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Darmstadt School
Darmstadt School refers to a group of composers who were associated with the Darmstadt International Summer Courses for New Music (Darmstädter Ferienkurse) from the early 1950s to the early 1960s in Darmstadt, Germany, and who shared some aesthetic attitudes. Initially, this included only Pierre Boulez, Bruno Maderna, Luigi Nono, and Karlheinz Stockhausen, but others came to be added, in various ways. The term does not refer to an educational institution. Initiated in 1946 by Wolfgang Steinecke, the Darmstädter Ferienkurse, held annually until 1970 and subsequently every two years, encompass the teaching of both composition and interpretation and also include premières of new works. After Steinecke's death in 1961, the courses were run by (1962–81), Friedrich Ferdinand Hommel (1981–94), Solf Schaefer (1995–2009), and Thomas Schäfer (2009– ). Thanks to these courses, Darmstadt is now a major centre of modern music, particularly for German composers, and has been ref ...
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Bundesarchiv B 145 Bild-F004566-0002, Darmstadt, Internationaler Kurs Für Neue Musik
The German Federal Archives or Bundesarchiv (BArch) (, lit. "Federal Archive") are the national archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media (Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior (Germany), Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest docum ...
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Mauricio Kagel
Mauricio Raúl Kagel (; 24 December 1931 – 18 September 2008) was an Argentine-German composer and academic teacher. Life and career Early life and education Mauricio Raúl Kagel was born on 24 December 1931 in Buenos Aires, Argentina, into an Ashkenazi Jewish family that had fled Russia in the 1920s. He studied music, history of literature, and philosophy in Buenos Aires. In 1957 he moved to Cologne, West Germany, where he lived until his death. As teacher From 1960–66 and 1972–76 Kagel taught at the Darmstädter Ferienkurse. He also taught from 1964–65 at the University at Buffalo as the visiting Slee Professor of music theory. At the Berlin Film and Television Academy he was a visiting lecturer. He served as director of courses for new music in Gothenburg and Cologne. He was professor for new music theatre at the Köln Hochschule from 1974–97. Among his students were Moya Henderson, Kevin Volans, Maria de Alvear, Carola Bauckholt, Branimir Krstić, David Saw ...
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Maquis (World War II)
The Maquis () were rural guerrilla bands of French and Belgian Resistance fighters, called ''maquisards'', during World War II. Initially, they were composed of young, mostly working-class men who had escaped into the mountains and woods to avoid conscription into Vichy France's (STO; 'Compulsory Work Service') which provided forced labor for Germany. To avoid capture and deportation to Germany, they became increasingly organized into active resistance groups. They had an estimated to members in autumn of 1943 and approximately members in June 1944. Meaning The maquis made up one component of the mosaic of the resistance in France and Belgium. The maquis refers to the organization of bands of resistance guerrillas which emerged in rural France, mainly in the south. The maquis were emergent in 1943 and were also active in 1944. Originally the word came from the kind of terrain in which the armed resistance groups hid, high ground in southeastern France covered with scrub ...
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French Resistance
The French Resistance ( ) was a collection of groups that fought the German military administration in occupied France during World War II, Nazi occupation and the Collaboration with Nazi Germany and Fascist Italy#France, collaborationist Vichy France, Vichy regime in France during the World War II, Second World War. Resistance Clandestine cell system, cells were small groups of armed men and women (called the Maquis (World War II), Maquis in rural areas) who conducted guerrilla warfare and published Underground press, underground newspapers. They also provided first-hand intelligence information, and escape networks that helped Allies of World War II, Allied soldiers and airmen trapped behind Axis powers, Axis lines. The Resistance's men and women came from many parts of French society, including émigrés, academics, students, aristocrats, conservative Catholic Church in France, Roman Catholics (including clergy), Protestantism in France, Protestants, History of the Jews in F ...
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René Char
René Émile Char (; 14 June 1907 – 19 February 1988) was a French poet and member of the French Resistance. Biography Char was born in L'Isle-sur-la-Sorgue in the Vaucluse department of France, the youngest of the four children of Emile Char and Marie-Thérèse Rouget, where his father was mayor and managing director of the Vaucluse plasterworks. He spent his childhood in Névons, the substantial family home completed at his birth, then studied as a boarder at the school of Avignon and subsequently, in 1925, a student at ''L'École de Commerce de Marseille'', where he read Plutarch, François Villon, Racine, the German Romantics, Alfred de Vigny, Gérard de Nerval and Charles Baudelaire. He was tall (1.92 m) and was an active rugby player. After briefly working at Cavaillon, in 1927 he performed his military service in the artillery in Nîmes. His first book, ''Cloches sur le cœur'', was published in 1928 as a compilation of poems written between 1922 and 1926. In ...
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Le Marteau Sans Maître
''Le Marteau sans maître'' (; The Hammer without a Master) is a chamber cantata by French composer Pierre Boulez. The work, which received its premiere in 1955, sets surrealist poetry by René Char for contralto and six instrumentalists. It is among his most acclaimed compositions. History Before ''Le Marteau'', Boulez had established a reputation as the composer of Modernism (music), modernist and Serialism, serialist works such as ''Structures (Boulez), Structures I'', ''Polyphonie X'', as well as his infamously "unplayable" Piano sonatas (Boulez), Second Piano Sonata. ''Le Marteau'' was first written as a six-movement composition between 1953 and 1954, and was published in that form in the latter year, "imprimée pour le Donaueschingen Festival, festival de musique, 1954, Donaueschingen" (though in the end it was not performed there) in a photographic reproduction of the composer's manuscript by Universal Edition, given the catalog number UE 12362. In 1955 Boulez revised ...
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Third Reich
Nazi Germany, officially known as the German Reich and later the Greater German Reich, was the German state between 1933 and 1945, when Adolf Hitler and the Nazi Party controlled the country, transforming it into a totalitarian dictatorship. The Third Reich, meaning "Third Realm" or "Third Empire", referred to the Nazi claim that Nazi Germany was the successor to the earlier Holy Roman Empire (800–1806) and German Empire (1871–1918). The Third Reich, which the Nazis referred to as the Thousand-Year Reich, ended in May 1945, after 12 years, when the Allies defeated Germany and entered the capital, Berlin, ending World War II in Europe. After Hitler was appointed Chancellor of Germany in 1933, the Nazi Party began to eliminate political opposition and consolidate power. A 1934 German referendum confirmed Hitler as sole '' Führer'' (leader). Power was centralised in Hitler's person, and his word became the highest law. The government was not a coordinated, coopera ...
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Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Romantic and early Modernism (music), modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmony, harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was ''Don Juan (Strauss), Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote (Strauss), Don Quixote'', ''Ein Heldenleben'', ''Symph ...
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Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithology, ornithologist. One of the major composers of the 20th-century classical music, 20th century, he was also an outstanding teacher of composition and musical analysis. Messiaen entered the Conservatoire de Paris at age 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post he held for 61 years, until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the Battle of France, fall of France in 1940, Messiaen was interned for nine months in the German prisoner of war camp Stalag VIII-A, where he composed his (''Quartet for the End of Time'') for the four instruments available in the prison—piano, violin, cello and clarinet. The piece was first performed by Messiaen and fellow prisoners for an ...
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Helmut Lachenmann
Helmut Friedrich Lachenmann (; born 27 November 1935) is a German composer of contemporary classical music and pianist. Associated with the "instrumental musique concrète" style, Lachenmann is alongside Wolfgang Rihm as among the leading German composers of his time. Life and works Lachenmann was born in Stuttgart and after the end of the Second World War (when he was 11) started singing in his local church choir. Showing an early aptitude for music, he was already composing in his teens. He studied piano with Jürgen Uhde and composition and theory with Johann Nepomuk David at the Musikhochschule Stuttgart from 1955 to 1958 and was the first private student of the Italian composer Luigi Nono in Venice from 1958 to 1960. He also worked briefly at the electronic music studio at the University of Ghent in 1965, composing his only published tape piece ''Szenario'' during that period but thereafter focused almost exclusively on purely instrumental music. The brutality of his ...
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Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; , ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (1975) and '' Pléïades'' (1979); compositions that introduced spatializ ...
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Jean Barraqué
Jean-Henri-Alphonse Barraqué (17 January 1928 – 17 August 1973) was a French composer and music writer. His relatively small is known for its serialism. Life Barraqué was born in Puteaux, Hauts-de-Seine. In 1931, he moved with his family to Paris. He studied in Paris with Jean Langlais and Olivier Messiaen and, through Messiaen, became interested in serialism. After completing his Piano Sonata in 1952, he suppressed or destroyed his earlier works. A book published by the French music critic André Hodeir, titled ''Since Debussy'', created controversy around Barraqué by claiming this work as perhaps the finest piano sonata since Beethoven. As the work had still not been publicly performed, and only two other works by him had at this time, the extravagant claims made for Barraqué in this book were received with some scepticism. Whilst with hindsight it is clear that Hodeir had accurately perceived the exceptional features of Barraqué's music—notably its searing Romantic in ...
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