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Corelli
Arcangelo Corelli (, also , ; ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the middle Baroque era. His music was key in the development of the modern genres of Sonata and Concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony.Taruskin, Richard. ''Oxford History of Western Music'', vol. 2, chapter 5 Oxford: Oxford University Press, 2009. He was trained in Bologna and Rome and spent most of his career there with the protection of wealthy patrons.Buscaroli, Piero ''Arcangelo Corelli'', ''Dizionario biografico degli italiani'', Volume 29. Treccani, 1983 Though his entire production is limited to just six published collections – five of which are trio sonatas or solo and one of concerti grossi — he achieved great fame and success throughout Europe, in the process crystallizing widely influential musical models.Barnett, Gregory. "Form and gesture: canzona, sonata and concertoâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the '' ripieno'', '' tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trio Sonata
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era. Basic structure The trio sonata typically was written for two melody instruments (such as two violins) and basso continuo. However, either or both of the melody parts could be played on the flute, recorder, oboe, or even viola da gamba. The bass part, the continuo, typically involves two players. One player plays the bass line on a bass instrument such as a bass viol, violone, violoncello, or bassoon. The second player fills in harmonies above the bass line, using an instrument that can produce chords, such as a small organ, a harpsichord, or a theorbo. These chords are normally indicated to the player by placing numbers above the bass part rather than writing out the chords in full, a style of notation called figured bass. Because there normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fusignano
Fusignano () is a ''comune'' in the province of Ravenna (Emilia-Romagna) in Italy. It is located on the river Senio. History The city was created in 1250 by count Bernardino of Cunio after a flood which had destroyed his castle at Donigallia. After several passages of property in the hands of local noble families, the castle of Fusignano was transferred to the Este family in 1445. When the Duchy of Ferrara was annexed to the Papal States (1598), the fief was elevated to a marquisate, which in 1622, after a long struggle with the Corelli family, was acquired by the Calcagnini. In the 18th century the city recovered from a dark period, and in 1796 became part of the French dominions. In 1815 it returned to the Papal States. With the unification of Italy (1860), Fusignano was separated from Ferrara and included in the province of Ravenna. During World War II, as part of the Spring 1945 offensive in Italy, Fusignano was for four months on the front line, and reduced to ruins. One s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Howard (painter)
Hugh Howard (7 February 1675 – 17 March 1737) was a portrait-painter and collector of works of art from Dublin. Biography Hugh Howard was born in Dublin on 7 February 1675. He was the eldest son of Ralph Howard of Shelton, county Wicklow. He came with his father to England in 1688, and showing a taste for painting joined in 1697 the suite of Thomas Herbert, 8th Earl of Pembroke, Thomas Herbert, eighth earl of Pembroke, one of the plenipotentiaries for the treaty of Ryswyck, on a journey through Holland to Italy. Howard remained in Italy about three years studying with Carlo Maratti who has been described as the last painter in the Raphael tradition. Howard returning to the British Isles in October 1700 and he then resided in Dublin. Howard settled in London eventually, where he practised for some time as a portrait-painter. Howard was appointed to the sinecure post of keeper of the state papers, and then paymaster of the works belonging to the crown. He was thus enabled to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Music
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none has achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs. The music of prehistoric cultures is first firmly dated to BP of the Upper Paleolithic by evidence of bone flutes, though it remains unclear whether or not the actual origins lie in the earlier Middle Paleolithic period (300,000 to 50,000 BP). There is little known about prehistoric music, with traces mainly limited to some simple fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Italian Composers
This is an alphabetical list of composers from Italy, whose Wikipedia:MUSICBIO, notability is established by Wikipedia:RS, reliable sources in other Wikipedia articles. The portraits at right are ten of the most-prominent Italian composers, according to a published review. A *Joseph Abaco (1710–1805), born ''Giuseppe Marie Clément Ferdinand dall'Abaco'' *Marcello Abbado (1926–2020) *Antonio Maria Abbatini (1595after 1679) *Girolamo Abos (1715–1760) *Andrea Adolfati (1721/22–1760) *Giovanni Battista Agneletti (fl. 1656–1673) *Maria Teresa Agnesi Pinottini (1720–1795) *Lodovico Agostini (1534–1590) *Paolo Agostino (c.1583–1629) *Pirro Albergati (1663–1735) *Domenico Alberti (c.1710–1740) *Gasparo Alberti (c.1485c.1560) *Innocentio Alberti (c.1535–1615) *Ignazio Albertini (1644–1685), also known as ''Albertino'' *Tomaso Albinoni (1671–1751), Venetian composer of opera and instrumental music, the "Adagio in G minor" is based on his works *Vincenzo Alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontifical Academy Of Arcadia
The Accademia degli Arcadi or Accademia dell'Arcadia, "Academy of Arcadia" or "Academy of the Arcadians", is an Italian literary academy founded in Rome in 1690. The full Italian official name was Pontificia Accademia degli Arcadi. History Foundation The beginnings of the Accademia degli Arcadi date to February 1656, when a literary circle formed under the patronage of Queen Christina of Sweden, who had abdicated the Swedish crown in 1654, converted to Catholicism, and taken up her residence in Rome, where she spent much of the rest of her life. There she became a significant patron of music and opera, with composers including Alessandro Scarlatti, Alessandro Stradella and Arcangelo Corelli dedicating works to her. After her death in 1689, the academy was established in her memory and elected her as its symbolic head (''basilissa'', the Greek term for 'Queen'). For the next two hundred years, the Academy remained a leading cultural institution. The first solemn gathering of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diocese Of Ferrara
The Archdiocese of Ferrara-Comacchio () is a Latin Church archdiocese of the Catholic Church. It has existed since 1986, when the diocese of Comacchio was combined with the historical archdiocese of Ferrara. It is a suffragan of the archdiocese of Bologna. The episcopal seat was transferred from Vicohabentia (Voghenza) to the newly founded Ferrara in 657. The earliest known bishop of Vicohabentia is Marcellinus, who was consecrated c. 429–431. Originally, it seems, the diocese (or at least the diocese of Vicohabentia) was a suffragan of the metropolitanate of Ravenna. Ferrara repeatedly contested that opinion, and claimed to be directly dependent upon the Holy See (the Pope). Pope John XIII, in April 967, confirmed that Ferrara was under papal jurisdiction, as far as election, consecration, investiture, and jurisdiction were concerned. Pope Benedict VII, in April 978, again confirmed the papal jurisdiction in much the same language. At some point between 1106 and 1123, however ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romagna
Romagna () is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna, in northern Italy. Etymology The name ''Romagna'' originates from the Latin name ''Romania'', which originally was the generic name for "land inhabited by Romans", and first appeared on Latin documents in the 5th century AD. It later took on the more specific meaning of "territory subjected to Eastern Roman rule", whose citizens called themselves Romans (''Romani'' in Latin; , '' Rhomaîoi'' in Greek). Thus the term ''Romania'' came to be used to refer to the territory administered by the Exarchate of Ravenna in contrast to other parts of northern Italy under Lombard rule, named ''Langobardia'' or ''Lombardy''. Location and boundaries Romagna is traditionally limited by the Apennines to the south-west, the Adriatic to the east, and the rivers Reno and Sillaro to the north and west. To the southeast, the valley formed by the River Conca has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
