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Dinos
In the typology of ancient Greek pottery, the (plural '','' known in ancient times as a ) is a mixing bowl or cauldron. means , but in modern typology is used for the same shape as a , that is, a bowl with a spherical body, often accompanied by a wheel-turned stand. It has no handles and no feet. Literary references to such vessels are known from the ''Iliad'', and examples have been found from between the seventh and fifth centuries BCE. Ancient artists who painted include the Dinos Painter, the Gorgon Painter, the Berlin Painter, Exekias and Sophilos. History A was a large, deep bowl, with a round bottom and a wide mouth. were used both for cooking and for mixing wine with water. The term is modern; in ancient Greece, the word was used for a drinking-cup, while the term was used for the rounded bowl. were often made with wheel-turned stands, and could be made either in metal or in terracotta: it is likely that the metal examples were designed for cooking, whi ...
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Dinos Animals Louvre Cp11243
In the typology of ancient Greek pottery, the (plural '','' known in ancient times as a ) is a mixing bowl or cauldron. means , but in modern Typology of Greek vase shapes, typology is used for the same shape as a , that is, a bowl with a spherical body, often accompanied by a Potter's wheel, wheel-turned stand. It has no handles and no feet. Literary references to such vessels are known from the ''Iliad'', and examples have been found from between the seventh and fifth centuries BCE. Ancient artists who painted include the Dinos Painter, the Gorgon Painter, the Berlin Painter, Exekias and Sophilos. History A was a large, deep bowl, with a round bottom and a wide mouth. were used both for cooking and for mixing wine with water. The term is modern; in ancient Greece, the word was used for a drinking-cup, while the term was used for the rounded bowl. were often made with Potter's wheel, wheel-turned stands, and could be made either in metal or in terracotta: it is likely t ...
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Dinos Painter
The Dinos Painter was an Attic red-figure vase painter who was active during the second half of the 5th century BC. The Dinos Painter stood in the tradition of the Kleophon Painter, but was less serious. One or few figures are depicted as the centre of an event; the frieze-like depiction of the course of the event seen in earlier styles is absent. His paintings initiate the "Rich Style" of the following generation; he already uses an increased amount of white to stress details. The technique of using white to depict Eros and furniture is an innovation of the Dinos Painter; a generation later it formed part of the standard repertoire. Most of the works attributed to the Dinos Painter are on large vases. He is named after one of his chief works, a vase in Berlin depicting Dionysos reclining. Although most of the Dinos Painter’s vases were found in Italy, Sicily, and Athens, his works were also found as far afield as Spain and Syria. Out of the eighteen vases found in Athens, ...
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Dinos Of The Gorgon Painter
The ''Dinos of the Gorgon Painter'' () is an important example of ancient Greek pottery, produced at Athens around 580 BC. It entered the Louvre's collection in 1861, with the purchase of Giampietro Campana's collection (Inv. E 874). This masterpiece, which is decorated with Gorgons, is the source of the name the anonymous painter who decorated it and is therefore known as the Gorgon Painter. Origin The ''dinos'', a banqueting vessel of large dimensions in which water was mixed into the wine, consisted of two parts: the bowl and the stand for it to rest on. The whole ensemble only rarely survives, but is the inspiration for examples in bronze which are encountered more often. While there is no doubt that this example was made in an Athenian workshop, the location of its discovery remains uncertain, though the fact that it was in Campana's collection suggests that it was acquired in clandestine excavations in Etruria. It is very unlikely that it was discovered in Greece. Painte ...
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Gorgon Painter
The Gorgon Painter was one of the early Attic black-figure vase painters. He was active between 600 and 580 BC. His name vase, '' Dinos of the Gorgon Painter'', is currently on display in the Louvre and depicts Perseus fleeing the Gorgons. The Gorgon Painter is considered as a very productive successor of the Nessos Painter. Additionally, in accordance with other Geometric style artists, he arranged his subjects in symmetric patterns. Characteristic of his paintings are flat representations of humans or gods and animals painted in sections around the pottery. Rather than filling blank spaces with geometric patterns, the Gorgon Painter uses the Animal style; depicting real and fantastical animals in friezes around the vases which is considered to be a Corinthian tradition. The better recorded artist Sophilos is said to be influenced by the Gorgon Painter, continuing work in the black-figure style and zoomorphic decoration. Style Corinthian The Gorgon Painter is considered to ...
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London Painter
London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Western Europe, with a population of 14.9 million. London stands on the River Thames in southeast England, at the head of a tidal estuary down to the North Sea, and has been a major settlement for nearly 2,000 years. Its ancient core and financial centre, the City of London, was founded by the Roman Empire, Romans as Londinium and has retained its medieval boundaries. The City of Westminster, to the west of the City of London, has been the centuries-long host of Government of the United Kingdom, the national government and Parliament of the United Kingdom, parliament. London grew rapidly 19th-century London, in the 19th century, becoming the world's List of largest cities throughout history, largest city at the time. Since the 19th cen ...
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Typology Of Greek Vase Shapes
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic period. As Gisela Richter puts it, the forms of these vases (by convention the term "vase" has a very broad meaning in the field, covering anything that is a vessel of some sort) find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware. The task of naming Greek vase shapes is by no means a straightforward one. The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka’s 1829 book , whose confident assertion that he had rediscovered the ancient nomenclature was quickly disputed by Gerhard and Letronne. A few surviving vases were labelled with their names in antiqu ...
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Sophilos
Sophilos (; active about 590 – 570 BC) was an Attic potter and vase painter in the black-figure style. Sophilos is the oldest Attic vase painter so far to be known by his true name. Fragments of two wine basins ( dinoi) in Athens are signed by him, indicating that he both potted and painted them. In total, 37 vessels are ascribed to him, mostly amphorae, dinoi, kraters, as well as three pinakes. Apart from his work for the domestic market, he was also one of the masters of major significance in the process of supplanting the dominance of Corinthian vase painting in the markets of Etruria, and Southern Italy, the most important export area for Greek vases. His works were exported as far as the Black Sea region, Syria and Egypt (Naukratis). He was one of the first painters to use additional colours at a grand scale, thus increasing the optical and artistic distinction between Corinthian and Attic vase painting. While he was conservative and traditionalist in terms of the ...
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Black-figure Pottery
Black-figure pottery painting (also known as black-figure style or black-figure ceramic; ) is one of the styles of Ancient Greek vase painting, painting on pottery of ancient Greece, antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in pa ...
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Berlin Painter
The Berlin Painter (active c. 490–460s BC) is the conventional name given to an Attic Greek vase painters who is widely regarded as among the most talented of his time. There are no painter signatures on any of the Berlin Painter's attributed works. From the surviving vases, it is safe to assume that he was a major painter, as there are over 400 vases and fragments attributed to him. The Berlin Painter along with his apparent rival the Kleophrades Painter was educated by a member of the Pioneer Group, who introduced red-figure painting. The Berlin Painter began working in the Late Archaic style and helped develop the Classic style. Over a long career he trained many younger vase-painters, including, probably, the Achilles Painter. The majority of his works have been found across Italy. This may suggest that they were created for export to the Italian market. Many of his valued works were preserved as élite grave goods in the necropoleis of Magna Graecia and Etruria, not ...
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Muses
In ancient Greek religion and Greek mythology, mythology, the Muses (, ) were the Artistic inspiration, inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. The number and names of the Muses differed by region, but from the Classical Greece, Classical period the number of Muses was standardized to nine, and their names were generally given as Calliope, Clio, Polyhymnia, Euterpe, Terpsichore, Erato, Melpomene, Thalia (Muse), Thalia, and Urania. In modern figurative usage, a muse is a Muse (source of inspiration), person who serves as someone's source of artistic inspiration. Etymology The word ''Muses'' () perhaps came from the Indo-European ablaut#Proto-Indo-European, o-grade of the Proto-Indo-European language, Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formati ...
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Ancient Greek Vase Painting
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', 2nd Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multitude of specif ...
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