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Fizheuer Zieheuer
''Fizheuer Zieheuer'' is a 2006 single written and produced by minimal techno artist Ricardo Villalobos. The 37-minute song is primarily based on a horns sample from a gypsy folk song titled "Pobjednički Čoček" by Serbian group Blehorkestar Bakija Bakić, as discovered – after the record's publication – by a member of the forum at Discogs.com.Sherburne, Philip"Ricardo Villalobos: Fizheuer Zieheuer."January 26, 2007. ''Pitchfork Media''. Last Accessed: January 4, 2013 The sample is in a major key and repeats ostinato-like through almost the entire track, occasionally complemented by a second horns sample from the introductory trumpet solo of "Pobjednički Čoček", itself appearing three times in total. The rest of the song consists of nuanced percussion put through multiple permutations of filters and delays. "Fizbeast", only present on the CD release, consists of the near entirety of "Fizheuer", but without the samples from "Pobjednički Čoček". According to Allmus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricardo Villalobos
Ricardo Villalobos (born 6 August 1970) is a Chilean-born German electronic music producer and DJ. He is well known for his work in the minimal techno and microhouse genres, and is one of the most significant figures in today's minimal techno scene. Life and work Villalobos was born in Chile on 6 August 1970. In 1973 he moved to Germany with his family to escape the dictatorship of Augusto Pinochet, who had seized power that year. When Villalobos was around 10 or 11 he started to play conga and bongos. He began making electronic music in the late 80s. From a very young age he has been a big fan of Depeche Mode, following their tours around Europe to listen to them. Villalobos began to play his music at parties while he was studying at university, but this was only for his own enjoyment. He started a label, Placid Flavour, in 1993 but this was unsuccessful. His first record was released on the German Playhouse label in 1994 and he began DJing as a professional in 1998. In 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Key
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E2-E4
''E2-E4'', released in 1984, is a solo recording by German musician and Ash Ra Tempel founder Manuel Göttsching. The album consists of one minimalistic, hour-long electronic track that Göttsching recorded in one take using a sequencer, with improvised keyboards, metallic percussion, and guitar playing. The album is named after the most popular opening chess move 1. e2-e4 (which is expressed in long algebraic notation). A noteworthy pun on ''E2-E4'' exists—when expressed in standard scientific pitch notation, the harmonic range of a guitar's strings extends from E2 (82.407 Hz) to E4 (329.63 Hz). Influence ''Pitchfork'' and ''The Guardian'' named the album one of the best of the 1980s for its important role in the development of house and techno music of the late 1980s and early 1990s. Though inspired in part by New York's Latin club rhythms in addition to minimalists like Steve Reich, Göttsching was surprised when he learned that people danced to the track. The so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Göttsching
Manuel Göttsching (9 September 1952 – 4 December 2022) was a German musician and composer. As the leader of the groups Ash Ra Tempel and Ashra in the 1970s and 80s, as well as a solo artist, he was one of the most influential guitarists of the Krautrock (also known as ''Kosmische Musik'') genre. He also participated in the Cosmic Jokers sessions. His style and technique influenced dozens of artists in the post-Eno ambient and Berlin School of electronic music scenes in the 1980s and 1990s. Early life As a child, Göttsching was exposed to the music of Verdi and Puccini by his mother, who was a fan of opera. He also listened to radio stations run by American and British allied forces. Too young for early rock and roll, it was not until the 1960s that Göttsching found the music that really inspired him such as Motown music from the United States, as well the Rolling Stones and British blues bands. Originally a classical guitarist, the music he heard inspired him to swit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper A newspaper is a periodical publication containing written information about current events and is often typed in black ink with a white or gray background. Newspapers can cover a wide variety of fields such as politics, business, sport .... It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited, Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan Macmillan
Pan Books is a publishing imprint that first became active in the 1940s and is now part of the British-based Macmillan Publishers, owned by the Georg von Holtzbrinck Publishing Group of Germany. Pan Books began as an independent publisher, established in 1944 by Alan Bott, previously known for his memoirs of his experiences as a flying ace in the First World War. The Pan Books logo, showing the ancient Greek god Pan playing pan-pipes, was designed by Mervyn Peake. A few years after it was founded, Pan Books was bought out by a consortium of several publishing houses, including Macmillan, Collins, Heinemann, and, briefly, Hodder & Stoughton. It became wholly owned by Macmillan in 1987. Pan specialised in publishing paperback fiction and, along with Penguin Books, was one of the first popular publishers of this format in the UK. Many popular authors saw their works given paperback publication through Pan, including Ian Fleming, whose James Bond series first appeared in paperb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', '' Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Techno
Minimal techno is a subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell.Sicko, D., ''Techno Rebels: The Renegades of Electronic Funk'', Billboard Books, 1999, (pp. 199–200). By the early 2000s the term 'minimal' generally described a style of techno that was popularized in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Origins Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called "second wave" of American producers associated with Detroit techno. According to Derrick May, "while the first-wave artists were enjoying their early global success, techno also inspired many up-and-coming DJs and bedroom producers in Detroit". This younger generation included pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn Section
A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term is applied loosely to any group of woodwind or brass instruments, or a combination of woodwinds and brass. Symphonic In a symphony orchestra, the horn section is the group of symphonic musicians who play the French horn (or German horn or Vienna horn). These musicians are typically seated to the back of the ensemble and may be on either side at the director's discretion. Placing them to the left with their bells toward the audience increases the prominence of the section, whereas on the right, the sound reflects off the back of the stage. Most of the time, players are seated right to left from the director's view based on seating, with the principal horn (first horn) being seated on the right and fourth horn seated on the left. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
