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Don Checco
''Don Checco'' is an opera in two acts composed by Nicola De Giosa to a libretto by Almerindo Spadetta. It premiered on 11 July 1850 at the Teatro Nuovo (Naples), Teatro Nuovo in Naples. ''Don Checco'' was De Giosa's masterpiece and one of the last great successes in the history of Neapolitan ''opera buffa''.Antolini, Bianca Maria (1988)"De Giosa, Nicola" ''Dizionario Biografico degli Italiani'', Vol. 36. Treccani. Online version retrieved 27 June 2017 .Lanza, Andrea (2001)"De Giosa, Nicola". ''Grove Music Online''. Retrieved 27 June 2017 (subscription required for full access). Set in a village inn near Naples, the opera's story has the usual elements of the Neapolitan ''opera buffa'' genre—young lovers in difficulty, deceptions, mistaken identities, and a happy ending. Its protagonist and a guest at the inn is Don Checco Cerifoglio, an elderly gentleman deep in debt and fleeing the bailiff of the mysterious Count de Ridolfi. The opera had an initial run of 98 performances at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola De Giosa
Nicola De Giosa (3 May 1819 – 7 July 1885) was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, ''Don Checco'' and ''Napoli di carnevale'', were in the Neapolitan ''opera buffa'' genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.Lanza, Andrea (2001)"De Giosa, Nicola" ''Grove Music Online''. Retrieved 27 June 2017 (subscription required for full access). Life and career De Giosa was born in Bari to Angelantonio and Lucia (''née'' Favia) De Giosa. He initially trained to be a flautist, first in Bari with his elder brother Giuseppe and then with Errico Daniele. Daniele recognized his talent and persuaded De Giosa's father to enroll him at the Conservatory of San Pietro a Majella in Naples. He passed the entrance examination at age 14 with suffi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zarzuela
() is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles () that grew there. There are two main forms of ''zarzuela'': Baroque ''zarzuela'' (c. 1630–1750), the earliest style, and Romantic ''zarzuela'' (c. 1850–1950). Romantic zarzuelas can be further divided into two main subgenres, ''género grande'' and '' género chico'', although other sub-divisions exist. ''Zarzuela'' spread to the Spanish dominions, and many Spanish-speaking countries – notably Cuba – developed their own traditions. ''Zarzuela'' is also a strong tradition in the Philippines, where it is also referred to in certa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Università Degli Studi Di Padova
The University of Padua ( it, Università degli Studi di Padova, UNIPD) is an Italian university located in the city of Padua, region of Veneto, northern Italy. The University of Padua was founded in 1222 by a group of students and teachers from Bologna. Padua is the second-oldest university in Italy and the world's fifth-oldest surviving university. In 2010, the university had approximately 65,000 students. In 2021, it was ranked second "best university" among Italian institutions of higher education with more than 40,000 students according to Censis institute, and among the best 200 universities in the world according to ARWU. History The university is conventionally said to have been founded in 1222 when a large group of students and professors left the University of Bologna in search of more academic freedom ('Libertas scholastica'). The first subjects to be taught were law and theology. The curriculum expanded rapidly, and by 1399 the institution had divided in two: a ''Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera News
''Opera News'' is an American classical music magazine. It has been published since 1936 by the Metropolitan Opera Guild, a non-profit organization located at Lincoln Center which was founded to engender the appreciation of opera and also support the Metropolitan Opera of New York City. ''Opera News'' was initially focused primarily on the Met, particularly providing information for listeners of the Saturday afternoon live Metropolitan Opera radio broadcasts. Over the years, the magazine has broadened its scope to include the larger American and international opera scenes. Currently published monthly, ''Opera News'' offers opera related feature articles; artist interviews; production profiles; musicological pieces; music-business reportage; reviews of performances in the United States and Europe; reviews of recordings, videos, books and audio equipment; and listings of opera performances in the U.S. The Editor-in-Chief is currently F. Paul Driscoll. Regular contributors to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic (record Label)
Dynamic is an Italian independent record label located in Genoa. Founded in 1978, it specialises in classical music and opera, especially rarely performed works and has produced several world premiere recordings. The Dynamic catalogue contains over 400 titles, with about 25 new titles added each year and is distributed in 32 countries. History Dynamic was founded in 1978 by Pietro Mosetti Casaretto and his wife Marisa. Mosetti Casaretto, a surgeon and amateur violinist, took over a small label founded by the musicologist Edward Neill. In the beginning, Dynamic was a small family business. Mosetti Casaretto and his wife recorded in local churches, oratories and villas. The first recordings were issued on vinyl, the very first one being Paganini's ''Barucabà Variations'' played by Salvatore Accardo. In 1985 the company moved to its current site in the Villa Quartana on the Righi hill overlooking Genoa, where it set up a recording hall that could house a small chamber orchestra. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Lanzillotta
Francesco Lanzillotta (born 1977) is an Italian conductor and composer. As a conductor, he is focused on Italian opera, including contemporary works. He has conducted internationally, such as Verdi's ''La traviata'' in Varna, Bulgaria, '' Nabucco'' at the Deutsche Oper Berlin, Puccini's '' La bohème'' at the Bavarian State Opera, and Dallapiccola's '' Ulisse'' at Oper Frankfurt. He has conducted music by contemporary Italian composers. Career Lanzillotta was born in Rome. He studied there at the Accademia Nazionale di Santa Cecilia, piano with Velia De Vit, and composition with Luciano Pelosi. He took master classes with Harold Farberman and George Pehlivanian. Lanzillotta is a regular conductor at Italian opera houses such as La Fenice in Venice, Teatro Regio in Parma, Teatro Verdi in Triest, Teatro di San Carlo in Naples and Teatro Lirico di Cagliari. He has conducted orchestras including the RAI National Symphony Orchestra, the Orchestra i Pomeriggi Musicali in Mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critical Edition (opera)
A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: :In some cases of course we have an autograph manuscript, and that helps us, but it is also where many of the problems start, because composers are known to have made mistakes in their autograph manuscripts. And therefore we are required—we feel it is necessary—to intervene and to correct errors that sometimes have been perpetrated on these works by printed editions from the beginning, so they are just mistakes in the old editions, simple mistakes.Luiz Gazzola"Exclusive ''Opera Lively'' Interview with Italian Opera scholar Dr. Philip Gossett"on operalively.com. 17 June 2012. Retrieved 26 September 2013 The emergence of critical editions of many works from the 19th-century Italian operatic repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Palace Of Naples
The Royal Palace of Naples ( it, Palazzo Reale di Napoli, italic=no, nap, Palazzo Riale ‘e Napule) is a palace, museum, and historical tourist destination located in central Naples, southern Italy. It was one of the four residences near Naples used by the House of Bourbon during their rule of the Kingdom of Naples (1735–1816) and later the Kingdom of the Two Sicilies (1816-1861). The others were the palaces of Caserta, Capodimonte overlooking Naples and Portici on the slopes of Vesuvius. History The palace is on the site of an earlier residence, which had housed the former viceroy Don Pedro de Toledo, Marquis of Villafranca. Construction on the present building was begun in the 17th century by the architect Domenico Fontana.The "signature" of Domenico Fontana is engraved on some bases of the columns of the facade of the Royal Palace of Naples. The text states: "DOMENICVS FONTANA PATRITIVS Romanvs / AVRATAE Militiae EQVES / ET COMES PALATINVS INVENTOR." Intended to ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
