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Cow Demons And Snake Spirits
Cow demons and snake spirits ( zh, s=牛鬼蛇神, t=牛鬼蛇神, p=Niúguǐshéshén), also rendered in English as ox-demons and snake-spirits is a Chinese term used during the Cultural Revolution (1966–1976) to demonize perceived enemies. Tang dynasty poet Du Mu (803–852) coined the term in the preface of a poetry collection by Li He (791–817) to praise the fantastical elements in Li's poetry. History The term is rooted in Buddhist demonology. The poet Du Mu first used the term during the Tang dynasty in a preface describing the supernatural in Li He's poetry. Mao Zedong first began using the term in his speeches during spring 1957. He first used it in March of that year, referring to ghost plays in traditional operas: An admirer of Li, Mao in the 1960s frequently used this term to refer to reactionary elements and those he deemed class enemies. On 12 August 1966 at the Eleventh Plenary Session of the CPC Eighth National Congress, Mao told the Standing Committee that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweep Away All Cow Demons And Snake Spirits
''Sweep Away All Cow Demons and Snake Spirits'' (), alternatively translated as ''Obliterate All Ox Demons and Snake Spirits'', ''Sweep Away All Ox-ghosts and Snake-spirits'', is an editorial published by the ''People's Daily'' on June 1, 1966, calling on the masses to rise up and "sweep away all cow demons and snake spirits". The editorial declares that "the climax of the Great Proletarian Cultural Revolution is rising in socialist China, which accounts for a quarter of the world's population." It calls on the proletariat to "completely eradicate all the old ideas, old culture, old customs and old habits that have poisoned the people of China for thousands of years, fostered by the exploiting classes." Cow demons and snake spirits referred to people who were condemned during the Cultural Revolution, including condemned government leaders, intellectuals and cadres. The claim to "sweep away all cow demons and snake spirits" is actually part of the campaign to combat the "Four O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dysphemisms
A dysphemism is an expression with connotations that are derogatory either about the subject matter or to the audience. Dysphemisms contrast with neutral or euphemistic expressions. Dysphemism may be motivated by fear, distaste, hatred, contempt, or humour. Etymology The word ''dysphemism'' was composed from the Greek elements ''dys'' δύς "mis-" and ''pheme'' φήμη "speech, voice, reputation" in the late 19th century. Related terms include ''malphemism'' (from the Latin ''malus'' "bad"), and ''cacophemism'' (from the Greek ''kakos'' κακός "bad"). Usage A dysphemism is a marked form (standing out as unusual or divergent) which expresses a speaker's view or attitude towards the listener or group. Types Dysphemistic epithets Animal names are frequently used as dysphemistic epithets. By using one, the speaker attempts to offend or antagonize the listener by targeting their humanity. Examples include " bitch", "pig", "swine", "chicken", "weasel", "sheep", "snake", " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ideology Of The Chinese Communist Party
The Chinese Communist Party (CCP) frames its ideology as Marxism–Leninism adapted to the historical context of China, often expressing it as socialism with Chinese characteristics. Major ideological contributions of the CCP's leadership are viewed as "Thought" or "Theory," with "Thought" carrying greater weight. Influential concepts include Mao Zedong Thought, Deng Xiaoping Theory, and Xi Jinping Thought. Other important concepts include the socialist market economy, Jiang Zemin's idea of the Three Represents, and Hu Jintao's Scientific Outlook on Development. Definition In the early days of the CCP, the prevailing nationalism and populism in 1910s China played an important part in the ideology of early communists such as Li Dazhao and Mao Zedong. On the one hand, Marxism was a spiritual utopia to the early communists, while, on the other hand, they modified or "Sinicized" some doctrines of communist ideology in a realistic and nationalist way to support their revolution in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scarecrow Press
Rowman & Littlefield Publishing Group is an American independent academic publishing company founded in 1949. Under several imprints, the company offers scholarly books for the academic market, as well as trade books. The company also owns the book distributing company National Book Network based in Lanham, Maryland. History The current company took shape when the University Press of America acquired Rowman & Littlefield in 1988 and took the Rowman & Littlefield name for the parent company. Since 2013, there has also been an affiliated company based in London called Rowman & Littlefield International. It is editorially independent and publishes only academic books in Philosophy, Politics & International Relations and Cultural Studies. The company sponsors the Rowman & Littlefield Award in Innovative Teaching, the only national teaching award in political science given in the United States. It is awarded annually by the American Political Science Association for people w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Guards
The Red Guards () were a mass, student-led, paramilitary social movement mobilized by Chairman Mao Zedong in 1966 until their abolition in 1968, during the first phase of the Cultural Revolution, which he had instituted.Teiwes According to a Red Guard leader, the movement's aims were as follows: Despite meeting with resistance early on, the Red Guards received personal support from Mao, and the movement rapidly grew. The movement in Beijing culminated during the Red August of 1966, which later spread to other areas in mainland China. Mao made use of the group as propaganda and to accomplish goals such as seizing power and destroying symbols of China's pre-communist past, including ancient artifacts and gravesites of notable Chinese figures. Moreover, the government was very permissive of the Red Guards, and even allowed the Red Guards to inflict bodily harm on people viewed as dissidents. The movement quickly grew out of control, frequently coming into conflict with auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanjian
In China, the word ''hanjian'' () is a pejorative term for those seen as traitors to the Chinese state and, to a lesser extent, Han Chinese ethnicity. The word ''hanjian'' is distinct from the general word for traitor, which could be used for any country or ethnicity. As a Chinese term, it is a digraph of the Chinese characters for "Han" and "traitor". ''Han'' is the majority ethnic group in China; and ''Jian'', in Chinese legal language, primarily referred to illicit sex. Implied by this term was a Han Chinese carrying on an illicit relationship with the enemy. ''Hanjian'' is often worded as "collaborator" in the West. History The term ''hanjian'' is one that emerged from a “conflation of political and ethnic identities, which was often blurred in the expression of Chinese nationalism.” It was/is applied to individuals who are designated collaborators and by which were not all ethnically Han. The modern usage of the term stems from the Second Sino-Japanese War in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stinking Old Ninth
The Stinking Old Ninth () is a Chinese dysphemism for intellectuals used at two major points, the Yuan dynasty (1271–1368) and the Cultural Revolution (1966–1976). History The Yuan dynasty The term originated during the Yuan dynasty where the Mongol conquerors identified ten "castes" of Chinese: bureaucrats, officials, Buddhist monks, Taoist priests, physicians, workers, hunters, prostitutes, (ninth) Confucian scholars and finally beggars, with only beggars at a status below the intellectuals. The Cultural Revolution During the Chinese Cultural Revolution (1966–1976), the term "Stinking Old Ninth" was often used as a synonym for intellectuals, who were widely persecuted during the revolution and pushed to undergo " self-transformation". The "Nine Black Categories", expanded from the Five Black Categories (landlords, rich farmers, anti-revolutionaries, bad influences, right-wingers), further included traitors, spies, capitalist roaders and (ninth) intellectuals. Mao ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitalist Roader
In Maoism, a capitalist roader is a person or group who demonstrates a marked tendency to bow to pressure from bourgeois forces and subsequently attempts to pull the Chinese Communist Revolution in a capitalist direction. If allowed to do so, these forces would eventually restore the political and economic rule of capitalism; in other words, these forces would lead a society down a "capitalist road". History The term first appeared in Chinese Communist Party (CCP) literature in 1965; however, the term within Maoist thinking can be traced back to the Hungarian Revolution of 1956. Whilst the Hungarian Revolution was taking place, Mao Zedong saw "Soviet autocratic rule" in the Eastern Bloc as improper and no longer representing the needs of the Hungarian people. Mao was critical of the Soviet Union's presence and intervention in Hungary, a standpoint that would eventually lead to the Sino-Soviet split. He believed that Hungarian Socialist Workers Party members divorced their leaders ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Black Categories
The "Five Black Categories" () were classifications of political identity and social status in History of the People's Republic of China#Mao era (1949–1976), Mao era (1949–1976) of the People's Republic of China, especially during the Chinese Cultural Revolution (1966–1976); these categories include Landlord, landlords, rich farmers, counter-revolutionaries, bad influencers, and rightists. People who were labelled as members of these five groups were discriminated against in society and were considered enemies of the Cultural Revolution, subject to constant persecution and even massacres. Most members of the Five Black Categories were rehabilitated in the ''Boluan Fanzheng'' period after the Cultural Revolution. Definition The "Five Black Categories" were: * Landlords () * kulak, Rich farmers () * Counter-revolutionary, Counter-revolutionaries () * Bad influencers ["bad elements"] (), such as thieves and petty criminals * Rightists, Right-wingers () "Right-wingers" or "rig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiang Qing
Jiang Qing (March 191414 May 1991), also known as Madame Mao, was a Chinese communist revolutionary, actress, and political figure. She was the fourth wife of Mao Zedong, the Chairman of the Chinese Communist Party, Chairman of the Communist Party and Paramount leader of China. Jiang was best known for playing a major role in the Cultural Revolution as the leader of the radical Gang of Four. Born into a declining family with an Domestic violence, abusive father and a mother who worked as a Domestic worker, domestic servant and sometimes a Prostitution, prostitute, Jiang Qing became a renowned Actor, actress in Shanghai, and later the wife of Mao Zedong in Yan'an, in the 1930s. In the 1940s, she worked as Mao Zedong's Personal assistant, personal secretary, and during the 1950s, she headed the Film Section of the Publicity Department of the Chinese Communist Party, Publicity Department of the Chinese Communist Party (CCP). Appointed deputy director of the Central Cultural Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peking Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, ''Sheng role, sheng'' (gentlemen), ''dan role, dan'' (women), ''jing role, jing'' (rough men), and ''chou role, chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
