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Fifty-three Stations Of The Tōkaidō As Potted Landscapes
''The 53 Stations of the Tōkaidō as Potted Landscapes'' is a Japanese art book published by print artist Utagawa Yoshishige as two volumes in 1848. Each image is an artist's print, and the source for each image is a single Japanese bowl landscape in the traditional bonkei art form. All individual bonkei specimens were created by a second artist, and those physical bonkei then drawn by Utagawa Yoshishige and processed into colored ink-block prints. The printed images were hand-colored and bound, along with a few pages of prefatory text, then published as a pair of books. Influences The original source of the "53 Stations" artistic project is an earlier book of art prints. Famed Japanese woodblock-print (''ukiyo-e'') artist Utagawa Hiroshige published a successful book of art prints titled ''The Fifty-three Stations of the Tōkaidō'' (1833–1834). Each print in his book is a scene, generally an exterior setting, from the Tōkaidō road. This famed traveler's route was the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonkei
A ''bonkei'' ( 盆景, Japanese for "tray landscape") is a temporary or permanent three-dimensional depiction of a landscape in miniature, portrayed using mainly dry materials like rock, ''papier-mâché'' or cement mixtures, and sand in a shallow tray. A ''bonkei'' contains no living material, in contrast with related Japanese art forms ''bonsai'' and '' saikei'': ''bonsai'' contain living trees, and ''saikei'' contain living trees and other vegetation. Description Its three-dimensional character and permanence distinguish ''bonkei'' from '' bonseki'', which is a Japanese form of sand-painting that produces mostly-flat images on a display tray, usually for transient viewing before being erased for a new creation. Although ''bonkei'' materials are usually dry, flowing water and seasides are often depicted, with varying colors of gravel or sand making up the land and the water elements. A ''bonkei'' may also contain miniature figures of people, animals, buildings, bridges, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Hiroshige
or , born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series '' The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series '' One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), both of which were rather labor-intensive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fifty-three Stations Of The Tōkaidō
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tōkaidō (road)
The , which roughly means "eastern sea route," was the most important of the Edo Five Routes, Five Routes of the Edo period in Japan, connecting Kyoto to the ''de facto'' capital of Japan at Edo (modern-day Tokyo). Unlike the inland and less heavily travelled Nakasendō, the Tōkaidō travelled along the sea coast of eastern Honshū, hence the route's name. The Tōkaidō was first used in ancient times as a route from Kyoto to central Honshu before the Edo period. Traveling the Tōkaidō Most of the travel was on foot, as wheeled carts were almost nonexistent, and heavy cargo was usually sent by boat. Members of the higher class, however, traveled by ''kago''. Women were forbidden from travelling alone and had to be accompanied by men. Other restrictions were also put in place for travelers, but, while severe penalties existed for various travel regulations, most seem not to have been enforced. Captain Sherard Osborn, who traveled part of the road in around 1858, noted that: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonkei
A ''bonkei'' ( 盆景, Japanese for "tray landscape") is a temporary or permanent three-dimensional depiction of a landscape in miniature, portrayed using mainly dry materials like rock, ''papier-mâché'' or cement mixtures, and sand in a shallow tray. A ''bonkei'' contains no living material, in contrast with related Japanese art forms ''bonsai'' and '' saikei'': ''bonsai'' contain living trees, and ''saikei'' contain living trees and other vegetation. Description Its three-dimensional character and permanence distinguish ''bonkei'' from '' bonseki'', which is a Japanese form of sand-painting that produces mostly-flat images on a display tray, usually for transient viewing before being erased for a new creation. Although ''bonkei'' materials are usually dry, flowing water and seasides are often depicted, with varying colors of gravel or sand making up the land and the water elements. A ''bonkei'' may also contain miniature figures of people, animals, buildings, bridges, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Fuji
is an active stratovolcano located on the Japanese island of Honshu, with a summit elevation of . It is the highest mountain in Japan, the second-highest volcano on any Asian island (after Mount Kerinci on the Indonesian island of Sumatra), and List of islands by highest point, seventh-highest peak of an island on Earth. Mount Fuji Hōei eruption, last erupted from 1707 to 1708. It is located about southwest of Tokyo, from where it is visible on clear days. Its exceptionally symmetrical cone, which is snow field, covered in snow for about five months of the year, is a Japanese cultural icon and is frequently depicted in art and photography, as well as visited by sightseers, hikers and mountain climbers. Mount Fuji is one of Japan's along with Mount Tate and Mount Haku. It is a List of Special Places of Scenic Beauty, Special Historic Sites and Special Natural Monuments, Special Place of Scenic Beauty and one of Japan's Monuments of Japan, Historic Sites. It was added to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1848 Books
1848 is historically famous for the wave of revolutions, a series of widespread struggles for more liberal governments, which broke out from Brazil to Hungary; although most failed in their immediate aims, they significantly altered the political and philosophical landscape and had major ramifications throughout the rest of the century. Ereignisblatt aus den revolutionären Märztagen 18.-19. März 1848 mit einer Barrikadenszene aus der Breiten Strasse, Berlin 01.jpg, Cheering revolutionaries in Berlin, on March 19, 1848, with the new flag of Germany Lar9 philippo 001z.jpg, French Revolution of 1848: Republican riots force King Louis-Philippe to abdicate Zeitgenössige Lithografie der Nationalversammlung in der Paulskirche.jpg, German National Assembly's meeting in St. Paul's Church Pákozdi csata.jpg, Battle of Pákozd in the Hungarian Revolution of 1848 Events January–March * January 3 – Joseph Jenkins Roberts is sworn in as the first president of the indepe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonsai
Bonsai (; , ) is the Japanese art of Horticulture, growing and shaping miniature trees in containers, with a long documented history of influences and native Japanese development over a thousand years, and with unique aesthetics, cultural history, and terminology derived from its evolution in Japan. Similar arts exist in other cultures, including Korea's ''bunjae'', the Chinese art of ''penjing'', and the miniature living landscapes of Vietnamese . The loanword ''bonsai'' has become an Hyponymy and hypernymy, umbrella term in English, attached to many forms of diminutive potted plants, and also on occasion to other living and non-living things. According to Stephen Orr in ''The New York Times'', "[i]n the West, the word is used to describe virtually all miniature container trees, whether they are authentically trained bonsai or just small rooted cuttings. Technically, though, the term should be reserved for plants that are grown in shallow containers following the precise tenet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Japan
Japanese culture has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world. Since the Jomon period, ancestral groups like the Yayoi and Kofun, who arrived to Japan from Korea and China, respectively, have shaped Japanese culture. Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history and brought it into the Sinosphere. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture. Popular culture shows how much contemporary Japanese culture influences the world. Identity There are two competing hypotheses that try to explain the lineage of the Japanese people. The first hypothesis proposes a dual-structure model, in which Japanese po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
