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Doris Stockhausen
Doris Gertrud Johanna Stockhausen (; 1924 – 20 June 2023) was the early muse and first wife of Karlheinz Stockhausen, who dedicated several compositions to her, beginning in 1950 with ''Chöre für Doris'' before they were married. After they separated she taught piano. Life Doris Gertrud Johanna Andreae was born in Hamburg, the daughter of shipbuilder Max Andreae (1887–1973) and his wife Emmi Alwine, née Blohm (1890–1931). She studied piano at the Hochschule für Musik und Tanz Köln, Musikhochschule Köln, where she met Karlheinz Stockhausen, who also studied there. They were engaged in August 1951. Doris was raised Protestant, but converted to Roman Catholicism to prepare for her wedding. They marriedthough both had no income yet, and against her family's wisheson 29 December 1951 in Hamburg, shortly before the composer moved to Paris for studies. Their best man, best men were the Belgian composer and musicologist Karel Goeyvaerts and the magician artist . In the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
Hamburg (, ; ), officially the Free and Hanseatic City of Hamburg,. is the List of cities in Germany by population, second-largest city in Germany after Berlin and List of cities in the European Union by population within city limits, 7th-largest in the European Union with a population of over 1.9 million. The Hamburg Metropolitan Region has a population of over 5.1 million and is the List of EU metropolitan areas by GDP, eighth-largest metropolitan region by GDP in the European Union. At the southern tip of the Jutland Peninsula, Hamburg stands on the branching River Elbe at the head of a estuary to the North Sea, on the mouth of the Alster and Bille (Elbe), Bille. Hamburg is one of Germany's three city-states alongside Berlin and Bremen (state), Bremen, and is surrounded by Schleswig-Holstein to the north and Lower Saxony to the south. The Port of Hamburg is Germany's largest and Europe's List of busiest ports in Europe, third-largest, after Port of Rotterdam, Rotterda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Davies (composer)
Hugh Seymour Davies (23 April 1943 – 1 January 2005) was a musicologist, composer, and inventor of experimental musical instruments. History Davies was born in Exmouth, Devon, England. After attending Westminster School, he studied music at Worcester College, Oxford from 1961 to 1964. Shortly after he travelled to Cologne, Germany to work for Karlheinz Stockhausen as his personal assistant. For two years, he assembled and documented material for Stockhausen's compositions and was a member of his live ensemble. From 1968 to 1971 Davies played in The Music Improvisation Company. The group's guitarist Derek Bailey later wrote that "the live electronics served to extend the music both forwards and backwards (...) Davies helped to loosen what had been, until his arrival, a perhaps too rarified approach". He was also a member of the group Gentle Fire, active from 1968 to 1975, which specialised in the realisation of indeterminate and mobile scores, as well as verbally formulate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blohm+Voss
Blohm is a surname. Notable people with the surname include: *Hans Blohm C.M. (born 1927), photographer and author *Hermann Blohm (1848–1930), German businessman and co-founder of German company Blohm+Voss *Irma Blohm (1909–1997), German politician *Linn Blohm (born 1992), Swedish handball player for IK Sävehof and the Swedish national team *Robert Blohm (born 1948), American and Canadian investment banker, economist and statistician, professor in China's Central University of Finance and Economics *Tom Blohm (1920–2000), Norwegian football player See also *Blohm + Voss, a German shipbuilding and engineering works *Blom *Bohm (other) Bohm may refer to: Physics * David Bohm, 20th century theoretical physicist who lent his name to several concepts in physics: ** Aharonov–Bohm effect of electromagnetic potential on a particle ** Debye sheath#The Bohm sheath criterion, Bohm sheat ... {{surname de:Blohm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amour (Stockhausen)
''Amour'' is a cycle of five pieces for clarinet by Karlheinz Stockhausen, composed in 1974–76. The composer thought of each piece as a gift for a close friend. The cycle is given the number 44 in Stockhausen's catalogue of works. History The first piece of the cycle was composed in 1974 while Stockhausen was vacationing in Senegal, at Ngor, a beach resort near Dakar; the rest were composed during a week in December 1976, in Kürten, Germany, as Christmas gifts for family members and close associates. * "Sei wieder fröhlich" ("Cheer up", 12 December 1974) :Composed for clarinetist Suzee (Suzanne) Stephens, who worked with Stockhausen on a number of projects, including ''Herbstmusik'' (1974), '' Harlekin'' (1975), '' In Freundschaft'' (1977), '' Traum-Formel'' (1981), and others. This is a short (the score indicates approximate playing time of 1'30"), melodic work. * "Dein Engel wacht über Dir" ("Your angel is watching over you", 11 December 1976) :Composed for Mary Baue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesang Der Jünglinge
''Gesang der Jünglinge'' (literally "Song of the Youths") is an electronic music work by Karlheinz Stockhausen. It was realized in 1955–56 at the Westdeutscher Rundfunk studio in Cologne and is Work Number 8 in the composer's catalog. The vocal parts were supplied by 12-year-old Josef Protschka. It is exactly 13 minutes, 14 seconds long. The work, normally described as "the first masterpiece of electronic music" and "an opus, in the most emphatic sense of the term", is significant in that it seamlessly integrates electronic sounds with the human voice by means of matching voice resonances with pitch and creating sounds of phonemes electronically. In this way, for the first time ever it successfully brought together the two opposing worlds of the purely electronically generated German ''elektronische Musik'' and the French ''musique concrète'', which transforms recordings of acoustical events. ''Gesang der Jünglinge'' is also noted for its early use of spatiality; it was o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schlagtrio
''Schlagtrio'' (Percussive Trio) is a chamber-music work for piano and two timpanists (each playing three timpani) composed by Karlheinz Stockhausen in 1952. It is Nr. ⅓ in his catalogue of works. History The ''Schlagtrio'' was originally written in Paris in 1952 as a ''Schlagquartett'' (Percussive Quartet), for piano and three timpanists, each playing a pair of drums. It was premiered that year in Hamburg, but only in a radio recording. The first public performance was given in Munich on 23 March 1953, in Karl Amadeus Hartmann's musica viva concert series, after which Stockhausen decided that he had made impractical demands for subtle attack differentiations in both the percussion and piano parts. He withdrew the score after those two performances until 1973, when he decided to renotate it. This revision was carried out during a holiday break in 1974, at N'Gor, a beach resort near Dakar in Senegal. The attacks and pitches remained unaltered, but the six timpani were redistribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiel (Stockhausen)
''Spiel'' (Play, or Game) is a two- movement orchestral composition by Karlheinz Stockhausen, written in 1952. Withdrawn by the composer after its first performance, it was later revised and restored to his catalogue of works, where it bears the work-number ¼. The score is dedicated to the composer's first wife, Doris. History In November 1951, Stockhausen sketched his first orchestral work and began composing the first of its three planned movements, provisionally titled ''Studie für Orchester'' (Study for Orchestra). Shortly afterward Herbert Eimert introduced Stockhausen to the director of the Donaueschinger Musiktage, Heinrich Strobel, who asked if he would be willing to compose an orchestral work for the festival, for which Strobel was prepared to pay a sum of 1500 DM—the largest sum of money Stockhausen had ever received for any single job up to that point in his life. Stockhausen agreed to send a two-piano reduction of the movement he had already begun to Hans Rosba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klavierstücke (Stockhausen)
The ''Klavierstücke'' (German for "Piano Pieces") constitute a series of nineteen compositions by German composer Karlheinz Stockhausen. Stockhausen has said the ''Klavierstücke'' "are my ''drawings''". Originating as a set of four small pieces composed between February and June 1952, Stockhausen later formulated a plan for a large cycle of 21 ''Klavierstücke'', in sets of 4 + 6 + 1 + 5 + 3 + 2 pieces. He composed the second set in 1954–55 (''VI'' was subsequently revised several times and ''IX'' and ''X'' were finished only in 1961), and the single ''Klavierstück XI'' in 1956. Beginning in 1979, he resumed composing ''Klavierstücke'' and finished eight more, but appears to have abandoned the plan for a set of 21 pieces. The pieces from ''XV'' onward are for the synthesizer or similar electronic instruments, which Stockhausen had come to regard as the natural successor to the piano. The dimensions vary considerably, from a duration of less than half a minute for ''Klaviers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kreuzspiel
(Crossplay) is a composition by Karlheinz Stockhausen written for oboe, bass clarinet, piano and four percussionists in 1951 (it was later revised for just three percussionists, along with other changes). It is assigned the number 1/7 in the composer's catalogue of works. History Stockhausen regarded ''Kreuzspiel'' as his first original composition, as opposed to the style-imitation exercises he did as part of his music studies. According to the composer, it was influenced by Olivier Messiaen's " Mode de valeurs et d'intensités" (1949) and Karel Goeyvaerts's Sonata for Two Pianos (1950), and is one of the earliest examples of "point" music. ''Kreuzspiel'' was premièred at the Darmstädter Ferienkurse in the summer of 1952, conducted by the composer. According to Stockhausen, the performance "ended in a scandal". Analysis ''Kreuzspiel'' has been analysed in print more often than any other work by Stockhausen, though all but one restrict themselves to just the first of its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral (Stockhausen)
"" (Chorale) is a short a cappella choral composition by Karlheinz Stockhausen, who wrote both the words and music in 1950. It was later given the number 1/9 in the composer's catalogue of works and lasts about four minutes in performance. The score is dedicated to the composer's first wife, Doris Stockhausen, née Andreae. History During his third year of music-education studies at the Cologne Conservatory, free stylistic exercises in composition were part of the programme of training. His teacher was Hermann Schroeder. Along with fugues, chorale preludes, sonatas, and song arrangements in various traditional styles, and a scherzo in the style of Paul Hindemith, Stockhausen wrote a number of choral pieces for the school choir in which he himself sang: The "Madrigalchor der Kölner Musikhochschule" was conducted by Schroeder, and the first performance took place in a recording for Cologne Conservatory, Cologne (WDR) in 1950. Amongst them was "Choral", with a text written by Stockh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drei Lieder (Stockhausen)
''Drei Lieder'' (Three Songs), for alto voice and chamber orchestra, is a song cycle by Karlheinz Stockhausen, written while he was still a conservatory student in 1950. In the composer's catalogue of works, it bears the number 1/10. History When the 21-year-old Stockhausen wrote the ''Drei Lieder'' in two weeks during the summer of 1950, he had no ambition to become a composer. He was approaching the end of his studies in music education at the Cologne Conservatory and, after numerous classroom exercises, wanted merely to try his hand at composing something of substantial proportions. The work was originally titled ''Lieder der Abtrünnigen'' (Songs of a Renegade), and set three poems written by the composer himself: "Mitten im Leben" (In the Midst of Life), "Frei" (Free), and "Der Saitenmann" (The Fiddler). (It is possible that there were originally five songs, but two were later destroyed.) The score is dedicated to Doris Andreae, who later became the composer's wife. Stockh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kürten
Kürten () is a village and a municipality in the Rheinisch-Bergischer Kreis, in North Rhine-Westphalia, Germany. Geography Kürten is situated approximately 25 km east of Cologne. Neighbouring places Nearby cities include Bergisch Gladbach, Overath, Wermelskirchen, and Wipperfürth. Neighboring municipalities are Lindlar and Odenthal. Constituent villages, localities, and communities The municipality includes 69 districts (''Ortsteile''): Ahlendung - Bechen - Biesenbach - Biesfeld - Bilstein - Blissenbach - Bornen - Breibach - Broch - Broich - Broichhausen - Burgheim - Busch - Dahl - Delling - Dörnchen - Dorpe - Duhr - Dürscheid - Eichhof - Eisenkaul - Engeldorf - Enkeln - Forsten - Furth - Hachenberg - Hahn - Heidergansfeld - Hembach - Herrscherthal - Herweg - Höchsten - Hufe - Hungenbach - Hutsherweg - Jähhardt - Junkermühle - Kalsbach - Kochsfeld - Kohlgrube - Laudenberg - Miebach - Müllenberg - Nassenstein - Nelsbach - Oberbersten - Oberbörsch - Oberkolle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
