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Nicola De Giosa
Nicola De Giosa (3 May 1819 – 7 July 1885) was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, ''Don Checco'' and ''Napoli di carnevale'', were in the Neapolitan ''opera buffa'' genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.Lanza, Andrea (2001)"De Giosa, Nicola" ''Grove Music Online''. Retrieved 27 June 2017 (subscription required for full access). Life and career De Giosa was born in Bari to Angelantonio and Lucia (''née'' Favia) De Giosa. He initially trained to be a flautist, first in Bari with his elder brother Giuseppe and then with Errico Daniele. Daniele recognized his talent and persuaded De Giosa's father to enroll him at the Conservatory of San Pietro a Majella in Naples. He passed the entrance examination at age 14 with suffi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bari
Bari ( , ; nap, label= Barese, Bare ; lat, Barium) is the capital city of the Metropolitan City of Bari and of the Apulia region, on the Adriatic Sea, southern Italy. It is the second most important economic centre of mainland Southern Italy after Naples. It is a port and university city, as well as the city of Saint Nicholas. The city itself has a population of 315,284 inhabitants, over , while the urban area has 750,000 inhabitants. The metropolitan area has 1.3 million inhabitants. Bari is made up of four different urban sections. To the north is the closely built old town on the peninsula between two modern harbours, with the Basilica of Saint Nicholas, the Cathedral of San Sabino (1035–1171) and the Hohenstaufen Castle built for Frederick II, which is now also a major nightlife district. To the south is the Murat quarter (erected by Joachim Murat), the modern heart of the city, which is laid out on a rectangular grid-plan with a promenade on the sea and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Ménestrel
''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heugel and remained with the company until the journal's demise at the beginning of World War II. With the closure of its chief rival, '' La Revue et gazette musicale de Paris'' in 1880, ''Le Ménestrel'' became France's most prestigious and longest-running music journal. Publishing history In 1827, François-Joseph Fétis had founded ''La Revue musicale'', France's first periodical devoted entirely to classical music. By 1834, it had two serious competitors, ''Le Ménestrel'' established in 1833, and Maurice Schlesinger's ''Gazette Musicale'', established in 1834. ''Le Ménestrel'' was founded by the Paris publisher Joseph-Hippolyte l'Henry, with the first edition (printed by Poussièlgue) appearing on 1 December 1833. In 1835, Schlesinger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sine Nomine
''Sine nomine'' (abbreviated s.n.) is a Latin expression, meaning "without a name". It is most commonly used in the contexts of publishing and bibliographical listings such as library catalogs, to signify that the publisher (or distributor, etc.) of a listed work is unknown, or not printed or specified on the work. It is to be compared with '' sine loco'' (''s.l.''), "without a place", used where the place of publication of a work is unknown or unspecified. While it may sometimes be used to disclose an unknown authorship, this is more commonly indicated as '' anon.'' or similar. The phrase and its abbreviation have been deprecated in Anglophone cataloging with the adoption of the Resource Description and Access standard, which instead prescribes the unabbreviated English phrase "publisher not identified" (or "distributor not identified", etc.). ''Sine loco'' is likewise replaced by "place of publication not identified". See also *'' Liber sine nomine'' *''Missa sine nomine A ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Petruzzelli
The Teatro Petruzzelli is the largest theatre of the city of Bari and the fourth Italian theatre by size. History Origin and golden age The history of the Teatro Petruzzelli of Bari begins when Onofrio and Antonio Petruzzelli, traders and ship builders from Bari, presented the designs for the theatre drawn up by their brother-in-law, the engineer Angelo Bari Cicciomessere (then Messeni) to the city of Bari. The proposal for building the Petruzzelli was accepted and, on 29 January 1896, a contract was signed between the family and the city administration. Two years later, in October 1898, work began and it ended in 1903. The interior of the theatre was painted by Raffaele Armenise. On completion the Teatro Petruzzelli overtook the Teatro Comunale of Corato as the largest theatre of Apulia. The theatre was inaugurated on Saturday, 14 February 1903 with Meyerbeer's ''Les Huguenots''. In the 1980s, the theatre hosted two major operatic debuts, that of ''Iphigénie en Tauride'' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Giovine
Alfredo Giovine (2 April 1907 – 25 August 1995) was an Italian historian, folklorist, dialectologist, and journalist. He wrote several books and many monographs on the musicians and theatres of the Province of Bari and the surrounding Region of Puglia as well as on the dialect and folklore of Bari, his native city. Life and career Born in Bari, Giovine studied singing from 1920 to 1925 under who was the ''maestro di cappella'' of the Basilica di San Nicola. He initially had a shipping firm, but had to give it up in 1955 due to a physical disability. Over the next forty years he worked as a journalist and carried out extensive research and writing on the musicians and theatres of the Province of Bari as well as on the dialect and folklore of the province. In 1960 he founded the Archivio delle Tradizioni Popolari Baresi (Archive of Bari's Popular Traditions). The Archive also has a section called "Civiltà Musicale Pugliese" (Musical Culture of Puglia) which is devoted to docum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebrato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khedivial Opera House
The Khedivial Opera House or Royal Opera House ( ar, دار الأوبرا الخديوية / ALA-LC: ''Dār Awbirā al-Khudaywī'') was an opera house in Cairo, Egypt, the oldest opera house in all of Africa. It was inaugurated on 1 November 1869 and burned down on 28 October 1971. The opera house was built on the orders of the Khedive Ismail to celebrate the opening of the Suez Canal. The architects Pietro Avoscani (from Livorno) and Rossi designed the building. It seated approximately 850 people and was made mostly of wood. It was located between the districts of Azbakeya and Ismailyya in Egypt's capital city. Verdi's opera ''Rigoletto'' was the first opera performed at the opera house on 1 November 1869. Ismail planned a grander exhibition for his new theatre. After months of delay due to the outbreak of the Franco-Prussian War, Verdi's new opera, ''Aida'', received its world premiere at the Khedivial Opera House on 24 December 1871. In the early morning hours of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriella Di Vergy
''Gabriella di Vergy'' is an opera seria in two acts by Gaetano Donizetti written in 1826 and revised in 1838, from a libretto by Andrea Leone Tottola, which was based on the tragedy ''Gabrielle de Vergy'' (1777) by Dormont De Belloy. Prior to that, the play was itself inspired by two French medieval legends, '' Le châtelain de Coucy et la dame de Fayel'' and ''Le Roman de la chastelaine de Vergy''. The story had already been the subject of an opera by Michele Carafa (1816) and had previously been used by Johann Simon Mayr (''Raul di Créqui'', Milan, 1809), Francesco Morlacchi (''Raoul de Créqui'', Dresden, 1811), and Carlo Coccia (''Fayel'', Florence, 1817). It was also subsequently used as ''Gabriella di Vergy'' by Saverio Mercadante in 1828. "In its original form the opera was never performed",Ashbrook and Hibberd 2001, p. 227 but parts of the original version were re-used by Donizetti in his other operas ''Otto mesi in due ore'' (Naples, 1827), '' L’esule di Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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