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Emanuele Cavalli
Emanuele Cavalli (1904–1981) was an Italian painter belonging to the modern movement of the Scuola Romana (Roman School). He was also a renowned photographer, who experimented with new techniques since the 1930s. Biography The son of Apulian landowners, Cavalli moved to Rome in 1921, where he became a student of the Italian painter Felice Carena, also attending a local art college. In 1926 he exhibited some paintings at the Biennale di Venezia, where he would continue to exhibit regularly. From 1927 to 1930, Cavalli attended some exhibitions together with the painters Giuseppe Capogrossi and Francesco Di Cocco, also travelling to France (1928), where he was introduced by his friend Onofrio Martinelli to the circle of ''Italiens de Paris'' (i.e., De Pisis, De Chirico, Savinio and others). He exhibited at the Salon Bovy in Paris with Fausto Pirandello and Di Cocco, then in 1930 he returned to Rome, where he became one of the painters of the ''Scuola Romana''. In a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucera
Lucera (Neapolitan language, Lucerino: ) is an Italian city of 34,243 inhabitants in the province of Foggia in the region of Apulia, and the seat of the Diocese of Lucera-Troia. Located upon a flat knoll in the Tavoliere delle Puglie, Tavoliere Plains, near the foot of Daunian Mountains, Lucera was the capital of Province of Capitanata and the County of Molise from 1579 until 1806. Climate The city is characterized by a Mediterranean climate, with long, hot summers, with extreme temperature changes during the day, and mild winters, although due to its proximity to the Daunian mountains the temperature can drop to values below . The winds are quite frequent and, although sometimes quite strong, are usually moderate. The average annual temperature is around , and rainfall amounts to an average value of . Snowfalls are rare. History Ancient era and early Middle Ages Lucera is located in the territory of the ancient tribe of the Daunii. Archeological excavations show the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Cocco
Francesco Di Cocco (1900 – 1989) was an Italian painter belonging to the modern movement. Biography He was born in Rome to Florentine parents. After a brief spell in the Army while in Albania in 1919, he returned to Rome, where he was influenced by Giacomo Balla, and spent time in the studio of Leonardo Castellani. He exhibited at the 3rd Biennale Romano in 1925, the next year in Milan at the first exhibition of the Novecento Italiano. He would travel to Paris. He continued to exhibit throughout the following decades in Italy and abroad. In 1938, he accompanied a personal exhibition at the Comet Art Gallery in New York City. He was recruited to paint murals for Italian pavilion designed by Andrea Busiri Vici at the 1939 World's Fair The 1939 New York World's Fair (also known as the 1939–1940 New York World's Fair) was an international exposition at Flushing Meadows–Corona Park in Queens, New York City, New York, United States. The fair included exhibitions, activitie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapuntal
In music theory, counterpoint is the relationship of two or more simultaneous Part (music), musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and Pitch contour, melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the classical music, European classical tradition, strongly developing during the renaissance music, Renaissance and in much of the common practice period, especially in the Baroque music, Baroque period. In Western Music education, pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primordialism
Primordialism is the idea that nations or ethnic identities are fixed, natural, and ancient.Jack Hayward, Brian Barry, Archie Brown (2003) p 330 Primordialists argue that each individual has a single inborn ethnic identity independent of historical processes. While implicit primordialist assumptions are common in society and academic research, primordialism is widely rejected by scholars of nationalism and ethnicity, as individuals can have multiple ethnic identities which are changeable and socially constructed. Term The term primordialism is associated with sociologist Edward Shils and anthropologist Clifford Geertz. Shils was the first one who used this term in 1957 to describe the bonds between family members. The relations between family members cannot be interpreted as any interpersonal relations, but have a quality of their own which can only be described as "primordial" and which derives from the bond of blood. The meaning of the term was later expanded by Clifford Geer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Arts
Plastic arts are art forms which involve physical manipulation of a ''plastic medium'', such as clay, wax, paint or even plastic in the modern sense of the word (a ductile polymer) to create works of art. The term is used more generally to refer to the visual arts (such as painting, sculpture, ceramics, architecture, film and photography), rather than literature and music. Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal. History The word ''plastic'' draws from the Ancient Greek (''plastikós''), which means 'to mold' or 'to shape'. It has long preceded its dominant modern meaning as a synthetic material. The term ''plastic arts'' has been used historically to denote visual art forms (painting, sculpture, and ceramics) as opposed to literature or music. The related terms ''plasticity'' and ''plasticism'' became more widely used in the early 20th century by cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto
A manifesto is a written declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party, or government. A manifesto can accept a previously published opinion or public consensus, but many prominent manifestos—such as ''The Communist Manifesto'' (1848) and those of various artistic movements—reject accepted knowledge in favor of a new idea. Manifestos relating to religious belief are generally referred to as ''creeds'' or ''confessions of faith''. Etymology The Italian word , itself derived from the Latin , meaning "clear" or "conspicuous". Its first recorded use in English is from 1620, in Nathaniel Brent's translation of the Italian from Paolo Sarpi's ''History of the Council of Trent'': "To this citation he made answer by a Manifesto" (p. 102). Similarly, "They were so farre surprised with his Manifesto, that they would never suffer it to be published" (p. 103).''Oxford English Dictionary,'' s.v. “manifesto (n.) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Melli
Roberto Melli (1885–1958) was an Italian painter and sculptor to the ''Scuola Romana'', and active in Ferrara and Rome. Short biography Born in Ferrara from a Jewish family of traders, in his twenties Melli moved to Genoa to start an apprenticeship as an engraver and thereby discovered his artistic talent. He began an activity as xylographer, befriending painter and etcher Giorgio De Vincenzi, also from Ferrara. In 1910 Melli moved to Rome, where he shared a studio with sculptor Giovanni Prini. In 1913 he participated in the first exhibition of the ''Scuola Romana'', and subsequently exhibited his work at various shows organised by the Futurism movement, although Melli from then on would pursue his own peculiar style and technique. In 1915, together with artists Vittorio Costantini, Cipriano Efisio Oppo and Guglielmo Pizzirani, Melli formed the "Gruppo Moderno Italiano" (Modern Italian Group) and in 1918 he contributed to the creation of the magazine and current "Valor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Realism
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. ''Magical realism'' is the most commonly used of the three terms and refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, and is commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetic
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , accessed on 15 September 2024. Aesthetics examines values about, and critical judgments of, artistic taste and preference. It thus studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people consider certain things beautiful and not others, as well as how objects of beauty and art can affect our moods and our beliefs. Aesthetics tries to find answers to what exactly is art and what makes good art. It considers what happens in our minds when we view visual art, listen to music, read poetry, enjoy delicious food, and engage in large artistic projects like creating and experiencing plays, fashion shows, films, and television programs. It can also focus on h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonalism
Tonalism was an artistic style that emerged in the 1880s when Visual art of the United States, American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. During the late 1890s, American art critics began to use the term "tonal" to describe these works, as well as the lesser-known synonyms Quietism and Intimism. Two of the leading associated painters were George Inness and James McNeill Whistler. Tonalism is sometimes used to describe American landscapes derived from the French Barbizon school, Barbizon style, which emphasized mood and shadow. Tonalism was eventually eclipsed by Impressionism and European modern art, modernism. Australian Tonalism emerged as an art movement in Melbourne during the 1910s. Associated artists * Willis Seaver Adams * Joseph Allworthy * Edward Mitchell Bannister * Clarice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fausto Pirandello
Fausto Calogero Pirandello (17 June 1899 – 30 November 1975) was an Italian painter belonging to the modern movement of the ''Scuola romana (Roman School)''. He was the son of Nobel laureate Luigi Pirandello. Biography After a short experience in Paris, where he met the most important artistic personalities of the time between 1920 and 1930, Pirandello entered the movement of Scuola Romana, distinguishing himself for originality and solitary exploration. His painting tends towards a quotidian realism manifested at times in the more unpleasant and pitiless aspects of life, expressed through a dense and thorny pictorial matter. His vision is an intellectualist one, which however translates even the most brutal naturalist datum into a sort of magic realism with an archaic and metaphysical taste. Pirandello's style goes from cubism, to tonalism, to realist-expressionist forms: Important in this period was his participation to the activities of literary magazine "Corrente di Vita". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
