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Die Alte (song)
"" ("The Old Woman"), K. 517, is a song for voice and piano by Wolfgang Amadeus Mozart to a poem by Friedrich von Hagedorn. History The work was completed in Vienna on 18 May 1787, at the same time as the demanding string quintets K. 515 and K. 516. The song features a dramatic musical portrait of an old woman reminiscing of the Good old days. The Great Comet of 1744 is mentioned in the lyrics. Mozart found the text in the composer Anton Steffan's ''Sammlung Deutscher Lieder'', nr. 24 in part 2, Vienna 1779; Hagedorn's second verse was not present in this version. Music The song is written in the key of E minor, a key rarely used by Mozart,''NMA'' Critical Report, p. 122 with a time signature of . The text is set in strophic form to 24 bars. The vocal range reaches from B to E with a tessitura from E to D. A performance lasts between three-and-a-half and four-and-a-half minutes. Lyrics Recordings *1956: Elisabeth Schwarzkopf (soprano), Walter Gieseking Walter Wilhelm G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1787 Songs
Events January–March * January 9 – The North Carolina General Assembly authorizes nine commissioners to purchase of land for the seat of Chatham County. The town is named Pittsborough (later shortened to Pittsboro), for William Pitt the Younger. * January 11 – William Herschel discovers Titania and Oberon, two moons of Uranus. * January 19 – Mozart's '' Symphony No. 38'' is premièred in Prague. * February 2 – Arthur St. Clair of Pennsylvania is chosen as the new President of the Congress of the Confederation.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * February 4 – Shays' Rebellion in Massachusetts fails. * February 21 – The Confederation Congress sends word to the 13 states that a convention will be held in Philadelphia on May 14 to revise the Articles of Confederation. * February 28 – A charter is granted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1787 Compositions
Events January–March * January 9 – The North Carolina General Assembly authorizes nine commissioners to purchase of land for the seat of Chatham County. The town is named Pittsborough (later shortened to Pittsboro), for William Pitt the Younger. * January 11 – William Herschel discovers Titania and Oberon, two moons of Uranus. * January 19 – Mozart's '' Symphony No. 38'' is premièred in Prague. * February 2 – Arthur St. Clair of Pennsylvania is chosen as the new President of the Congress of the Confederation.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * February 4 – Shays' Rebellion in Massachusetts fails. * February 21 – The Confederation Congress sends word to the 13 states that a convention will be held in Philadelphia on May 14 to revise the Articles of Confederation. * February 28 – A charter is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mann (critic)
William Somervell Mann (14 February 19245 September 1989) was an English music critic. Born in India, he was educated at Winchester and Cambridge, studying music with several prominent composers, before taking up a career as a critic. For most of his career he was on the staff of ''The Times'' in London, where his radical views were in contrast with the paper's traditional outlook. He published many books and articles in musical journals. After leaving ''The Times'' Mann was director of the Bath Festival for a year. Life and career Mann was born in Madras, India,Sadie, Stanley"Mann, William S." ''Grove Music Online'', Oxford Music Online, accessed 2 March 2012 the son of Gerald and Joyce Mann."Mann, William Somervell" ''Who Was Who'', A & C Black, 1920–2008; online edition, Oxford University Press, December 2007 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Gieseking
Walter Wilhelm Gieseking (5 November 1895 – 26 October 1956) was a French-born German pianist and composer. Gieseking was renowned for his subtle touch, pedaling, and dynamic control—particularly in the music of Debussy and Ravel; he made integral recordings of all their published works which were extant during his life. He also recorded most of Mozart's solo piano works. Career Born in Lyon, France, the son of a German doctor and lepidopterist, Gieseking first started playing the piano at age four, without formal instruction. His family traveled frequently and he was privately educated. From 1911 to early 1916, he studied at the Hanover Conservatory. There his mentor was the director Karl Leimer, with whom he later coauthored a piano method. He made his first appearance as a concert pianist in 1915, but was conscripted in 1916 and spent the remainder of World War I as a regimental bandsman. His first London piano recital took place in 1923, establishing an exceptional and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Schwarzkopf
Dame Olga Maria Elisabeth Friederike Schwarzkopf, (9 December 19153 August 2006) was a German-born Austro-British soprano. She was among the foremost singers of lieder, and is renowned for her performances of Viennese operetta, as well as the operas of Mozart, Wagner and Richard Strauss. After retiring from the stage, she was a voice teacher internationally. She is considered one of the greatest sopranos of the 20th century. Early life Schwarzkopf was born on 9 December 1915 in Jarotschin in the Province of Posen in Prussia, Germany (now Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (). Schwarzkopf performed in her first opera in 1928, as Eurydice in a school production of Gluck's ''Orfeo ed Euridice'' in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik, where her singing tutor, Lula Mysz-Gmeiner, attempted to train her to be a mezzo-soprano. Schwarzkopf later trained under Maria Ivogün, and in 1938 joined the De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's '' Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octave they are part of. For standard A440 pit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strophic Form
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
