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Emani Sankara Sastry
Emani Sankara Sastry (23 September 1922 – 1987), was a renowned Veena player of Carnatic music. Life sketch Emani Sankara Sastry was born on 23 September 1922 in Draksharamam, India. He came from a family of celebrated classical musicians. His father Vainika Bhooshana Veena Acharya Emani Achyutarama Sastri, a famed vainika and sastragna was a contemporary of Sangameshwara Sastri and Veena Venkata Romainiah Das of Andhra. The prodigious training he had from a young age under his unsparing father was reflected in abundance in his tuneful, melodious and technique perfect concerts. His graceful playing on the veena in strictly traditional style evoked a reverential listening. Emani gave concerts throughout the length and breadth of India. His participation in East-West music festivals, Tansen festival, Vishnu Digambar festival, and other prestigious music conferences won him distinction in the field of music. Emani played duets with Ustad Abdul Halim Jaffer Khan, Pandit Ravi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Draksharama
Draksharamam or Daksharamam is one of the five Pancharama Kshetras that are sacred to the Hindu god Shiva and also 12th of Ashtadasha Shakthi Peetams. The temple is located in Draksharamam town of Konaseema district in the Indian state of Andhra Pradesh. The poet Mallikarjuna Panditaradhyudu who wrote first independent work in Telugu and who spread Lingayatism in Andhra region during medieval ages was born in this town. Etymology The town was formerly known as and . This is the place where Daksha head of all prajapatis did a yagna called or . This place's present name is a compound of and which means "Abode of Daksha". This place was also referred to as by Jagadguru Adi Shankara in maha shakti peetha sloka at which points to "Maanikyamba devi of Draksharama". The place where Daksha performed is still visited by pilgrims here. History Inscriptions in the temple reveal that it was built between the 9th and 10th centuries CE by the Eastern Chalukyan king, Bhima. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madras Music Academy
Madras Music Academy is one of the earliest established music academies in South India. Before the concept of infrastructure was introduced to India in the early 1920s, it was a gathering for elite musicians simply called (and is still more commonly referred to as) Music Academy () It plays an important role in encouraging and promoting primarily the Carnatic Music Indian art form. It played a vital role in the revival of the Indian classical dance form of Bharatnatyam in the 1930s when it faced near extinction due to a negative connotation caused by conservative societal standards. They also run a music school called the Teachers college of Carnatic Music which has many eminent musicians on its faculty. Musicians such as Tiger Varadachariar, Appa Iyer, Valadi Krishnaiyer and Mudicondan Venkatarama Iyer adorned the chair of Principal of the Teacher's College. History In 1927, the Indian National Congress held the All India Music Conference in Madras. At the end of the conf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yehudi Menuhin
Yehudi Menuhin, Baron Menuhin (22 April 191612 March 1999), was an American-born British violinist and conductor who spent most of his performing career in Britain. He is widely considered one of the greatest violinists of the 20th century. He played the Soil Stradivarius, considered one of the finest violins made by Italian luthier Antonio Stradivari. Early life and career Yehudi Menuhin was born in New York City to Moshe Menuhin, a Lithuanian Jew from Gomel in modern Belarus, and Marutha, a Crimean Karaites, Crimean Karaite. Through his father Moshe, he was descended from a rabbinical dynasty. Moshe and Marutha (née Sher) met in the Mutasarrifate of Jerusalem (part of Palestine (region), historic Palestine under the Ottoman Empire) before marrying in New York in 1914. In late 1919, the pair became American citizens and changed the family name from Mnuchin to Menuhin. Menuhin's sisters were concert pianist and human rights activist Hephzibah Menuhin, Hephzibah, and pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venkatamakhin
Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his ''Chaturdandiprakashika'' in which he explicates the Melakarta (asampurna scheme), melakarta system of classifying ragas. Venkatamakhin composed geethams and prabandhas, as well as 24 ashtapadis in praise of Lord Thyagaraja of Tiruvarur. Biography Venkatamakhin or Venkateswara Dikshita was the son of the musician, scholar, and priest, Govinda Dikshita, a Hoysala Karnataka Brahmin, Kannada Hoysala Karnataka Brahmin from Honnali near Shivamogga, who was also a minister of Raghunatha Nayak of Thanjavur. He was instructed in the veena by his father and his brother, Yagnanarayan. He was later schooled in the scholarly aspects of classical music by Tanappacharya. Venkatamakhin was also versed in Sanskrit and equipped with knowledge in varied subjects such as astrology, logic, philosophy, and alankara. Like his father, Venkatamakhin served as a minister to Rag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter usage is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the '' thaat'' is the rough equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta'': *They are '' sampurna ragas'' – they contain all seven '' swaras'' (notes) of the octave in both ascending and descending scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanumatodi
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concerts. It is a difficult rāgam to perform in owing to its complexity in '' prayoga'' (phrases of notes and intonation). It is called Janatodi in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai Its Western equivalent is the Phrygian mode. Todi in Carnatic music is different from ''Todi (thaat)'' of Hindustani music (North Indian classical music). The equivalent of the Hindustani raga ''Todi'' in Carnatic music is '' Shubhapantuvarali'' (which is the 45th ''melakarta'').''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras The equiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragam Thanam Pallavi
Ragam Tanam Pallavi (RTP) is a form of singing in Carnatic music which allows the musicians to improvise to a great extent. It is one of the most complete aspects of Indian classical music, demonstrating the entire gamut of talents and the depth of knowledge of the musician. It incorporates '' raga alapana'', '' tanam'', '' niraval'', and '' kalpanaswara''. In more elaborate ragam tanam pallavis, a ''tani avartanam'' Kassebaum (2000), 158 may follow. Ragam "Ragam" in the context of " Ragam Tanam Pallavi" refers to ''raga alapana'' - the first component. In this form of pure melodic improvisation, the musician starts with a refrain to create the mood of raga and lays a foundation for composition to follow. Each ''Ragam tanam pallavi'' has at least one raga associated with it. Tanam Source: ''Tanam'' is one of the most important forms of the improvisation, and is integral to the RTP. It is the second component of this composite form of improvisation. Originally developed f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dheerasankarabharanam
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th '' Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Māṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to '' Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th Rāga in the 5th ''Chakra Bā� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vice-President Of India
The vice president of India (ISO: ) is the deputy to the head of state of the Republic of India, i.e. the president of India. The office of vice president is the second-highest constitutional office after the president and ranks second in the order of precedence and first in the line of succession to the presidency. The vice president is also the ''ex officio'' chairman of the Rajya Sabha. Article 66 of the Constitution of India states the manner of election of the vice president. The vice president is elected indirectly by members of an electoral college consisting of the members of both Houses of Parliament and not the members of state legislative assembly by the system of proportional representation using single transferable votes and the voting is conducted by Election Commission of India via secret ballot. The vice president also acts as the chancellor of the Panjab University and Delhi University. Jagdeep Dhankhar of the Bharatiya Janata Party is the current vice pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andhra University
Andhra University is a public university located in Visakhapatnam, Andhra Pradesh, India. It was established in 1926. It is graded as an A++ institution by NAAC receiving a score of 3.74 on a scale of 4. History King Vikram Deo Verma, the Maharaja of Jeypore was one of the biggest donors of the university. He donated lands and two million rupees for the establishment of the university which was set to be shifted elsewhere by the education authorities due to lack of funding. Furthermore, he provided lakh annually to the university, an approximate figure of lakhs between 1930s - 1940s.a The liberal king was conferred an Honorary Doctorate degree from the university. The Jeypore College of Technology and Science in Andhra University was founded by Maharajah Vikram Deo. University emblem The university emblem was designed by Sri Kowta Rammohan Sastri with the guidance of Cattamanchi Ramalinga Reddy. The rising sun represents the university itself and the radiating light rays r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma Shri
The Padma Shri (IAST: ''padma śrī'', lit. 'Lotus Honour'), also spelled Padma Shree, is the fourth-highest Indian honours system, civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. Instituted on 2 January 1954, the award is conferred in recognition of "distinguished contribution in various spheres of activity including the arts, education, industry, literature, science, acting, medicine, social service and public affairs". It is awarded by the Government of India every year on Republic Day (India), India's Republic Day. History Padma Awards were instituted in 1954 to be awarded to citizens of India in recognition of their distinguished contribution in various spheres of activity including the arts, education, Private industry, industry, literature, science, acting, medicine, social service and Public affairs (broadcasting), public affairs. It has also been awarded to some distinguished individuals who were not citiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
