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Berlin Painter
The Berlin Painter (active c. 490–460s BC) is the conventional name given to an Attic Greek vase painters who is widely regarded as among the most talented of his time. There are no painter signatures on any of the Berlin Painter's attributed works. From the surviving vases, it is safe to assume that he was a major painter, as there are over 400 vases and fragments attributed to him. The Berlin Painter along with his apparent rival the Kleophrades Painter was educated by a member of the Pioneer Group, who introduced red-figure painting. The Berlin Painter began working in the Late Archaic style and helped develop the Classic style. Over a long career he trained many younger vase-painters, including, probably, the Achilles Painter. The majority of his works have been found across Italy. This may suggest that they were created for export to the Italian market. Many of his valued works were preserved as élite grave goods in the necropoleis of Magna Graecia and Etruria, not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoplitodromia Louvre CA214
The ''hoplitodromos'' or ''hoplitodromia'' (Greek: , English translation: "race of the hoplites") was an ancient foot race, part of the Olympic Games and the other Panhellenic Games. It was the last foot race to be added to the Olympics, first appearing at the 65th Olympics in 520 BC, and was traditionally the last foot race to be held. Unlike the other races, which were generally run in the nude, the ''hoplitodromos'' required competitors to run wearing the ''hopla'', the helmet, greaves and heavy shield (''aspis'') from which the hoplite infantryman took its name, bringing the total encumbrance to at least 6 kg (12 pounds).Peter Krentz, “A Cup by Douris and the Battle of Marathon,” in Garrett G. Fagan and Matthew Trundle (eds.), New Perspectives on Ancient Warfare (Brill: Leiden, 2010) pp. 190ff. As the ''hoplitodromos'' was one of the shorter foot races, the heavy armor and shield were less a test of endurance than one of sheer muscular strength. After 450 BC, the use o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Beazley
Sir John Davidson Beazley (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was professor of classical archaeology and art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He won the Gaisford Prize in Greek composition for "Herodotus at the Zoo", a parody of Herodotus in which the historian visits London Zoo. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford, Beazley became a close friend of the poet James Elroy Flecker. They were perhaps lovers, as A. L. Rowse suggested in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meander (art)
__NOTOC__ A meander or meandros () is a decorative border constructed from a continuous line, shaped into a repeated Motif (visual arts), motif. Among some Italians, these patterns are known as "Greek Lines". Such a design may also be called the Greek fret or Key pattern, Greek key design, although these terms are modern designations; this decorative motif appears much earlier and among Near and Far eastern cultures that are far from Greece. Usually the term is used for motifs with straight lines and right angles and the many versions with rounded shapes are called scroll (art), running scrolls or, following the etymological origin of the term, may be identified as water wave motifs. Meaning of the name On one hand, the name "meander" recalls the twisting and turning path of the Büyük Menderes River, Maeander River in Asia Minor (present day Turkey) that is typical of river pathways. On another hand, as Karl Kerenyi pointed out, "the meander is the figure of a labyrinth in lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vatican Museums
The Vatican Museums (; ) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the best-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employs 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums, considered among the most canonical and distinctive works of Western and European art. In 2024, the Vatican Museums were visited by 6.8 million people. They ranked second in the list of most-visited art museums and museums in the world after the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek religion, ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretism, syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include Owl of Athena, owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean tutelary deity, palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekythos
A lekythos (; : lekythoi) is a type of ancient Greek vessel used for storing oil, especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were normally only decorated with one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oenochoe
An oenochoe, also spelled ''oinochoe'' (; from , ''oînos'', "wine", and , ''khéō'', , sense "wine pourer"; : ''oinochoai''; Neo-Latin: ''oenochoë'', : ''oenochoae''; English : oenochoes or oinochoes), is a wine jug and a key form of ancient Greek pottery. Intermediate between a pithos (large storage vessel) or amphora (transport vessel), and individual cups or bowls, it held fluid for several persons temporarily until it could be poured. The term ''oinos'' (Linear B: "wo-no") appears in Mycenaean Greek, but not the compound. The characteristic form was popular throughout the Bronze Age, especially at prehistoric Troy. In classical times for the most part the term ''oinochoe'' implied the distribution of wine. As the word began to diversify in meaning, the shape became a more important identifier than the word. The ''oinochoe'' could pour any fluid, not just wine. The English word, pitcher, is perhaps the closest in function. Beazley's ten types There are many different for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krater
A krater or crater (, ; , ) was a large two-handled type of vase in Pottery of ancient Greece, Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a (: ), an amphora (: ), or a (: ). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, (), originates from the (, ) of wine and water in kraters. Pottery kraters were ceramic glaze, glazed on the interior to make the surface of the clay more impervious for holding water, and possibly for aesthetic reasons, since the interior could easily be seen. The exterior of kraters often depicted scenes fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydria
The hydria (; : hydriai) is a form of Greek pottery from between the Geometric art, late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning 'jug'. It is a type of water-carrying vessel, but it had many other purposes. As time progressed the hydria developed into many forms, some of which were smaller or of a different material. These variants were decorated with detailed figures to represent Greek mythological stories, as well as scenes of daily life, providing extensive insight into Culture of ancient Greece, Ancient Greek culture and society. Function Originally, the hydria's purpose was for the collection of water, but it also held oil and the votes of judges. The design of the hydria allowed for the efficient collecting and pouring of liquids as it possessed three handles: two horizontal ones at its sides and a vertical one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nolan Amphora
The Nolan amphora is a variant style of the amphora jar, a common artifact of Pottery of ancient Greece, Greek and Ancient Roman pottery, Roman pottery. Nolan amphorae are characterized by a neck that is longer and narrower than in traditional neck amphorae, along with ribbed handles or straps that join the piece at the base of the neck. They are named for the archaeological site at Nola, Italy, where an abundance of these vessels have been unearthed. Historical origins The distinct shape and style of the Nolan amphora is thought to have emerged from two styles of older Attic black-figure pottery: the black-figure panel amphora and the red-bodied amphora. It has been theorized that the former is the closest predecessor of the Nolan shape, given that it has both the elongated neck of the red-bodied amphora and the smaller size associated with Nolan amphorae. Nolan vessels, however, do not always have decorated palmettes characteristic of black-figure panel amphora. Both black-figu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaic Amphora
Panathenaic amphorae were the amphora, amphorae, large ceramic vessels, that contained the olive oil given as a prize in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Akademos, Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the ''aegis'', and next to her the inscription ''"(one) of the prizes from Athens"''. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it maki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
