|
Joseph Noel Paton
Sir Joseph Noel Paton (13 December 1821 – 26 December 1901) was a Scottish artist, illustrator and sculptor. He was also a poet and had an interest in, and knowledge of, Scottish folklore and Celtic legends. Early life Paton was born in Wooer's Alley, Dunfermline, Fife, on 13 December 1821 to Joseph Neil Paton and Catherine MacDiarmid, damask designers and weavers in the town. He was the brother of the sculptor Amelia Robertson Hill, and the landscape artist Waller Hugh Paton. He also had one brother, Archibald, and two sisters, Catherine and Alexia, who died in childhood. Later in his life, Paton erected a monument on the grave site of his parents and siblings. Their graves were probably originally unmarked; the monument lies on the north side of Dunfermline Abbey and—amongst nearby smaller, sandstone markers—is a distinctive red granite Celtic cross. Paton attended Dunfermline School and then Dunfermline Art Academy, further enhancing the talents he had developed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amelia Robertson Hill
Amelia Robertson Hill (15 January 1821 – 5 July 1904), birth record Emmilia McDermaid Paton, was a prominent Scottish artist and sculptor throughout the 19th century and one of the few with public commissions. Her most noteworthy works are the statue of David Livingstone in Princes Street Gardens, Edinburgh and statue of Robert Burns in Dumfries. She was the main female contributor to the statues on the Scott Monument, contributing three figures. Life Hill was born in Wooer's Alley, Dunfermline, the daughter of Catherine McDiarmid (d. 1853) and Joseph Neil Paton (1797–1874), a damask designer. Her sister Jemima, born on 11 November 1823. Her brothers were artists Joseph Noel Paton (1821–1901) and Waller Hugh Paton (1828–1895). She appears to have trained as a sculptor under William Brodie in Edinburgh. In 1862 she married the pioneer photographer David Octavius Hill. She was his second wife. They lived in Edinburgh. His role as secretary of the Royal Scottish Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dunfermline
Dunfermline (; , ) is a city, parish, and former royal burgh in Fife, Scotland, from the northern shore of the Firth of Forth. Dunfermline was the de facto capital of the Kingdom of Scotland between the 11th and 15th centuries. The earliest known settlements around Dunfermline probably date to the Neolithic period, growing by the Bronze Age. The city was first recorded in the 11th century, with the marriage of Malcolm III of Scotland, and Saint Margaret of Scotland, Saint Margaret at Dunfermline. As List of Scottish consorts, Queen consort, Margaret established a church dedicated to the Trinity, Holy Trinity, which evolved into Dunfermline Abbey under their son David I of Scotland, David I in 1128, and became firmly established as a prosperous royal mausoleum for the Kingdom of Scotland, Scottish Crown. A total of eighteen royals, including seven Kings, were buried here between 1093 and 1420 including Robert the Bruce in 1329. By the 18th century, Dunfermline became a regiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting '' Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Scotland
The National (formerly the Scottish National Gallery) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The National is run by National Galleries Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the National is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the National. History The origins of Scotland's national collection lie with the Royal Institution for the Encouragement of the Fine Arts in Scotland, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Quarrel Of Oberon And Titania
''The Quarrel of Oberon and Titania'' is an oil on canvas painting by the Scottish artist Sir Joseph Noel Paton. Painted in 1849, it depicts the scene from William Shakespeare's comedy play ''A Midsummer Night's Dream'', when the fairy queen Titania and fairy king Oberon quarrel; Oberon was considered the King of the fairies in medieval and Renaissance literature. When exhibited in Edinburgh during 1850, it was declared as the "painting of the season". It was acquired by the National Gallery of Scotland in 1897, having initially been bought by the Royal Association for Promoting the Fine Arts in Scotland during 1850. An earlier version of this painting was Paton's diploma picture, which was submitted to the Royal Scottish Academy in 1846; they paid £700 for it. Description The overall dimensions of the oil on canvas painting are . Based on William Shakespeare's comedy play ''A Midsummer Night's Dream'', it depicts a scene in which the fairy queen Titania and fairy king Oberon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Scottish Academy
The Royal Scottish Academy (RSA) is the country's national academy of art. It promotes contemporary art, contemporary Scottish art. The Academy was founded in 1826 by eleven artists meeting in Edinburgh. Originally named the Scottish Academy, it became the Royal Scottish Academy on being granted a royal charter in 1838. The RSA maintains a unique position in the country as an independently funded institution led by eminent artists and architects to promote and support the creation, understanding, and enjoyment of visual arts through exhibitions and related educational events. History The Royal Institution for the Encouragement of the Fine Arts in Scotland (RI) was founded in 1819 with the aim of mounting exhibitions and promoting artistic appreciation in Scotland. The RI acquired artworks by contemporary Scottish artists as well as a number of Old Master, Old Masters. A new building to house the exhibitions, the Royal Scottish Academy Building, Royal Institution designed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rime Of The Ancient Mariner
''The Rime of the Ancient Mariner'' (originally ''The Rime of the Ancyent Marinere''), written by English poet Samuel Taylor Coleridge in 1797–98 and published in 1798 in the first edition of '' Lyrical Ballads'', is a poem that recounts the experiences of a sailor who has returned from a long sea voyage. Some modern editions use a revised version printed in 1817 that featured a gloss. The poem tells of the mariner stopping a man who is on his way to a wedding ceremony so that the mariner can share his story. The Wedding-Guest's reaction turns from amusement to impatience to fear to fascination as the mariner's story progresses, as can be seen in the language style; Coleridge uses narrative techniques such as personification and repetition to create a sense of danger, the supernatural, or serenity, depending on the mood in different parts of the poem. The ''Rime'' is Coleridge's longest major poem. It is often considered a signal shift to modern poetry and the beginning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Taylor Coleridge
Samuel Taylor Coleridge ( ; 21 October 177225 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd (poet), Charles Lloyd. He wrote the poems ''The Rime of the Ancient Mariner'' and "Kubla Khan", as well as the major prose work ''Biographia Literaria''. His critical works were highly influential, especially in relation to William Shakespeare, and he helped introduce German idealist philosophy to English-speaking cultures. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life, Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Unbound (Shelley)
''Prometheus Unbound'' is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical '' Prometheia'', a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity, but unlike Aeschylus' version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released. Shelley's play is a closet drama, meaning it was not intended to be produced on the stage. In the tradition of Romantic poetry, Shelley wrote for the imagination, intending his play's stage to reside in the imaginations of his readers. However, the play is filled with suspense, mystery and other dramatic effe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Bysshe Shelley
Percy Bysshe Shelley ( ; 4 August 1792 – 8 July 1822) was an English writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." Shelley's reputation fluctuated during the 20th century, but since the 1960s he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his bes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Journal
''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 750 copies appearing 15 February 1839. It was published in London but its readership was global in reach. History Hodgson & Graves hired Samuel Carter Hall as editor of ''Art Union Monthly Journal'', assisted by James Dafforne. Hall soon became the principal proprietor, but he was unable to turn a profit on his own. The London publisher George Virtue bought a share of the business in 1848, with Hall remaining as editor, and they renamed the periodical ''The Art Journal'' in 1849. In 1851, as part of the "Great Exhibition" of that year, ''The Art Journal'' featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
