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Elberich
In Continental Germanic mythology, German heroic legend, Alberich () is a Dwarf (mythology), dwarf. He features most prominently in the poems ''Nibelungenlied'' and ''Ortnit''. He also features in the Old Norse collection of German legends called the Thidreksaga under the name Alfrikr. His name consists of the elements ''alb'' ("elf") and ''ric'' "power" or "ruler". It is equivalent to the Old French ''Alberon'' or ''Auberon'', from which the English Oberon is derived, and is the source of the Norman language, Norman French derivation ''Aubry''. The name was later used for a character in Richard Wagner's opera cycle ''Der Ring des Nibelungen''. Mythology Alberich plays a prominent role in the ''Nibelungenlied'', where he is the guardian of the Nibelung's treasure and has the strength of twelve men. Sigurd, Siegfried overpowers him using his cloak of invisibility (Tarnkappe), after which the dwarf serves the hero. Siegfried later pulls his beard in mock combat when he arrives una ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the . The composer termed the cycle a "" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * '' Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them without having watched the previous parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hagen (legend)
Hagen ( German form) or Högni (''Old Norse'' Hǫgni, often anglicized as Hogni, ''Old English'' Hagena, ''Latin'' Hagano) is a Burgundian warrior in Germanic heroic legend about the Burgundian kingdom at Worms. Hagen is often identified as a brother or half-brother of King Gunther (Old Norse ''Gunnarr''). In the ''Nibelungenlied'' he is nicknamed "from Tronje". Etymology of the epithet "Tronje" Of the main manuscripts of the ''Nibelungenlied'', the chief representatives of versions B and C use the spelling "Tronege": "from Tronege Hagene", "Hagen of Tronege", "geborn of Tronege", "helt of Tronege". The A version usually writes "Trony" (also "Troni" and "Tronie"). "Tronje" is the appropriate modern German form. In the B and C versions, the name is in the dative case, with the nominative being "Troneg"; "Tronje", although common, is therefore a mistake. All attempts to interpret Hagen's name or home are highly speculative. Although the ''Nibelungenlied'' has a historic cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), Wagner-Werk-Verzeichnis, WWV 86D, is the last of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a German calque of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. The autograph manuscript of the work is preserved in the Richard Wagner Foundation. Composition Roles Synopsis Prologue Prelude to the Prologue ''Scene 1'' The three Norns, daughters of Jörð, Erda, the goddess of Nature, gather beside Brunhild, Brünnhilde's rock, weaving the W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freyja
In Norse mythology, Freyja (Old Norse "(the) Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr (magic for seeing and influencing the future). Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother ( Njörðr's sister, unnamed in sources), she is a member of the Vanir. Stemming from Old Norse ''Freyja'', modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly field, Fólkvangr, where she receives half of those who die in battle. The other half go to the god Odin's hall, Valhalla. Within Fólkvangr lies her hall, Sessrúmnir. Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valhalla
In Norse mythology, Valhalla ( , ; , )Orchard (1997:171–172) is described as a majestic hall located in Asgard and presided over by the god Odin. There were five possible realms the soul could travel to after death. The first was Fólkvangr, ruled by the goddess Freyja. The second was Hel, ruled by Hel, Loki's daughter. The third was that of the goddess Rán. The fourth was the Burial Mound where the dead could live. The fifth and last realm was Valhalla, ruled by Odin and was called the Hall of Heroes. The masses of those killed in combat (known as the einherjar), along with various legendary Germanic heroes and kings, live in Valhalla until Ragnarök, when they will march out of its many doors to fight in aid of Odin against the jötnar. Valhalla was idealized in Viking culture and gave the Scandinavians a widespread cultural belief that there is nothing more glorious than death in battle. The belief in a Viking paradise and eternal life in Valhalla with Odin may hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasolt
Fasolt, Fasold or Vasolt is a giant or knight who appears in the following works: *The Middle High German heroic poem ''Eckenlied'' (c. 1230). *The Old Norse compendium of German legends known as the '' Thidrekssaga'' (c. 1250). *Richard Wagner's opera ''Das Rheingold'' (1869). The name ''Fasolt'' likely derives from a root similar to Old High German ''faso'', thread, and most likely refers to the long braided hair he is described as having in the ''Eckenlied''. He may have originally been a storm demon, as evidenced by a 17th-century prayer to witches at the mountain Jochgrimm outside of Bozen Bolzano ( ; ; or ) is the capital city of South Tyrol (officially the province of Bolzano), Northern Italy. With a population of 108,245, Bolzano is also by far the largest city in South Tyrol and the third largest in historical Tyrol. The g ... to cause "ffasolt" to send storms far away. Notes References * * Giants German heroic legends Germanic mythology German legendar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarnhelm
The Tarnhelm is a magic helmet in Richard Wagner's ''Der Ring des Nibelungen'' (written 1848–1874; first perf. 1876). It was crafted by Mime at the demand of his brother Alberich. It is used as a cloak of invisibility by Alberich in ''Das Rheingold''. It also allows one to change one's form: *Alberich changes to a dragon and then a toad in ''Das Rheingold'', Scene 3. * Fafner changes to a dragon after the end of ''Das Rheingold'' and appears thus in Siegfried Act II. (It is never made clear whether Fafner actually used the Tarnhelm to transform, or simply transformed as many giants and gods did in the myths. There is also no Tarnhelm present in the original Andvari myth from Reginsmál in the Poetic Edda from which Wagner drew inspiration for this scene.) *Siegfried changes to Gunther's form in ''Götterdämmerung'' Act I, Scene 3. Finally, it allows one to travel long distances instantly, as Siegfried does in ''Götterdämmerung'', Act II. The stage directions in ''Das ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), Wagner-Werk-Verzeichnis, WWV 86A, is the first of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered as a single opera at the National Theatre (Munich), National Theatre of Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nibelung
The term Nibelung ( German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root ''Nebel'', meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the '' Nibelungenlied''. The most widespread use of Nibelung is used to denote the Burgundian royal house, also known as the Gibichungs (German) or Gjúkingar (Old Norse). A group of royal brothers led by king Gunther or Gunnar, the Gibichungs are responsible for the death of the hero Siegfried or Sigurd and are later destroyed at the court of Attila the Hun (called Etzel in German and Atli in Old Norse). This is the only use of the term attested in the Old Norse legends. In medieval German, several other uses of the term Nibelung are documented besides the reference to the Gibichungs: it refers to the king and inhabitants of a mythical land inhabited by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Von Bern
Dietrich von Bern is the name of a character in Germanic heroic legend who originated as a legendary version of the Ostrogothic king Theodoric the Great. The name "Dietrich", meaning "Ruler of the People", is a form of the Germanic name "Theodoric". In the legends, Dietrich is a king ruling from Verona (Bern) who was forced into exile with the Huns under Attila, Etzel by his evil uncle Ermanaric, Ermenrich. The differences between the known life of Theodoric and the picture of Dietrich in the surviving legends are usually attributed to a long-standing oral tradition that continued into the sixteenth century. Most notably, Theodoric was an invader rather than the rightful king of Italy and was born shortly after the death of Attila and a hundred years after the death of the historical Gothic king Ermanaric. Differences between Dietrich and Theodoric were already noted in the Early Middle Ages and led to a long-standing criticism of the oral tradition as false. Legends about Theod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
