|
Crucifixion (van Dyck)
The ''Crucifixion'' is an oil on canvas painting by Anthony van Dyck, produced ''c.'' 1630. It is 2.51 m high. History It was originally commissioned as the high altar-piece in the convent of the Récollets in Lille during van Dyck's second Antwerp period, between his return from Italy in 1627 and his departure for London in 1632. It returned to a theme he had already painted around 1617-19 during his first Antwerp period, when he was still a studio-assistant to Rubens - this was '' Crucifixion with the Virgin Mary, St John and St Mary Magdalene'', sold to Rubens in 1621 as the high altarpiece for the Jesuit church at the abbaye Saint-Winnoq in Bergues, now in the musée du Louvre. The second work's composition is more original, with a less central cross in an oblique position to give depth to the scene. The sky and the Magdalene's hair show the influence of the Venetian masters van Dyck had seen during his time in Italy. It was seized during the French Revolution and in 1795 it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lille PdBA Van Dick Christ Croix
Lille ( , ; nl, Rijsel ; pcd, Lile; vls, Rysel) is a city in the northern part of France, in French Flanders. On the river Deûle, near France's border with Belgium, it is the capital of the Hauts-de-France Regions of France, region, the Prefectures in France, prefecture of the Nord (French department), Nord Departments of France, department, and the main city of the Métropole Européenne de Lille, European Metropolis of Lille. The city of Lille proper had a population of 234,475 in 2019 within its small municipal territory of , but together with its French suburbs and exurbs the Lille metropolitan area (French part only), which extends over , had a population of 1,510,079 that same year (Jan. 2019 census), the fourth most populated in France after Paris, Lyon, and Marseille. The city of Lille and 94 suburban French municipalities have formed since 2015 the Métropole Européenne de Lille, European Metropolis of Lille, an Indirect election, indirectly elected Métropole, metr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Three Marys
The Three Marys (also spelled Maries) are women mentioned in the canonical gospels' narratives of the crucifixion and resurrection of Jesus, several of whom were, or have been considered by Christian tradition, to have been named Mary (the most common name for Jewish women of the period). The Gospels give the name Mary to several individuals. At various points of Christian history, some of these women have been identified with one another. * Mary, mother of Jesus * Mary Magdalene * Mary of Jacob (mother of James the Less) (; ; ) * Mary of Clopas (), sometimes identified with Mary of Jacob * Mary of Bethany (, ), not mentioned in any Crucifixion or Resurrection narratives but identified with Mary Magdalene in some traditions. Another woman who appears in the Crucifixion and Resurrection narratives is Salome, who, in some traditions, is identified as being one of the Marys, notwithstanding having a different name. In such cases, she is referred to as Mary Salome. Other women me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpieces
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Mary Magdalene
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Paintings By Anthony Van Dyck
Religion is usually defined as a social- cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatural, transcendental, and spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the divine, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, feasts, trances, initiations, funerary services, matrimonial services, meditation, prayer, music, art, dance, public service, or other aspects of human culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1630 Paintings
Year 163 ( CLXIII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Laelianus and Pastor (or, less frequently, year 916 ''Ab urbe condita''). The denomination 163 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Statius Priscus re-conquers Armenia; the capital city of Artaxata is ruined. Births * Cui Yan (or Jigui), Chinese official and politician (d. 216) * Sun Shao (or Changxu), Chinese chancellor (d. 225) * Tiberius Claudius Severus Proculus, Roman politician * Xun Yu, Chinese politician and adviser (d. 212) Deaths * Kong Zhou, father of Kong Rong (b. 103 103 may refer to: *103 (number), the number *AD 103, a year in the 2nd century AD *103 BC, a year in the 2nd century BC * 103 (Tyne Electrical Engineers) Field S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Anthony Van Dyck
The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641). Portraits (1613–1632) Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders. Portraits (1632–1649) From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France. Mythological paintings Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and mythological works. Religious paintings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son ( Jesus Christ) and God the Holy Spirit, three distinct persons sharing one '' homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Sin
Original sin is the Christian doctrine that holds that humans, through the fact of birth, inherit a tainted nature in need of regeneration and a proclivity to sinful conduct. The biblical basis for the belief is generally found in Genesis 3 (the story of the expulsion of Adam and Eve from the Garden of Eden), in a line in Psalm 51:5 ("I was brought forth in iniquity, and in sin did my mother conceive me"), and in Paul's Epistle to the Romans, 5:12-21 ("Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned"). The belief began to emerge in the 3rd century, but only became fully formed with the writings of Augustine of Hippo (354–430), who was the first author to use the phrase "original sin" ( la, peccatum originale). Influenced by Augustine, the councils of Carthage (411–418 AD) and Orange (529 AD) brought theological speculation about original sin into the official lexicon of the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam
Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as "mankind". tells of God's creation of the world and its creatures, including ''adam'', meaning humankind; in God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his helpmate; in Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death; deals with the birth of Adam's sons, and lists his descendants from Seth to Noah. The Genesis creation myth was adopted by both Christianity and Islam, and the name of Adam accordingly appears in the Christian scriptures and in the Quran. He also features in subsequent folkloric and mystical elaborations in later Judaism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
