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Der Töpfer
''Der Töpfer'' (''The Potter'') is a singspiel, described as a ''komische Oper'', in one act by Johann André. The libretto was by the composer. The work was one of the first German operas to be published in full score. Performance history The opera was first performed in Hanau on 22 January 1773. It was a success and was praised by Johann Wolfgang von Goethe for its simplicity and beauty. Roles Synopsis Marthe, hoping to win a lottery, tries to put off the marriage of her daughter Hannchen to Gürge with the intention of making a better match. References * *Bauman, Thomas (1992), "Töpfer, Der" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London) {{DEFAULTSORT:Topfer, Der 1773 operas Operas by Johann André German-language operas Singspiele Operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann André
Johann André (28 March 1741 – 18 June 1799) was a German musician, composer and music publisher of the Classical period. He was born and died in Offenbach am Main. In 1774, as the patriarch of a Huguenot family, André founded one of the first music publishing houses to be independent of a bookshop, in Offenbach am Main. Among his closest friends in Offenbach were Goethe, at the time of his engagement to Anna Elisabeth Schönemann, and he is pictured in the seventeenth book of Goethe's autobiography ''Dichtung und Wahrheit'' with an Offenbach am Main background in 1775. In 1777, André was appointed musical director at the German theatre in Berlin, the Deutsches Theater, without having to abandon Offenbach am Main, however. He composed some 30 operas, ballads and songs. His son, Johann Anton André (1775–1842), followed his footsteps into composing and music theory. After taking over the music publishing business from his father in 1799, Johann Anton André acquired Moz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanau
Hanau () is a town in the Main-Kinzig-Kreis, in Hesse, Germany. It is located 25 km east of Frankfurt am Main and is part of the Frankfurt Rhine-Main Metropolitan Region. Its station is a major railway junction and it has a port on the river Main, making it an important transport centre. The town is known for being the birthplace of Jakob and Wilhelm Grimm and Franciscus Sylvius. Since the 16th century it was a centre of precious metal working with many goldsmiths. It is home to Heraeus, one of the largest family-owned companies in Germany. Hanau, once the seat of the Counts of Hanau, lost much of its architectural heritage in World War II. A British air raid in 1945 created a firestorm, killing one sixth of the remaining population and destroying 98 percent of the old city and 80 percent of the city overall. In 1963, the town hosted the third '' Hessentag'' state festival. Until 2005, Hanau was the administrative centre of the Main-Kinzig-Kreis. On 19 February 2020, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, '' The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the '' Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of sil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicology, musicologist, music critic, and editor. He was editor of the sixth edition of the ''Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1773 Operas
Events January–March * January 1 – The hymn that becomes known as '' Amazing Grace'', at this time titled "1 Chronicles 17:16–17", is first used to accompany a sermon led by curate John Newton in the town of Olney, Buckinghamshire, England. * January 12 – The first museum in the American colonies is established in Charleston, South Carolina; in 1915, it is formally incorporated as the Charleston Museum. * January 17 – Second voyage of James Cook: Captain Cook in HMS Resolution (1771) becomes the first European explorer to cross the Antarctic Circle. * January 18 – The first opera performance in the Swedish language, ''Thetis and Phelée'', performed by Carl Stenborg and Elisabeth Olin in Bollhuset in Stockholm, Sweden, marks the establishment of the Royal Swedish Opera. * February 8 – The Grand Council of Poland meets in Warsaw, summoned by a circular letter from King Stanisław August Poniatowski to respond to the Kingdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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