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Farruca
''Farruca'' () is a form of flamenco music developed in the late 19th century. Classified as a cante chico, it is traditionally sung and danced by men. Its origin is traditionally associated with Galicia, a region in northern Spain. An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century. Others who stylized and expanded farruca include Antonio de Bilbao, Manolito la Rosa and El Batato.Claus, p 102 Although there are female flamenco dancers who exclusively danced farruca too (such as Rafaela Valverde "La Tanguera"), these female dancers originally danced the farruca wearing male clothing. Women dancers such as Carmen Amaya and Sara Baras have also created well-known versions of the dance. History Farruco is a way of calling the Franciscos and the Asturians in Andalusia. Farruco was also the name that people from Andalusia used to denominate people from Galicia, from where this song likely originates. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the Gitanos, gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Region of Murcia, Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani people, Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamenco Styles
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of dances, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cante Chico
The cante flamenco (), meaning "flamenco singing", is one of the three main components of flamenco, along with ''toque'' (playing the guitar) and ''baile'' (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the ''cante'' which is the heart and soul of the genre. A ''cante'' singer is a ''cantaor'' or ''cantaora''. The cante flamenco is part of musical tradition in the Andalusian region of Spain. Its origins are uncertain but scholars see many influences in the cante flamenco including: The traditional song of the gitanos (Spanish Gypsies), the Perso-Arab Zyriab song form, the classical Andalusian orchestras of the Caliphate, Islamic Empire, the Jewish synagogue chants, Andalusi Romance, Mozarabic forms such as zarchyas and zambra, Arabic zayal (the foundation for the Fandango), and Andalusian regional folk forms, as well as West African and South American infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole", "rod", "tree" or "branch", but in this case it has the sense of "Playing card, suit of cards" i.e. Categorization, category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its Rhythm, rhythmic pattern, its Musical mode, mode, its characteristic Motif (music), motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galicia (Spain)
Galicia ( ; or ; ) is an Autonomous communities of Spain, autonomous community of Spain and nationalities and regions of Spain, historic nationality under Spanish law. Located in the northwest Iberian Peninsula, it includes the provinces of Spain, provinces of La Coruña (province), A Coruña, Lugo (province), Lugo, Ourense (province), Ourense, and Pontevedra (province), Pontevedra. Galicia is located in Atlantic Europe. It is bordered by Portugal to the south, the Spanish autonomous communities of Castile and León and Asturias to the east, the Atlantic Ocean to the west, and the Cantabrian Sea to the north. It had a population of 2,705,833 in 2024 and a total area of . Galicia has over of coastline, including its offshore islands and islets, among them Cíes Islands, Ons Island, Ons, Sálvora, Cortegada Island, which together form the Atlantic Islands of Galicia National Park, and the largest and most populated, A Illa de Arousa. The area now called Galicia was first in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Europe and the fourth-most populous European Union member state. Spanning across the majority of the Iberian Peninsula, its territory also includes the Canary Islands, in the Eastern Atlantic Ocean, the Balearic Islands, in the Western Mediterranean Sea, and the Autonomous communities of Spain#Autonomous cities, autonomous cities of Ceuta and Melilla, in mainland Africa. Peninsular Spain is bordered to the north by France, Andorra, and the Bay of Biscay; to the east and south by the Mediterranean Sea and Gibraltar; and to the west by Portugal and the Atlantic Ocean. Spain's capital and List of largest cities in Spain, largest city is Madrid, and other major List of metropolitan areas in Spain, urban areas include Barcelona, Valencia, Seville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón Montoya
Ramón Montoya (November 2, 1879, Madrid, Spain – July 20, 1949, Madrid, Spain) was a Flamenco guitarist and composer. Born into a family of Gitano ( Romani) cattle traders, Ramón Montoya used earnings from working in the trade to purchase his first guitar. He began playing in the cafés de cante before he was twenty years of age. He formed a partnership with the great flamenco cantaor (singer) Antonio Chacón that started in 1912 and lasted more than a decade. Both participated in the Concurso de Cante Jondo of 1922 held in Granada. These two were largely responsible for establishing the form of the various traditional flamenco cantes that are recognized today. In traditional flamenco, the guitar was relegated to a supporting role. Cante (singing) and baile (dance) were the main performers whom the guitarist supported. Montoya was one of the first to challenge this role. His strong playing often overpowered the singer whom he accompanied. He eventually took the next logical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen Amaya
Carmen Amaya Amaya (2 November 1918 – 19 November 1963), nicknamed ''La Capitana'' (English: ''The Captain'') was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever"Clarke, Mary & Crisp, Clement 1981. ''The history of dance''. Orbis, London. p60 and "the most extraordinary personality of all time in flamenco dance."Clarke, Mary & Vaughan, David 1977. ''The encyclopedia of dance & ballet.'' Pitman, London. p316 She was the first female flamenco dancer to master footwork previously reserved for the best male dancers, due to its speed and intensity. She sometimes danced in high-waisted trousers as a symbol of her strong character. Biography Carmen Amaya Amaya was born in Somorrostro, Spain, to a Romani family, her father José Amaya Amaya (''alias'' "El Chino", "The Chinaman"), a guitar player, and Micaela Amaya Moreno, her mother. Carmen was the second of ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Baras
Sara Pereyra Baras (born April 25, 1971) is a Spanish flamenco dancer and choreographer born in San Fernando, Cádiz, San Fernando (Province of Cádiz, Cádiz) who has established her own dance company. Biography Sara was born in San Fernando, in the province of Cádiz, in 1971, where she began her dance studies at her mother’s school, Concha Baras. Shortly after, she joined the company Los Niños de la Tertulia Flamenca, with which she toured the flamenco festivals of Barcelona. When she was 24 she entered Manuel Morao’s company and performed at the festival Teatro Flamenco Alhambra 89 in Granada. That same year, she was awarded the first prize in "Gente Joven" Spanish television contest. In 1991, with Manuel Morao’s company, she acted for two months at the Edouard VII Theater in Paris. In 1992, she performed at the "Bienal de Danza" (Lyon), the Palais des congrès de Paris, Palais des Congrès (Paris) and then with her dance partner Javier Barón. During the worldwide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossolalia
Speaking in tongues, also known as glossolalia, is an activity or practice in which people utter words or speech-like sounds, often thought by believers to be languages unknown to the speaker. One definition used by linguists is the fluid vocalizing of speech-like syllables that lack any readily comprehensible meaning. In some cases, as part of religious practice, some believe it to be a divine language unknown to the speaker. Glossolalia is practiced in Pentecostal and charismatic Christianity, as well as in other religions. Sometimes a distinction is made between "glossolalia" and "xenolalia", or " xenoglossy", which specifically relates to the belief that the language being spoken is a natural language previously unknown to the speaker. Etymology ''Glossolalia'' is a borrowing of the (), which is a compound of the () and () . The Greek expression (in various forms) appears in the New Testament in the books of Acts and First Corinthians. In Acts 2, the followers of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paco Peña
Francisco Peña Pérez (born 1 June 1942), known as Paco Peña, is a Spanish flamenco guitarist, composer and director of his Flamenco Dance Company. He is regarded as one of the world's foremost traditional flamenco players. Biography Born in Córdoba, Spain, as Francisco Peña Pérez, Paco Peña began learning to play the guitar from his brother at the age of six and made his first professional appearance aged 12. Encouraged by his family, he left home and began performing throughout Spain as part of a government-sponsored folk music and dance program. This led to calls from professional flamenco companies in Madrid and the Costa Brava, where Peña established himself as a highly regarded accompanist to flamenco dance and singing. However, dissatisfied with life on the coast and seeking a new challenge, he moved to London in the late 1960s to become a soloist. Initially the star attraction at the Restaurante Antonio in Covent Garden, Peña generated so much interest among t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
