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Eric Thiman
Eric Harding Thiman (12 September 1900 – 13 February 1975) was an English composer, conductor and organist. The surname is pronounced 'tea-man'. By 1939 he was considered one of the leading non-conformist organists in England. His choral and educational music is still performed today. Life Thiman was born in Ashford, Kent, England as Eric Harding Thimann. He later changed his last name to Thiman. Educated at Caterham School, he was largely self-taught in music. In 1921 he was awarded a fellow of the Royal College of Organists (FRCO) and (after some coaching from Harold Darke, who remained a friend) took his DMus in 1928. Hurd, Michael. 'Thiman, Eric (Harding)' in ''Grove Music Online'' (2001) That year he married Madeline Arnold, a musician and singer. From 1930 he was Professor of Harmony at the Royal Academy of Music and later, from 1956 to 1962, was Dean of the Faculty of Music at the University of London. In 1958, after 29 years as organist at Park Chapel, Crouch End ...
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English People
The English people are an ethnic group and nation native to England, who speak the English language in England, English language, a West Germanic languages, West Germanic language, and share a common ancestry, history, and culture. The English identity began with the History of Anglo-Saxon England, Anglo-Saxons, when they were known as the , meaning "Angle kin" or "English people". Their ethnonym is derived from the Angles (tribe), Angles, one of the Germanic peoples who invaded Great Britain, Britain around the 5th century AD. The English largely descend from two main historical population groups: the West Germanic tribes, including the Angles, Saxons, and Jutes who settled in England and Wales, Southern Britain following the withdrawal of the Ancient Rome, Romans, and the Romano-British culture, partially Romanised Celtic Britons who already lived there.Martiniano, R., Caffell, A., Holst, M. et al. "Genomic signals of migration and continuity in Britain before the Anglo-Sa ...
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Johann Franck
Johann Fran(c)k (1 June 1618 – 18 June 1677) was a German politician (serving as mayor of Guben and a member of the Landtag of Lower Lusatia) and a lyric poet and hymnist. Life Franck was born in Guben, Margraviate of Lower Lusatia. After visiting the Latin school in Guben, he attended schools in Cottbus and Stettin, as well as the gymnasium in Thorn (Toruń). After studying law at the University of Königsberg, he became a councilor in his native town, later becoming its mayor and a member of the Landtag of Lower Lusatia. He died in Guben. Works Under the influence of the Silesian School and of Simon Dach of Königsberg, he produced a series of poems and hymns, collected and edited by himself in two volumes (Guben, 1674), entitled: ''Teutsche Gedichte, enthaltend geistliches Zion samt Vaterunserharfe nebst irdischem Helicon oder Lob-, Lieb-, Leidgedichte, etc.''. His secular poems are forgotten; about forty of his religious songs, hymns, and psalms have been kept in the ...
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Southwell Minster
Southwell Minster_(church), Minster, strictly since 1884 Southwell Cathedral, and formally the Cathedral and Parish Church of the Blessed Virgin Mary, is a Church of England cathedral in Southwell, Nottinghamshire, England. The cathedral is the seat of the bishop of Southwell and Nottingham and the Mother church#Cathedral, mother church of the diocese of Southwell and Nottingham; it is governed by a Dean of Southwell, dean and Chapter (religion), chapter. It is a grade I listed building. The current church is the successor to one built in 956 by Oscytel, archbishop of York. Some late eleventh century fabric survives from this church, but the majority of the building dates from between 1108 and , when it was reconstructed in the Romanesque architecture, Romanesque style. The chancel was rebuilt from 1234 to 1251 in the Early English Gothic style. In 1288 the chapter house was built; it is decorated with carved foliage of exceptional quality. The minster's rood screen is also of hig ...
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York Bowen
Edwin York Bowen (22 February 1884 – 23 November 1961) was an English composer and pianist. Bowen's musical career spanned more than fifty years during which time he wrote over 160 works. As well as being a pianist and composer, Bowen was a talented conductor, organist, violist and horn player. Despite achieving considerable success during his lifetime, many of the composer's works remained unpublished and unperformed until after his death in 1961. Bowen's compositional style is widely considered ‘Romantic music, Romantic’ and his works are often characterized by their rich harmonic language. Biography Bowen was born in Crouch Hill, London, to a father who was the owner of the whisky distillers Bowen and McKechnie. The youngest of three sons, Bowen began piano and harmony lessons with his mother at an early age. His talent was recognised almost immediately and he soon began his musical education at the North Metropolitan College of Music. He subsequently went on to study at ...
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Harry Isaacs (pianist)
Harry Isaacs (3 June 1902 – 1972) was a British pianist. Born in Finchley, he began piano lessons with his great-aunt, Miss Selina Pyke, from the age of seven, and three years later he took lessons from Sidney Rosenbloom. In 1916 he entered the Tobias Matthay Pianoforte School, studying with Hedwig McEwen (wife of John Blackwood McEwen). The following year he won the MacFarren Scholarship for composition at the Royal Academy of Music, and went there to study composition with Frederick Corder. He became pianoforte professor there in 1922 at the age of 20.Palmer, Russell. ''British Music'' (1947), p. 132-3 Isaacs had an absorbing interest in chamber music, and from 1929 until 1943 often played with the Griller String Quartet, performing quintets by Brahms, Schumann, Dvorak, Elgar, Bax and Bloch. He also performed many recitals at the Wigmore Hall with members of the Griller, and with Jean Pougnet, William Primrose, Lionel Tertis, Elsie Owen (violin), Winifred Copperwheat, Maurice ...
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The Crucifixion (Stainer)
''The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer'' is an oratorio for a SATB choir and Pipe organ, organ composed by John Stainer in 1887, with text by W J Sparrow Simpson. The piece relates the Biblical narrative of the Passion of Jesus, Passion and Crucifixion of Jesus. It is particularly noted for the Christian hymn All for Jesus, All for Jesus, “All for Jesus, All for Jesus". Composition ''The Crucifixion'' is scored for a SATB choir and Pipe organ, organ, and features solos for Bass (voice type), bass (or baritone) and tenor. Structurally, it is based on the traditional format of the Passions (Bach), Passions by Johann Sebastian Bach, with a Biblical narrative interspersed with choruses, solos and hymns reflecting on the Passion story. Stainer intended the piece to be within the scope of most Church of England parish church, parish church choirs; it includes five hymns for congregational participation. The text consists of extracts from th ...
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Hubert Parry
Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 1848 – 7 October 1918), was an English composer, teacher and historian of music. Born in Richmond Hill, Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "And did those feet in ancient time#By Hubert Parry, Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode ''Blest Pair of Sirens'', and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for ''Ode to Newfoundland'', the Newfoundland and Labrador provincial anthem (and former national anthem). After early attempts to work in insurance at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive ''The New Grove Dictionary of Music and Musicians, Dictionary of Music and Musicians'' in the 1870 ...
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Charles Villiers Stanford
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in University of Music and Theatre Leipzig, Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music (Cambridge), Professor of Music at Cambridge. As a teacher, Stanford was sceptical about Modernism (music), modernism, and based his instruction chiefly on classical principles as exemplified in the music of Joha ...
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John Stainer
Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist whose music, though seldom performed today (with the exception of ''The Crucifixion (Stainer), The Crucifixion'', still heard at Passiontide in some Anglican churches), was very popular during his lifetime. His work as choir trainer and organist set standards for Anglican church music that are still influential. He was also active as an academic, becoming Heather Professor of Music at University of Oxford, Oxford. Stainer was born in Southwark, London, in 1840, the son of a schoolmaster. He became a Choir, chorister at St Paul's Cathedral when aged ten and was appointed to the position of organist at St Michael's College, Tenbury, at the age of sixteen. He later became organist at Magdalen College, Oxford, and subsequently organist at St Paul's Cathedral. When he retired owing to his poor eyesight and deteriorating health, he returned to Oxford to become Professor of Music at the university ...
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Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ...
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Canticle
In the context of Christian liturgy, a canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books such as the breviary. Of special importance to the Divine Office are three New Testament Canticles that are the climaxes of the Offices of Lauds, Vespers and Compline; these are respectively Benedictus (Luke 1:68-79), Magnificat (Luke 1:46-55) and Nunc dimittis (Luke 2:29-32). There are also a number of Canticles taken from the Old Testament. Catholic Church Prior to the Pope Pius X's 1911 reforms, the following cycle of seven Old Testament Canticles was used at Lauds: * Sunday – The Song of the Three Holy Children () * Monday – The Song of Isaiah the Prophet () * Tuesday – The Song of Hezekiah () * Wednesday – The Song of Hannah () * Thursday – The (First) Song of Moses () * Friday – The Prayer of Habakkuk () * Sa ...
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SATB
In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's '' Polish Requiem''. or SSATB, with divided sopranos, is a typical scoring in English church music. A listing for Bach's '' Mass in B minor'' includes the maximum of SSATB soloists and SSAATTBB eight ...
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