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Doucai
''Doucai'' () is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired. The rest of the design is then added in overglaze enamels of different colours and the piece fired again at a lower temperature of about 850°C to 900°C. The style began in the 15th century under the Ming dynasty in the imperial factories at Jingdezhen, and its finest products come from a few years in the reign of the Chenghua Emperor, mostly small pieces like the famous Chicken cups. The style was discontinued after a few decades, as a suitable overglaze blue was developed, but later revived under the Qing dynasty. It is not to be confused with the '' wucai'' style, which was a related early technique for polychrome painting. ''Doucai'' can be translated as "contrasted colours", "fitted colours", "colours which fit together" or "dove-tailed colours". The technique was driven by the rest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wucai
''Wucai'' (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours. It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze enamels in red, green, and yellow for the rest of the designs. Parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired. The rest of the design is then added in the overglaze enamels of different colours and the piece fired again at a lower temperature of about 850°C to 900°C. It has its origins in the '' doucai'' technique. The usual distinction made with ''doucai'', which also combines underglaze blue with overglaze enamels in other colours, is that in ''wucai'' only parts of the design include blue, and these cover wider areas, and are often rather freely painted. In ''doucai'' the whole design is outlined in the blue, even if parts are overlaid by the enamels a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicken Cup (Chenghua)
A Chicken Cup is a bowl-shaped vessel made of Chinese porcelain painted in the ''doucai'' technique. Chicken cups were created during the Ming dynasty (1368 – 1644), during the Chenghua Emperor's reign (1465 – 1487) in China, and originally functioned as a vessel to drink wine from. Chenghua Chicken Cups were created in an imperial kiln in the Jingdezhen porcelain factory, in Southern China. The Emperor Chenghua had the Chicken Cup created in the 15th century as an act of devotion for his empress mother who was recorded to have an appreciation for small objects and valued a simple design taste. Chicken cups are decorated with chickens, hens and cocks. There are a rooster and a hen which feed their young chick, as they grub for worms and stretch out their wings. The chickens on the cup are interpreted as representing core dynastic Chinese values, such as continuing the family line and nurturing the young. There are currently thirteen authentic Chenghua cups held by museums and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Porcelain
Chinese ceramics show a continuous development since Chinese Neolithic, pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the List of Palaeolithic sites in China, Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percival David Foundation
The Percival David Foundation of Chinese Art (abbreviated as the PDF) holds a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum. The Foundation's main purpose is to promote the study and teaching of Chinese art and culture. The collection consists of some 1,700 pieces, mostly of Song, Yuan, Ming and Qing dynasty porcelain from the 10th century to the 18th. It includes a painting, ''Scroll of Antiquities'' ( , 1728, Yongzheng's reign). The collection concentrates on pieces in the "Chinese taste" rather than export wares, and on Imperial porcelain, much of it Jingdezhen ware. It includes examples of the rare Ru and Guan wares and two important Yuan dynasty blue and white porcelain temple vases (the " David Vases"), the oldest dated blue and white porcelain pieces, from 1351. The Foundation also has a large library of Western and East Asian books related to Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liu Yiqian
Liu Yiqian (, pronounced , born 1963) is a Chinese billionaire investor and art collector. An autodidact who formerly worked as a taxi driver, he has built his fortune since the mid-1980s by investing in stock trading, real estateNRC Handelsblad, Oscar Garschagen on Chinese museums and collectors of art. Page C4 10 juli 2014 and pharmaceuticals. Biography Born in 1963 into a working-class family in Shanghai, Liu Yiqian dropped out of school at the age of 14, in order to help his mother to sell handbags on the street. Then he became a taxi driver in Shanghai for two years in the mid-1980s, before making his fortune in the 1990s as part of the new rich who emerged after China's reform and opening up policy. He bought shares, paying around 160 yuan ($30) a share, of a Chinese company which became one of the first to list on the stock exchange as China began developing its capital markets. As a consequence, in just two years, the share price jumped to over 10,000 yuan. Liu increase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underglaze
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature. Many historical styles, for example Persian mina'i ware, Japanese Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. However, because the main or glost firing is at a higher temperature than used in overgla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic Glaze
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overglaze Enamels
Overglaze decoration, overglaze enamelling or on-glaze decoration is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain. Many historical styles, for example mina'i ware, Imari ware, Chinese doucai and wucai, combine the two types of decoration ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue And White Porcelain
"Blue and white pottery" () covers a wide range of white pottery and porcelain decorated underglaze, under the glaze with a blue pigment, generally cobalt(II) oxide, cobalt oxide. The decoration is commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing, though other methods of application have also been used. The cobalt pigment is one of the very few that can withstand the highest firing temperatures that are required, in particular for porcelain, which partly accounts for its long-lasting popularity. Historically, many other colours required overglaze decoration and then a second firing at a lower temperature to fix that. The origin of the blue glazes thought to lie in Iraq, when craftsmen in Basra sought to imitate imported white Chinese stoneware with their own tin-glazed, white pottery and added decorative motifs in blue glazes. Such Abbasid Caliphate, Abbasid-era pieces have been found in present-day Iraq dating to the 9t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qianlong Emperor
The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, born Hongli, was the fifth Emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper, reigning from 1735 to 1796. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1735 to 8 February 1796. In 1796, he abdicated in favour of his son, the Jiaqing Emperor, out of filial piety towards his grandfather, the Kangxi Emperor, who ruled for 61 years, so that he not officially usurp him as the longest-reigning emperor. Despite his retirement, however, the Qianlong Emperor retained ultimate power as the Emperor Emeritus until his death in 1799, making him one of the longest-reigning monarchs in history, and dying at the age of 87, one of the longest-lived. As a capable and cultured ruler inheriting a thriving empire, during his long reign, the Qing Empire reached its most splendid and prosperous era, boasting a large po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cao Xueqin
Cáo Xuěqín ( ; ); (4 April 1710 — 10 June 1765)Briggs, Asa (ed.) (1989) ''The Longman Encyclopedia'', Longman, was a Chinese writer during the Qing dynasty. He is best known as the author of ''Dream of the Red Chamber'', one of the Four Great Classical Novels of Chinese literature. His given name was Cáo Zhān () and his courtesy name was Mèngruǎn (). Family Cao Xueqin was born to a Han Chinese clan that was brought into personal service (as ''booi aha'' or bondservants of Cigu Niru) to the Manchu royalty in the late 1610s. His ancestors distinguished themselves through military service in the Plain White Banner () of the Eight Banners and subsequently held posts as officials which brought both prestige and wealth. After the Plain White Banner was put under the direct jurisdiction of the Qing emperor, Cao's family began to serve in civil positions of the Imperial Household Department. During the Kangxi Emperor's reign, the clan's prestige and power reached its heigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Great Classical Novels
Classic Chinese Novels () are the best-known novels of pre-modern Chinese literature. These are among the world's longest and oldest novels. They represented a new complexity in structure and sophistication in language that helped to establish the novel as a respected form among later popular audiences and sophisticated critics. They include the ''Romance of the Three Kingdoms'', ''Water Margin'', ''Journey to the West'', and '' The Plum in the Golden Vase'' of the Ming dynasty and '' Dream of the Red Chamber (Story of the Stone)'' and '' The Scholars'' of the Qing dynasty. The scholar C. T. Hsia wrote that these six "remain the most beloved novels among the Chinese." Nomenclature and subgroupings The scholar Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's ''The Classic Chinese Novel''. He adds that he is no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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