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Death In Venice
''Death in Venice ''() is a novella by German author Thomas Mann, published in 1912. It presents an ennobled writer who visits Venice and is liberated, uplifted, and then increasingly obsessed by the sight of a boy in a family of Polish tourists—Tadzio, a nickname for Tadeusz. Tadzio was likely based on a boy named Władzio whom Mann had observed during his 1911 visit to the city. Plot The main character is Gustav von Aschenbach, a famous Silesian author in his early 50s who recently has been ennobled in honor of his artistic achievement (thus acquiring the aristocratic "" in his name). He is a man dedicated to his art, disciplined and ascetic to the point of severity, who was widowed at a young age. As the story opens, he is strolling outside a cemetery and sees a coarse-looking, red-haired foreigner who stares back at him belligerently. Aschenbach walks away, embarrassed but curiously stimulated. He has a vision of a primordial swamp-wilderness, fertile, exotic and full ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death In Venice (film)
''Death in Venice'' () is a 1971 historical drama film directed and produced by Italian filmmaker Luchino Visconti, and adapted by Visconti and Nicola Badalucco from the 1912 novella of the same name by German author Thomas Mann. It stars Dirk Bogarde as Gustav von Aschenbach and Björn Andrésen as Tadzio, with supporting roles played by Mark Burns, Marisa Berenson, and Silvana Mangano, and was filmed in Technicolor by Pasqualino De Santis. The soundtrack consists of selections from Gustav Mahler's third and fifth symphonies, but characters in the film also perform pieces by Franz Lehár, Ludwig van Beethoven, and Modest Mussorgsky. Preceded by '' The Damned'' (1969) and followed by '' Ludwig'' (1973), the film is the second part of Visconti's thematic "German Trilogy". The film premiered in London on 1 March 1971, and was entered into the 24th Cannes Film Festival. It received positive reviews from critics and won several accolades, including, at the 25th British ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Mann
Paul Thomas Mann ( , ; ; 6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novellas are noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized versions of German and Biblical stories, as well as the ideas of Johann Wolfgang von Goethe, Friedrich Nietzsche, and Arthur Schopenhauer. Mann was a member of the Hanseaten (class), hanseatic Mann family and portrayed his family and class in his first novel, ''Buddenbrooks''. His older brother was the radical writer Heinrich Mann and three of Mann's six children – Erika Mann, Klaus Mann and Golo Mann – also became significant German writers. When Adolf Hitler Adolf Hitler's rise to power, came to power in 1933, Mann fled to Switzerland. When World War II broke out in 1939, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marienbad Elegy
The "Marienbad Elegy" is a poem by Johann Wolfgang von Goethe. It is named after the spa town of Marienbad (now Mariánské Lázně) where Goethe, 72-years-old, spent the summer of 1821. There he fell in love with the 17-year-old Ulrike von Levetzow. Goethe returned to Marienbad in the summer of 1823 to celebrate his birthday. On that occasion, he asked Ulrike, via his friend, Karl August, Grand Duke of Saxe-Weimar-Eisenach, to marry him. She declined. Analysis This poem, considered one of Goethe's finest and most personal, reflects the devastating sadness the poet felt when his proposal for marriage was declined. He started writing the poem on 5 September 1823 in a coach which carried him from Eger (now Cheb) to Weimar and by his arrival on 12 September, it was finished. He showed it only to his closest friends. Mir ist das All, ich bin mir selbst verloren, Der ich noch erst den Göttern Liebling war; Sie prüften mich, verliehen mir Pandoren, So reich an Gütern, reicher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ansbach
Ansbach ( , ; ) is a city in the Germany, German state of Bavaria. It is the capital of the Regierungsbezirk, administrative region of Mittelfranken, Middle Franconia. Ansbach is southwest of Nuremberg and north of Munich, on the river Fränkische Rezat, a tributary of the river Main (river), Main. In 2020, its population was 41,681. Developed in the 8th century as a Benedictine monastery, it became the seat of the House of Hohenzollern, Hohenzollern family in 1331. In 1460, the Margraves of Fürst und Markgraf von Ansbach, Brandenburg-Ansbach lived here. The city has a castle known as Markgrafenschloß, Margrafen–Schloss, built between 1704 and 1738. It was not badly damaged during the World Wars and hence retains its original historical baroque sheen. Ansbach is now home to a US military base and to the Ansbach University of Applied Sciences. The city has connections via autobahn Bundesautobahn 6, A6 and highways Bundesstraße 13, B13 and Bundesstraße 14, B14. Ansbach st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Von Platen-Hallermünde
Karl August Georg Maximilian Graf von Platen-Hallermünde (24 October 17965 December 1835) was a German poet and dramatist. In German he mostly is called ''Graf'' (Count) Platen. Biography August von Platen was born on 24 October 1796 at Ansbach, the son of the ''Oberforstmeister'' (a senior public servant) of that state, Count Philipp August von Platen-Hallermünde, by second wife Baroness Christiane Eichler von Auriz. Shortly after his birth Ansbach and other Franconian principalities became incorporated with Bavaria. Platen entered the school of cadets (''Kadettenhaus'') in Munich, Bavaria, where he showed early poetic talent. In 1810 as an adolescent he passed into the royal school of pages (''Königliche Pagerie''). In 1814, Platen was appointed lieutenant in the regiment of Bavarian life-guards. With them he took part in the short campaign in France of 1815, being in bivouac for several months near Mannheim and in the department of the Yonne. He saw no fighting, however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nietzschean
Friedrich Nietzsche (1844–1900) developed his philosophy during the late 19th century. He owed the awakening of his philosophical interest to reading Arthur Schopenhauer's ''Die Welt als Wille und Vorstellung'' (''The World as Will and Representation'', 1819, revised 1844) and said that Schopenhauer was one of the few thinkers that he respected, dedicating to him his essay ''Schopenhauer als Erzieher'' (''Schopenhauer as Educator''), published in 1874 as one of his '' Untimely Meditations''. Since the dawn of the 20th century, the philosophy of Nietzsche has had great intellectual and political influence around the world. Nietzsche applied himself to such topics as morality, religion, epistemology, poetry, ontology, and social criticism. Because of Nietzsche's evocative style and his often outrageous claims, his philosophy generates passionate reactions running from love to disgust. Nietzsche noted in his autobiographical ''Ecce Homo'' that his philosophy developed and evolved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedrus (dialogue)
The ''Phaedrus'' (; ), written by Plato, is a dialogue between Socrates and Phaedrus (Athenian), Phaedrus, an interlocutor in several dialogues. The ''Phaedrus'' was presumably composed around 370 BC, about the same time as Plato's ''Republic (Plato), Republic'' and ''Symposium (Plato dialogue), Symposium''. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love, and the nature of the human soul shown in the famous chariot allegory. Setting Socrates runs into Phaedrus (Athenian), Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that he is "sick with passion for hearing speeches", walks into the countryside with Phaedrus. Socrates is hoping that Phaedrus will repea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium (Plato)
The ''Symposium'' (, ''Symposion'') is a Socratic dialogue by Plato, dated . It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a Symposium, banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes. The Panegyric, panegyrics are to be given in praise of Eros, the god of love and sex. In the ''Symposium'', Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death. It is seen as transcending its earthly origins and attaining spiritual heights. The extraordinary elevation of the concept of love raises a question of whether some of the most extreme extents of meaning might be intended as humor or farce. ''Eros'' is almost always translated as "love," and the English word has its own varieties and ambiguities that provide additional challenges to the effor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertextuality
Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, Gerard Genette (1997) ''Paratexts'p.18/ref>Hallo, William W. (2010) ''The World's Oldest Literature: Studies in Sumerian Belles-Lettres'p.608/ref>Cancogni, Annapaola (1985''The Mirage in the Mirror: Nabokov's Ada and Its French Pre-Texts''pp.203-213 or by interconnections between similar or related works perceived by an audience or reader of the text. These references are sometimes made deliberately and depend on a reader's prior knowledge and understanding of the referent, but the effect of intertextuality is not always intentional and is sometimes inadvertent. Often associated with strategies employed by writers working in imaginative registers (fiction, poetry, and drama and even non-written texts like performance art and digital media), intertextuality may now be understood a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
