hope (Watts), Hope'' and ''Love and Life''. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language. Early life and education Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the ''Iliad''. The former put him off conventional religion for life, while the latter was a continual influence on his art. He showed artistic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Doré
Paul Gustave Louis Christophe Doré ( , , ; 6January 1832 – 23January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's ''Divine Comedy''. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. He created over 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries. Although Doré's work was popular with the general public during his life, it was met with mixed reviews from contemporary art critics. His work has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bury Art Museum
Bury Art Museum and Sculpture Centre, formerly known as Bury Museum and Art Gallery, is a public museum, archives, and art gallery in the town of Bury, Greater Manchester, northern England, owned by Bury Council. Built in 1901, the museum's buildings were restored and reopened in 2005. History Bury Art Museum's collection was established, in commemoration of Queen Victoria's Diamond Jubilee in 1897, with the gift of more than 200 oil paintings, watercolours, prints and ceramics accumulated by the Victorian paper manufacturer Thomas Wrigley (1808–1880), on the condition that suitable premises should be built to house the collection. The present building was designed by the Manchester firm of Woodhouse and Willoughby, and was opened by Frederick Stanley, 16th Earl of Derby on 9 October 1901. The town's Museum opened in the basement of the Art Gallery in 1907. Collections The museum's Wrigley Collection is an assemblage of more than two hundred oil paintings, watercolours, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Noel Paton
Sir Joseph Noel Paton (13 December 1821 – 26 December 1901) was a Scottish artist, illustrator and sculptor. He was also a poet and had an interest in, and knowledge of, Scottish folklore and Celtic legends. Early life Paton was born in Wooer's Alley, Dunfermline, Fife, on 13 December 1821 to Joseph Neil Paton and Catherine MacDiarmid, damask designers and weavers in the town. He was the brother of the sculptor Amelia Robertson Hill, and the landscape artist Waller Hugh Paton. He also had one brother, Archibald, and two sisters, Catherine and Alexia, who died in childhood. Later in his life, Paton erected a monument on the grave site of his parents and siblings. Their graves were probably originally unmarked; the monument lies on the north side of Dunfermline Abbey and—amongst nearby smaller, sandstone markers—is a distinctive red granite Celtic cross. Paton attended Dunfermline School and then Dunfermline Art Academy, further enhancing the talents he had developed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Fraschieri
Giuseppe Fraschieri (1808–1886) was an Italian painter. He was born in Savona. He initially trained at the Accademia Ligustica of Genoa, but then, under a stipend of the city of Savona, he went to study in the studio of Giuseppe Bezzuoli in Florence. In 1829, his drawing of the invention of painting won a first prize at the Accademia of Florence. He moved back to Sestri Ponente after a few years in Florence, interrupted by stays in Rome and London. In 1838, he was named Academic of Merit and Regent of the Painting classes at the Ligurian Academy. In 1842, he became director. From 1852 to 1869, he taught painting and color. His style was Romantic and among his pupils were Giacomo Ulisse Borzino, genre painter and portraitist; Antonio Caorsi; Giuseppe Ferrari; and Biagio Torrielli. In London he gained a number of portrait commissions. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Anton Koch
Joseph Anton Koch (27 July 1768 – 12 January 1839) was an Austrian painter of Neoclassicism and later the German Romantic movement; he is perhaps the most significant neoclassical landscape painter. Biography The Tyrolese painter was born in Elbigenalp. Early in his life he was tending cattle. Through the recommendation of Bishop Umgelder (1785), he received academic training in the Karlsschule Stuttgart, a strict military academy. In 1791, he ran away, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' "heroic" art, at first in a literal manner. He etched the pages of Carstens' ''Les Argonautes, selon Pindar, Orphée et Apollonius de Rhode'' (Rome, 1799). After 1800, Koch developed as a landscape painter. In Rome, he espoused a new type of "heroic" landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. In 1812, forc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
