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John Stainer
Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist whose music, though seldom performed today (with the exception of ''The Crucifixion (Stainer), The Crucifixion'', still heard at Passiontide in some Anglican churches), was very popular during his lifetime. His work as choir trainer and organist set standards for Anglican church music that are still influential. He was also active as an academic, becoming Heather Professor of Music at University of Oxford, Oxford. Stainer was born in Southwark, London, in 1840, the son of a schoolmaster. He became a Choir, chorister at St Paul's Cathedral when aged ten and was appointed to the position of organist at St Michael's College, Tenbury, at the age of sixteen. He later became organist at Magdalen College, Oxford, and subsequently organist at St Paul's Cathedral. When he retired owing to his poor eyesight and deteriorating health, he returned to Oxford to become Professor of Music at the university ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crucifixion (Stainer)
''The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer'' is an oratorio for a SATB choir and Pipe organ, organ composed by John Stainer in 1887, with text by W J Sparrow Simpson. The piece relates the Biblical narrative of the Passion of Jesus, Passion and Crucifixion of Jesus. It is particularly noted for the Christian hymn All for Jesus, All for Jesus, “All for Jesus, All for Jesus". Composition ''The Crucifixion'' is scored for a SATB choir and Pipe organ, organ, and features solos for Bass (voice type), bass (or baritone) and tenor. Structurally, it is based on the traditional format of the Passions (Bach), Passions by Johann Sebastian Bach, with a Biblical narrative interspersed with choruses, solos and hymns reflecting on the Passion story. Stainer intended the piece to be within the scope of most Church of England parish church, parish church choirs; it includes five hymns for congregational participation. The text consists of extracts from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Benet Paul's Wharf
The Church of St Benet Paul's Wharf is a Welsh Anglican church in the City of London, England. Since 1556, it has also been the official church of the College of Arms in which many officers of arms have been buried. In 1666 it was destroyed in the Great Fire of London, after which it was rebuilt and merged with nearby St Peter's. The current church was designed by Sir Christopher Wren. It is one of only four churches in the City of London to escape damage during World War II. History St Benet's traces its history back to the year 1111, when a church was built on the site and dedicated to St Benedict. Over time the name became St. Benet's Paul's Wharf after the hythe where the church was located. To the west of the site was the watergate of Baynard's Castle, which is referenced in the biographies of Queen Anne Boleyn and Lady Jane Grey. Both the church and the castle were destroyed in the Great Fire of London in 1666. It was redesigned by the architect Christopher Wren, and reop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Goss (composer)
Sir John Goss (27 December 1800 – 10 May 1880) was an English organist, composer and teacher. Born to a musical family, Goss was a boy chorister of the Chapel Royal, London, and later a pupil of Thomas Attwood, organist of St Paul's Cathedral. After a brief period as a chorus member in an opera company he was appointed organist of a chapel in south London, later moving to more prestigious organ posts at St Luke's Church, Chelsea and finally St Paul's Cathedral, where he struggled to improve musical standards. As a composer, Goss wrote little for the orchestra, but was known for his vocal music, both religious and secular. Among his best-known compositions are his hymn tunes "Praise, my soul, the King of heaven" and "See, Amid the Winter's Snow". The music critic of ''The Times'' described him as the last of the line of English composers who confined themselves almost entirely to ecclesiastical music. From 1827 to 1874, Goss was a professor at the Royal Academy of Music, tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cooper (organist)
George Cooper (1820 – 1876) was an English organist and music educator. Born in Lambeth, Cooper was the son of organist George Cooper Sr (c.1783–1843). He succeeded his father as assistant organist at St Paul's Cathedral in 1838, having already substituted for his father periodically since 1832. He remained in that position for the rest of his life, also serving concurrently as organist at a variety of other smaller London churches. One of such positions was St Sepulchre-without-Newgate, where he was organist from 1843 to 1876, succeeding his father, and grandfather (c.1750–1799) in the post. From 1867 until his death 9 years later. he was the organist and choir master at the Chapel Royal, St. James's.''The organ and its masters'' by Henry Charles Lahee, L. C. Page & company, 1903, pg 193 His students included Canadian organist Romain-Octave Pelletier I; English organists Edmund Chipp, Langdon Colborne, Walter Parratt, John Stainer and Henry Willis; English conductor H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holborn
Holborn ( or ), an area in central London, covers the south-eastern part of the London Borough of Camden and a part (St Andrew Holborn (parish), St Andrew Holborn Below the Bars) of the Wards of the City of London, Ward of Farringdon Without in the City of London. The area has its roots in the civil parish#Ancient parishes, ancient parish of Holborn, which lay on the west bank of the now buried River Fleet; the district takes its name from an alternative name for the river: the Holbourne (or Oldbourne). The area is sometimes described as part of the West End of London or of the wider West London area. The River Fleet also gave its name to the streets ''Holborn'' and ''High Holborn'' which extend west from the site of the former Newgate in the London Wall, over the Fleet, through Holborn and towards Westminster. The district benefits from a central location which helps provide a strong mixed economy. The area is particularly noted for its links to the legal profession, for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Sepulchre-without-Newgate
Holy Sepulchre London, formerly and in some official uses Saint Sepulchre-without-Newgate, is the largest Anglican parish church in the City of London. It stands on the north side of Holborn Viaduct across a crossroads from the Old Bailey, and its ecclesiastical parish, parish takes in Smithfield Market. During medieval times, the site lay outside ("without") the London Wall, city wall, west of the Newgate. It has been known as the National Musicians' Church since 1955. It has London's musicians' chapel in which a book of remembrance sits and an October/November requiem takes place – unusual for a church associated with Low church, Low Church Evangelical Anglicanism, Evangelicalism. The church has two local army regiment memorials. The vicar is appointed by St John's College, Oxford, which has held the church's patronage since 1622. The church is within the Newgate Street Conservation Area (United Kingdom), Conservation Area. History Early history The original (Anglo-Saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steamboat
A steamboat is a boat that is marine propulsion, propelled primarily by marine steam engine, steam power, typically driving propellers or Paddle steamer, paddlewheels. The term ''steamboat'' is used to refer to small steam-powered vessels working on lakes, rivers, and in short-sea shipping. The development of the steamboat led to the larger steamship, which is a seaworthy and often ocean-going ship. Steamboats sometimes use the ship prefix, prefix designation SS, S.S. or S/S (for 'Screw Steamer') or PS (for 'Paddle Steamer'); however, these designations are most often used for steamships. Background Limitations of the Newcomen steam engine The first steamboat designs used Newcomen atmospheric engine, Newcomen steam engines. These engines were large, heavy, and produced little power, which resulted in an unfavorable power-to-weight ratio. The heavy weight of the Newcomen engine required a structurally strong boat, and the reciprocating motion of the engine beam required a compli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanover Square Rooms
The Hanover Square Rooms or the Queen's Concert Rooms were assembly rooms established, principally for musical performances, on the corner of Hanover Square, London, England, by Sir John Gallini in partnership with Johann Christian Bach and Carl Friedrich Abel in 1774. For exactly one century this was the principal concert venue in London. The premises were demolished in 1900. History of the Rooms The site had previously been occupied by a mill, hence its previous name Mill Field and that of the currently adjoining Mill Street. Originally the property of Earl of Plymouth, leased out to Lord Dillon, in June 1774 it was sold for £5,000 to Viscount Wenman, who on the same day conveyed it to Gallini, Bach and Abel. Gallini owned half the freehold and each of the other two a quarter. On the site formerly occupied by a garden and office, they constructed, as extensions to the house, assembly rooms for concerts and public meetings. The main room on the first floor measured , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Sterndale Bennett
Sir William Sterndale Bennett (13 April 18161 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig. In 1837 Bennett began to teach at the RAM, with which he was associated for most of the rest of his life. For twenty years he taught there, later also teaching at Queen's College, London. Among his pupils during this period were Arthur Sullivan, Hubert Parry, and Tobias Matthay. Throughout the 1840s and 1850s he composed little, although he perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
