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Ermutigung
"" ("Encouragement") is a poem and song by the German Liedermacher and lyricist Wolf Biermann. It was first published in 1968 in the poetry collection ''Mit Marx- und Engelszungen'' by , which also released the poem set to music as part of the single "" ("4 New Songs"). Biermann later released the song on his 1974 LP album ''aah-ja!'', released by Columbia Records. The text of "" warns the listener/reader not to become hardened or embittered. The final verse ends with the optimistic image of a coming spring. Biermann dedicated the poem to his friend Peter Huchel, who was under house arrest and surveillance by the Stasi at the time. It also reflected on his own resignation as a blacklisted East German artist. The song version was popular in both East and West Germany and remains one of Biermann's most famous songs. Content The text begins with the following verse: Du, laß dich nicht verhärten in dieser harten Zeit. Die allzu hart sind, brechen, die allzu spitz sind, stechen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolf Biermann
Karl Wolf Biermann (; born 15 November 1936) is a German singer-songwriter, poet, and former East German dissident. He is perhaps best known for the 1968 song " Ermutigung" and his expatriation from East Germany in 1976. Early life Biermann was born in Hamburg, Germany. His mother, Emma (née Dietrich), was a German Communist Party activist, and his father, Dagobert Biermann, worked on the Hamburg docks. Biermann's father, a Jewish member of the German Resistance, was sentenced to six years in prison for sabotaging Nazi ships. In 1942, the Nazis decided to eliminate their Jewish political prisoners and Biermann's father was deported to Auschwitz concentration camp, where he was murdered on 22 February 1943. Biermann was one of the few children of workers who attended the Heinrich-Hertz-Gymnasium (high school) in Hamburg. After the Second World War, he became a member of the Free German Youth (Freie Deutsche Jugend, FDJ) and in 1950, he represented the Federal Republic of Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Huchel
Peter Huchel (April 3, 1903 – April 30, 1981), born Hellmut Huchel, was a German poet and editor. Life Huchel was born in Lichterfelde (now part of Berlin). From 1923 to 1926, Huchel studied literature and philosophy in Berlin, Freiburg and Vienna. Between 1927 and 1930, he travelled to France, Romania, Hungary and Turkey. In 1930, he changed his first name to Peter and befriended Ernst Bloch, Alfred Kantorowicz and Fritz Sternberg. His early poems, published from 1931 to 1936, are strongly marked by the atmosphere and landscape of Brandenburg. In 1934, Huchel married Dora Lassel. The couple would divorce in 1946 and Huchel would marry Monica Rosental in 1953. Between 1934 and 1940, Huchel wrote plays for German radio. During the Second World War, he served as a soldier until he was taken prisoner by the Russians in 1945. After his release, he began working for East German radio and in 1949, he became editor of the influential poetry magazine '' Sinn und Form'' ("Sense and F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Spiegel
(, , stylized in all caps) is a German weekly news magazine published in Hamburg. With a weekly circulation of about 724,000 copies in 2022, it is one of the largest such publications in Europe. It was founded in 1947 by John Seymour Chaloner, a British army officer, and Rudolf Augstein, a former ''Wehrmacht'' radio operator who was recognized in 2000 by the International Press Institute as one of the fifty World Press Freedom Heroes. is known in German-speaking countries mostly for its investigative journalism. It has played a key role in uncovering many political scandals such as the ''Spiegel'' affair in 1962 and the Flick affair in the 1980s. The news website by the same name was launched in 1994 under the name '' Spiegel Online'' with an independent editorial staff. Today, the content is created by a shared editorial team and the website uses the same media brand as the printed magazine. History The first edition of was published in Hanover on Saturday, 4 Januar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Scale
In Classical_music, Western classical music theory, the minor scale refers to three Scale (music), scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending). These scales contain all three notes of a minor triad: the root (chord), root, a minor third (rather than the major third, as in a Major chord, major triad or major scale), and a perfect fifth (rather than the tritone, diminished fifth, as in a diminished scale or half diminished scale). Minor scale is also used to refer to other scales with this property, such as the Dorian mode or the Pentatonic Scale#Minor pentatonic scale, minor pentatonic scale (see #Other minor scales, other minor scales below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth Degree (music), degree of its relative major, relative major scale. For instance, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Mode
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a ''key note, whole step, half step, whole step, whole step, half step, whole step, whole step.'' That means that, in A aeolian (or A minor), a scale would be played beginning in A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A. : History The word ''Aeolian'', like the names for the other ancient Greek ''tonoi'' and ''harmoniai'', is an ethnic designation: in this case, for the inhabitants of Aeolis (), a coastal district of Anatolia. In the music theory of ancient Greece, it was an alternative name (used by some later writers, such as Cleoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accent (music)
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either because of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer, or added by the performer as part of their interpretation of a musical piece. Compared to surrounding notes: * A dynamic accent or stress accent is an emphasis using louder sound or stronger sound; typically, most pronounced on the attack of the sound. * A tonic accent is an emphasis on notes by virtue of them being higher in pitch, as opposed to higher in volume. * An agogic accent is an emphasis by virtue of notes being longer in duration. Accents that don't correspond to the stressed beats of the prevailing meter are said to be syncopated. For example, in common time, also called 4/4, the most common metre in popular music, the stresse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text+Kritik
''Text+Kritik'' (stylized ''text+kritik'') is a quarterly German journal for literature, music, film, and cultural studies. It was founded in 1963 by Heinz Ludwig Arnold who edited it until his death in 2011. Each publication of ''text+kritik'' covers the works of a German-speaking writer, which is presented and analyzed by other writers and experts in literary research and criticism. History The first edition appeared in 1963 and was dedicated to Günter Grass. The founding editorial team consisted of Lothar Baier, Gerd Hemmerich, Jochen Meyer, Wolf Wondratschek and Heinz Ludwig Arnold. In 2013 ''Text+Kritik'' celebrated its fiftieth anniversary with a special volume, ''Zukunft der Literatur'' (Future of Literature). Description Each edition is focused on a different theme, which usually means it deals with one specific German-language writer. Featured writers included Theodor W. Adorno, Hannah Arendt, Arno Schmidt, Paul Celan, Daniel Kehlmann, Herta Müller, Yoko Tawad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinz Ludwig Arnold
Heinz Ludwig Arnold (29 March 1940 – 1 November 2011) was a German literary journalist and publisher. He was also a leading advocate for contemporary literature. Early years Heinz Ludwig Arnold attended schools in Bochum and, subsequently Karlsruhe. He then studied Law at Göttingen for two terms before switching, for the next ten terms, to literary science, romance studies and philosophy. During his university vacations he worked between 1961 and 1964 as a private secretary to the soldier-turned-philosopher Ernst Jünger. Arnold's doctoral dissertation was never completed. Career In 1963, while still a student, he founded the literary newspaper Text+Kritik: the first edition was dedicated to Günter Grass. From 1978 Arnold also produced the (''Critical lexicon of contemporary German-language literature'') published by , to which between 1983 and 2008 he added the (KLfG) ''(Critical lexicon of contemporary non-German literature"''). From 1995 Arnold was an honorary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in '' Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's '' Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter Note
A quarter note ( AmE) or crotchet ( BrE) () is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem. The stem usually points upwards if it is below the middle line of the staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (). A quarter rest (or crotchet rest) denotes a silence of the same duration as a quarter note or crotchet. It is notated with the symbol . In some older music it was notated with symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK up until at least 1975. The "old" form was taugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, sometimes surprising or satirical statement. The word derives from the Greek (, "inscription", from [], "to write on, to inscribe"). This literary device has been practiced for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which typically do not show those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
