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Damayanti Choosing A Husband By Warwick Goble
Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of '' Nalopakhyana'', which is embedded within the ''Vana Parva'' (the third book) of the epic ''Mahabharata'' (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala, the king of Nishadha kingdom. Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships and eventually reaches her father’s court. Determined to find Nala, she devises a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma
Raja Ravi Varma () (29 April 1848 – 2 October 1906) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography. Especially, he was notable for making affordable Lithography, lithographs of his paintings available to the public, which greatly enhanced his reach and influence as a painter and public figure. His lithographs increased the involvement of common people with fine arts and defined artistic tastes among the common people. Furthermore, his religious depictions of Hindu deities and works from Indian epic poetry and Puranas have received profound acclaim. He was part of the royal family of erstwhile Parappanad, Malappuram district. Raja Ravi Varma was closely related to the royal family of Travancore of present-day Kerala state in India. Later in his life, two of his granddaughters were adopted into the royal family. Personal life Raja Ravi Varma was born M. R. Ry. Rav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nishadha Charita
''Naishadha Charita'', also known as Naishadhiya Charita (), is a poem in Sanskrit on the life of Nala, the king of Nishadha. Written by Sriharsha, it is considered one of the five '' mahakavyas'' (great epic poems) in the canon of Sanskrit literature. It was composed by Śrī Harṣa in the court of the Gahaḍavāla King Jayachandra. Contents ''Naishadha Charita'' presents the story of Nala's early life; his falling in love with Damayanti, their marriage, and honeymoon. This '' mahakavya ''is divided into two parts – ''Purva'' and ''Uttara'', each of them containing eleven cantos or divisions. Its story is that of Nala and Damayanti, the daughter of Bhima, the king of Vidarbha. This story is first related in the 3rd part of the '' Vanaparva'' of the Mahabharata, where the treatment is different. The language of the Naishadha Charita is highly elaborate and polished, with continual play upon words and variety of metres. The Shishupala Vadha of Magha and the ''Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kali (asura)
Kali ( Devanāgari: , IAST: ', with both vowels short; from a root ', 'suffer, hurt, startle, confuse') is the personification of sin which presides over the Kaliyuga, the present era characterized by moral decline and disorder in Hinduism. His origins and role in the cosmic cycle are detailed in various ancient texts, including the ''Mahābhārata'' and '' Bhāgavata Purāṇa''. According to the ''Mahābhārata'', Kali is a sinister deva-gandharva, born as the fifteenth son of the proginator sage Kashyapa and Muni. As the lord of the Kaliyuga, Kali exerts his influence by promoting sinful acts, confined by King Parikshit to five domains: gambling, drinking, prostitution, murder, and gold. His narrative intertwines with figures like Nala, whom he possessed and tormented, and Duryodhana, considered his incarnation in the ''Mahābhārata''. Later Puranic texts reinterpret his origins, making him more fearsome and powerful, as well as associating him with personifications of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva
A ''gandharva'' () is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). In Hinduism In Hinduism, the gandharvas () are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the Sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit of the gods and the sacrificers." The gandharva also "receives the Soma from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma, Damayanti Vanavasa
Raja (; from , IAST ') is a noble or royal Sanskrit title historically used by some Indian rulers and monarchs and highest-ranking nobles. The title was historically used in the Indian subcontinent and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the ''Rigveda'', where a ' is a ruler, see for example the ', the "Battle of Ten Kings". The title has equivalent cognates in other Indo-European languages, notably the Latin Rex and the Celtic Rix. Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yama
Yama (), also known as Kāla and Dharmarāja, is the Hindu god of death and justice, responsible for the dispensation of law and punishment of sinners in his abode, Naraka. He is often identified with Dharmadeva, the personification of ''Dharma'', though the two deities have different origins and myths. In Vedic tradition, Yama was considered the first mortal who died and espied the way to the celestial abodes; as a result, he became the ruler of the departed. His role, characteristics, and abode have been expounded in texts such as the ''Upanishads'', the ''Ramayana'', the ''Mahabharata'', and the ''Puranas''. Yama is described as the twin of the goddess Yami, and the son of the god Surya (sun) (in earlier traditions Vivasvat) and Sanjna. He judges the souls of the dead and, depending on their deeds, assigns them to the realm of the Pitris (forefathers), Naraka (hell), or to be reborn on the earth. Yama is one of the Lokapalas (guardians of the realms), appointed as the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varuna
Varuna (; , ) is a Hindu god. He is one of the earliest deities in pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ''ṛta'', the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans. The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the '' Itihasa-Purana'', Varuna ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni
Agni ( ) is the Deva (Hinduism), Hindu god of fire. As the Guardians of the directions#Aṣṭa-Dikpāla ("Guardians of Eight Directions"), guardian deity of the southeast direction, he is typically found in southeast corners of Hindu temples. In the Hindu cosmology, classical cosmology of Hinduism, fire (''Agni'') is one of the five inert impermanent elements (''Pancha Bhuta, Pañcabhūtá'') along with sky (''Ākāśa''), water (''Apas''), air (''Vāyu'') and earth (''Pṛthvī''), the five combining to form the empirically perceived material existence (''Prakṛti''). In the Vedas, Agni is a major and most invoked god along with Indra and Soma (deity), Soma. Agni is considered the mouth of the gods and goddesses and the medium that conveys offerings to them in a ''homa (ritual), homa'' (votive ritual). He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. [3 volumes] Indra is the most frequently mentioned deity in the ''Rigveda''. He is celebrated for his powers based on his status as a god of order, and as the one who killed the great evil, an Asura (Hinduism), asura named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rain and sunshine as the saviour of mankind. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various mythological events. He is depicted as a powerful hero. According to the ''Vishnu Purana'', Indra is the title borne by the king of the gods, which changes every Manvantara – a cyclic period of time in Hindu cosmology. Each Manvantara has its own Indra and the In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damayanti Svayamvara
Damayanti () is a heroine in ancient Indian literature, primarily known for her role in the episode of '' Nalopakhyana'', which is embedded within the '' Vana Parva'' (the third book) of the epic '' Mahabharata'' (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala, the king of Nishadha kingdom. Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships and eventually reaches her father’s court. Determined to find Nala, she d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nishadha Kingdom
The Nishadha (IAST: Niṣadha) was a tribe of ancient India that lived in a country of the same name. History Veerasena was a king of the Nishadha kingdom, and the father of Nala. Nala, the son of Veerasena, became the king after his father. He was the husband of Damayanti, and their story is told in the Mahabharata. Their story is also told in Shriharsha's sanskrit epic named Naishadha Charita. See also * ''Nala and Damayanti ''Nala and Damayanti'', also known as ''Nalopakhyana'' (Sanskrit title: नलोपाख्यान ''Nalopākhyāna'', i.e., "Episode of Nala"), is an episode from the Culture of India, Indian epic ''Mahabharata''. It is about King Nala and h ...'' References External links The Naishadha-charitaEnglish translation by K. K. Handiqui roofread(includes glossary) Indo-Aryan peoples {{India-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vidarbha
Vidarbha (Pronunciation: Help:IPA/Marathi, [ʋid̪əɾbʱə]) is a geographical region in the west Indian States and union territories of India, state of Maharashtra. Forming the eastern part of the state, it comprises Amravati Division, Amravati and Nagpur Division, Nagpur divisions. As per the 2011 Census of India, 2011 Census, the region had a population of 23,003,179. The region occupies 31.6% of the total area and is home to 21.3% of the total population of Maharashtra. Situated in central India, it borders the state of Madhya Pradesh to the north, Chhattisgarh to the east, Telangana to the south and Marathwada and North Maharashtra, Uttar Maharashtra regions of Maharashtra to the west. According to the Hindu epic ''Mahabharata'', Rukmini, the wife of lord Krishna, was born to Bhishmaka, the king of the Vidarbha kingdom. Vidarbha was part of the Satavahana Empire during 1st to 2nd century CE). The coins and inscriptions from the period of Paramaras, Paramara king Jagadeva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
