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Close-ups
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith in Hove, who used medium close-ups in films as early as 1898 and by 1900 was incorporating extreme close-ups in films such as ''As Seen Through a Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
As Seen Through A Telescope
''As Seen Through a Telescope'' (AKA: ''The Professor and His Field Glass'') is a 1900 in film, 1900 UK, British Short subject, short silent film, silent comedy film, directed by George Albert Smith (inventor), George Albert Smith, featuring an elderly gentleman getting a glimpse of a woman's ankle through a telescope. The three-shot comedy, according to Michael Brooke of BFI Screenonline, "uses a similar technique to that which G.A. Smith pioneered in ''Grandma's Reading Glass'' (1900)," and although, "the editing is unsophisticated, the film does at least show a very early example of how to make use of point-of-view close-ups in the context of a coherent narrative (which is this film's main advance on ''Grandma's Reading Glass'')." "Smith's experiments with editing," Brooke concludes, "were ahead of most contemporary film-makers, and in retrospect it can clearly be seen that he was laying the foundations of film grammar as we now understand it." Production The film was shot in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Albert Smith (film Pioneer)
George Albert Smith (4 January 1864 – 17 May 1959) was an English stage hypnosis, hypnotist, psychic, magic lantern lecturer, Fellow of the Royal Astronomical Society, inventor and a key member of the loose association of early film pioneers dubbed the Brighton School (film pioneers), Brighton School by French film historian Georges Sadoul. He is best known for his controversial work with Edmund Gurney at the Society for Psychical Research, his short films from 1897 to 1903, which pioneered film editing and close-ups, and his development of the first successful colour film process, Kinemacolor. Biography Birth and early life Smith was born in Cripplegate, London in 1864. His father Charles Smith was a ticket-writer and artist.Hall (1964), p. 92. He moved with his family to Brighton, where his mother ran a boarding house on Grand Parade, following the death of his father. It was in Brighton in the early 1880s that Smith first came to public attention touring the city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lonedale Operator
''The Lonedale Operator'' is a 1911 short American drama film directed by D. W. Griffith, starring Blanche Sweet and written by Mack Sennett for the Biograph Company. The plot of the film involves a girl who takes over a telegraph station after her father takes ill. After the payroll for the town's mine is delivered, two drifters try to steal the money. Their robbery is foiled because the girl is able to telegraph for help and then hold the would-be robbers off until help arrives. ''The Lonedale Operator'' includes "elements of romance, drama, suspense, Western, and even a bit of comedy near the end." Unlike most films at the time which had a simple plot line set in one location, ''The Lonedale Operator'' "intercuts three primary spaces—the telegraph office interior, the criminals outside, and the rescue train." Although audiences in 1911 were not used to such editing, as there were more than 100 shots in the film, the use of the telegraph helped them understand the cross ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shot (filmmaking)
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. Categories of shots Shots can be categorized in a number ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grandma's Reading Glass
''Grandma's Reading Glass'' is a 1900 British short silent drama film, directed by George Albert Smith, featuring a young Willy who borrows a huge magnifying glass to focus on various objects, which was shot to demonstrate the new technique of ''close-up''. The film, according to Michael Brooke of BFI Screenonline, "was one of the first films to cut between ''medium shot'' and ''point-of-view close-up''. It was destroyed in a fire at Warwick Trading Company's studio facility in 1912. "The close-ups themselves were simulated by photographing the relevant objects inside a black circular mask fixed in front of the camera lens," according to Michael Brooke, "which also had the effect of creating a circular image that helped them stand out from the rest of the film." "Smith would develop these techniques in the more narrative-based ''As Seen Through a Telescope'' (1900), made the same year." BFI reviewer Michael Brooke states that, "there is very little narrative to speak of beside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emotion
Emotions are mental states brought on by neurophysiological changes, variously associated with thoughts, feelings, behavioral responses, and a degree of pleasure or displeasure. There is currently no scientific consensus on a definition. Emotions are often intertwined with mood, temperament, personality, disposition, or creativity. Research on emotion has increased over the past two decades with many fields contributing including psychology, medicine, history, sociology of emotions, and computer science. The numerous theories that attempt to explain the origin, function and other aspects of emotions have fostered more intense research on this topic. Current areas of research in the concept of emotion include the development of materials that stimulate and elicit emotion. In addition, PET scans and fMRI scans help study the affective picture processes in the brain. From a mechanistic perspective, emotions can be defined as "a positive or negative experience t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Big Swallow
''The Big Swallow'' (AKA: ''A Photographic Contortion'') is a 1901 British short silent comedy film, directed by James Williamson, featuring a man, irritated by the presence of a photographer, who solves his dilemma by swallowing him and his camera whole. The three-shot ''trick'' film is, according to Michael Brooke of BFI Screenonline, "one of the most important early British films in that it was one of the first to deliberately exploit the contrast between the eye of the camera and of the audience watching the final film". Reviews BFI Screenonline reviewer Michael Brooke points out that despite being "less bitten by the trick-film bug than his contemporaries", the director "made one of the most striking genre entries", taking the concept of extreme close-up photography pioneered by George Albert Smith in ''Grandma's Reading Glass'' and '' Spiders on a Web'' (both 1900) "a stage further by featuring a man advancing towards the camera, remaining in more or less perfect focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lillian Gish
Lillian Diana Gish (October 14, 1893February 27, 1993) was an American actress, director, and screenwriter. Her film-acting career spanned 75 years, from 1912, in silent film shorts, to 1987. Gish was called the "First Lady of American Cinema", and is credited with pioneering fundamental film performance techniques. In 1999, the American Film Institute ranked Gish as the 17th greatest female movie star of classic Hollywood cinema. Gish was a prominent film star from 1912 into the 1920s, being particularly associated with the films of director D. W. Griffith. This included her leading role in the highest-grossing film of the silent era, Griffith's '' The Birth of a Nation'' (1915). Her other major films and performances from the silent era are: '' Intolerance'' (1916), '' Broken Blossoms'' (1919), '' Way Down East'' (1920), '' Orphans of the Storm'' (1921), '' La Bohème'' (1926), and '' The Wind'' (1928). At the dawn of the sound era, she returned to the stage and appeared i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cutaway (filmmaking)
In film and video, a cutaway is the interruption of a continuously filmed action by inserting a view of something else. It is usually followed by a cut back to the first shot. A cutaway scene is the interruption of a scene with the insertion of another scene, generally unrelated or only peripherally related to the original scene. The interruption is usually quick, and is usually, although not always, ended by a return to the original scene. The effect is of commentary to the original scene, frequently comic in nature. Usage The most common use of cutaway shots in dramatic films is to adjust the pace of the main action, to conceal the deletion of some unwanted part of the main shot, or to allow the joining of parts of two versions of that shot. For example, a scene may be improved by cutting a few frames out of an actor's pause; a brief view of a listener can help conceal the break. Or the actor may fumble some of his lines in a group shot; rather than discarding a good version of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television
Television, sometimes shortened to TV, is a telecommunication Media (communication), medium for transmitting moving images and sound. The term can refer to a television set, or the medium of Transmission (telecommunications), television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soap Opera
A soap opera, or ''soap'' for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.Bowles, p. 118. The term was preceded by " horse opera", a derogatory term for low-budget Westerns. BBC Radio's '' The Archers'', first broadcast in 1950, is the world's longest-running radio soap opera. The longest-running current television soap is ''Coronation Street'', which was first broadcast on ITV in 1960, with the record for the longest running soap opera in history being held by ''Guiding Light'', which began on radio in 1937, transitioned to television in 1952, and ended in 2009. A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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