|
Descender (climbing)
In typography and handwriting, a descender is the portion of a grapheme that extends below the baseline of a font. For example, in the letter ''y'', the descender is the "tail", or that portion of the diagonal line which lies below the ''v'' created by the two lines converging. In the letter ''p'', it is the stem reaching down past the ''ɒ''. In most fonts, descenders are reserved for lowercase characters such as ''g'', ''j'', ''q'', ''p'', ''y'', and sometimes ''f''. Some fonts, however, also use descenders for some numerals (typically ''3'', ''4'', ''5'', ''7'', and ''9''). Such numerals are called old-style numerals. (Some italic fonts, such as Computer Modern italic, put a descender on the numeral ''4'' but not on any other numerals. Such fonts are not considered old-style.) Some fonts also use descenders for the tails on a few uppercase letters such as ''J'' and ''Q''. The parts of characters that extend above the x-height of a font are called ascenders. Descenders ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descender
In typography and handwriting, a descender is the portion of a grapheme that extends below the Baseline (typography), baseline of a typeface, font. For example, in the letter ''y'', the descender is the "tail", or that portion of the diagonal line which lies below the ''v'' created by the two lines converging. In the letter ''p'', it is the stem reaching down past the ''ɒ''. In most fonts, descenders are reserved for lowercase characters such as ''g'', ''j'', ''q'', ''p'', ''y'', and sometimes ''f''. Some fonts, however, also use descenders for some Numerical digit, numerals (typically ''3'', ''4'', ''5'', ''7'', and ''9''). Such numerals are called old-style numerals. (Some Italic type, italic fonts, such as Computer Modern, Computer Modern italic, put a descender on the numeral ''4'' but not on any other numerals. Such fonts are not considered old-style.) Some fonts also use descenders for the tails on a few uppercase letters such as ''J'' and ''Q''. The parts of characters t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
X-height
upright 2.0, alt=A diagram showing the line terms used in typography In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter ''x'' in the font (the source of the term), as well as the letters ''v'', ''w'', and ''z''. (Curved letters such as ''a'', ''c'', ''e'', ''m'', ''n'', ''o'', ''r'', ''s'', and ''u'' tend to exceed the x-height slightly, due to overshoot; ''i'' has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters. Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typography Line Terms
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is also the work of graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compukit UK101
The Compukit UK101 microcomputer (1979) is a kit clone of the Ohio Scientific Superboard II single-board computer, with a few enhancements for the UK market - notably replacing the 24×24 (add guardband kit to give 32×32) screen display with a more useful 48×16 layout working at UK video frequencies. The video output is black and white with 256 semigraphic characters generated by a two kilobyte ROM. It has no bit-mapped graphics capability. The video is output through a UHF modulator, designed to connect to a TV set. History The UK101 design was published in '' Practical Electronics'', a popular hobbyists magazine at the time. The August, September, October and November 1979 issues carried the four parts of the article, by Dr. Anthony A Berk. Later issues of the magazine contained information on modifications and additions to the machine, including a series of articles on building an expansion unit. Kits of parts for building the machine were available from Compukit L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Permanent Headline
Permanent Headline is a bold, highly compressed sans-serif typeface in the neo-grotesque style. It was designed by Karlgeorg Hoefer for the type foundry Ludwig & Mayer in Frankfurt am Main. It was released from 1964 and later issued by a range of companies in phototypesetting and digital versions. Similar to other common newspaper typefaces intended to be compact, such as Times New Roman, the design has deliberately minimised descenders to save space. This distortion reaches an extreme level in Permanent Headline, with the descenders eliminated and tails such as the curve of the 'y' kept above the baseline. The x-height (height of lower-case letters) is very high. The design is highly folded-up and condensed with narrow apertures, making the design harder to read at distance. Permanent Headline was also released in an "outlined" style and in versions with regular descenders. It was part of a larger “Permanent” sans-serif family without these attributes, which did not achie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hobo (typeface)
Hobo is a sans-serif typeface. It is known for having no straight lines or descenders. It was created by Morris Fuller Benton and issued by American Type Founders in 1910. A light version, ''Light Hobo'', was released in 1915. Matrices were offered for mechanical composition by Intertype Corporation, Intertype. The lower case letters provided the basis for Robert Wiebking's ''Advertisers Gothic'' of 1917. This font may have originally been intended as an Art Nouveau posters and graphic arts, Art-Nouveau font due to its resemblance to other fonts of the time. There are several theories regarding the font's name, and in fact it is widely recognized as one of the more interesting mysteries in typographic history. One theory states that its name came from a story stating that it was sketched in the early 1900s, sent to the foundry nameless, and progressed so little for so long, that it was called ''"that old hobo"''. Hobo, originally called ''Adface'', was finally patented in 1915 al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Display Typeface
A display typeface is a typeface that is intended for use in display type (display copy) at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smashing Magazine
''Smashing Magazine'' is an online publication primarily catering to web developers and web designers worldwide. Launched in 2006 by Sven Lennartz and Vitaly Friedman, both then part of the German-based Smashing Media AG, the magazine focuses on providing resources and insights to the web development community. In 2012, the magazine expanded its offerings by organizing web design conferences across Europe and North America. These events, known as SmashingConf, were initiated by Vitaly Friedman and Marc Thiele and provide a platform for practitioners to learn, interact, and network. Several sources have acknowledged Smashing Magazine's influence within the web development world. The Huffington Post ranks it as a leading platform for web developers to find job opportunities. Conferences Smashing Magazine hosts four annual conferences that take place in New York City, San Francisco, Barcelona, and Freiburg. Each conference consists of two-day, single-track talks and worksho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusher's Patent Types
Rusher's Patent Types were the characters of an experimental serif typeface invented, patented and promoted by Philip Rusher in Banbury, England, from 1802 onwards. The typeface removed the descenders from the lower-case letters and shortened the ascenders, which Rusher hoped would make the typeface "more uniform" and save paper. The typeface was used for a few books but did not become popular. Patent Rusher patented the design on 20 May 1802, stating that by his invention "the letters will occupy less room...each line may be placed immediately under the body of the preceding line, and thus a great part of the paper...may be saved, or spaces may be placed between the lines to extend them to the usual distance asunder. In either case the printing will appear more uniform and beautiful". Rusher's patent showed a design for the roman or upright style, and for an italic apparently never manufactured as metal type. Rusher gave his occupation as bankers' clerk in the patent; he beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banbury
Banbury is an historic market town and civil parish on the River Cherwell in Oxfordshire, South East England. The parish had a population of 54,335 at the 2021 Census. Banbury is a significant commercial and retail centre for the surrounding area of north Oxfordshire and southern parts of Warwickshire and Northamptonshire which are predominantly rural. Banbury's main industries are motorsport, car components, electrical goods, plastics, food processing and printing. Banbury is home to the world's largest coffee-processing facility ( Jacobs Douwe Egberts), built in 1964. The town is famed for Banbury cakes, a spiced sweet pastry. Banbury is located north-west of London, south-east of Birmingham, south-east of Coventry and north-west of Oxford. Toponymy The name Banbury may derive from "Banna", a Saxon chieftain said to have built a stockade there in the 6th century (or possibly a byname from meaning ''felon'', ''murderer''), and / meaning ''settlement''. In Anglo Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macworld
''Macworld'' is a digital magazine and website dedicated to products and software of Apple Inc., published by Foundry, a subsidiary of IDG. History ''Macworld'' was founded by David Bunnell and Cheryl Woodard (publishers) and Andrew Fluegelman (editor). It began as a print magazine in 1984, with its first issue distributed at the launch of the Macintosh computer. As a print magazine, it had the largest audited circulation (both total and newsstand) of Macintosh-focused magazines in North America, more than double its nearest competitor, '' MacLife''. In 1997, the Ziff-Davis-owned '' MacUser'' magazine was consolidated into ''Macworld'' within the new Mac Publishing joint venture between IDG and Ziff-Davis. In 1999, the combined company also purchased the online publication MacCentral Online, because ''Macworld'' did not have a powerful online news component at the time. In late 2001 IDG bought out Ziff-Davis' share of Mac Publishing, making it a wholly-owned subsidiary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ascender (typography)
In typography and handwriting, an ascender is the portion of a Lower case, minuscule grapheme, letter in a Latin-derived alphabet that extends above the mean line of a typeface, font. That is, the part of a lower-case letter that is taller than the font's x-height. Ascenders, together with descenders, increase the recognizability of words. For this reason, many situations that require high legibility such as road signs avoid using solely capital letters (i.e. all-caps). Studies made at the start of the construction of the British motorway network concluded that words with mixed-case letters were much easier to read than "all-caps" and a special font was designed for motorway signs. These then became universal across the UK. See Road signs in the United Kingdom. In many fonts intended for body text, such as Bembo and Garamond, ascenders rise above the cap height of the capital letters. References {{Typography terms [Baidu] |
