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Claude Gervaise
Claude Gervaise (1525–1583) ; these dates are contradicted by other sources was a French composer, editor and arranger of the Renaissance, who is remembered mainly for his association with renowned printer Pierre Attaingnant, and for his instrumental music. Life Little research has been done on Gervaise's life, and details are known only of the period in which he was active in Paris as an assistant to Attaingnant. He first appears around 1540, mentioned as an editor on the title pages for several of Attaingnant's books of instrumental dances. After Attaingnant died in late 1551 or 1552, Gervaise continued to assist Attaingnant's widow, Marie Lescallopier-Attaingnant, in carrying on their publishing business. Where Gervaise went after the last publication under the Attaingnant name in 1558 is not known. Music Gervaise's extant output consists of chansons, mostly for three or four voices, and instrumental music, mostly dances. He appears to have written no sacred music at al ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of ...
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Passamezzo Antico
The passamezzo antico is a ground bass or chord progression that was popular during the Italian Renaissance and known throughout Europe in the 16th century. van der Merwe, Peter. 1989. ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music'', p.207. Oxford: Clarendon Press. . The progression is a variant of the double tonic: its major mode variant is known as the passamezzo moderno. The sequence consists of two phrases as follows: ''(For an explanation of this notation see Chord progression)'' Though usually in the key of G minor, in the key of A minor this gives: The romanesca is a variant of the passamezzo antico, where the first chord is the III (e.g., a C major chord in A minor). A famous example is "Greensleeves". The passamezzo antico chord changes are found, knowingly or not, in modern popular music culture: Carrie Underwood's debut album ''Some Hearts ''Some Hearts'' is the debut studio album by American singer and songwriter Carrie ...
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French Printers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Fre ...
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Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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French Male Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Fre ...
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Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ...
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Ensemble Claude-Gervaise
L'Ensemble Claude-Gervaise is a music group based in Montreal, Quebec. Led by recorder player Gilles Plante, the group performs early music as well as traditional music, particularly from Quebec and France, in period costume. The Ensemble Claude-Gervais was formed in Montreal in 1967 by four flutists or recorder players: Gilles Plante, François Barre, Jean Gagné, and Joseph Guilmette. The group took its name from Claude Gervaise, a French Renaissance composer, editor and arranger (fl. in Paris ca. 1540–1560), who was mainly known for his instrumental music. Between 1971 and 1975, the ensemble published a quarterly review entitled ''Carnet musical''. Michael Desroches was the publisher, and Jean-Pierre Pinson was the editor. The current group maintains a core of ten members, all of whom are also singers and dancers. Most group members have been members or students of the Faculty of Music and the Institute of Medieval Studies at the Université de Montréal. Many group ...
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Texture (music)
In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts are ...
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Courante
The ''courante'', ''corrente'', ''coranto'' and ''corant'' are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era. In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude. Types ''Courante'' literally means "running", and in the later Renaissance the courante was danced with fast running and jumping steps, as described by Thoinot Arbeau. But the courante commonly used in the baroque period was described by Johann Mattheson in ''Der vollkommene Capellmeister'' (Hamburg, 1739) as "chiefly characterized by the passion or mood of sweet expectation. For there is something heartfelt, something longing and also gratifying, in this melody: clearly music on which hopes are built."Quoted in Alfred Dürr, preface to Johann Sebastian Bach, ''Französische Suiten: die verzierte Fassung / The French Suites: Em ...
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Pierre Attaingnant
Pierre Attaingnant (or Attaignant) (c. 1494 – late 1551 or 1552) was a French music publisher, active in Paris. Life Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as Ottaviano Petrucci. Attaingnant is often credited with being the first to develop this technique; however, theoric assert exists to suggest that John Rastell, an English printer in London, was the first to use single-impression printing in 1520. Unfortunately, none of his scores were ever found.King, A. 1971. The Significance of John Rastell in Early Music Printing. ''The Library'' 26(3). Attaingnant published over 1500 chansons by many different composers, including Paris composers Claudin de Sermisy, Pierre Sandrin and Pierre Certon, and most prominently Clément Janequin with five books of chansons by Josquin Desprez . Attaingnant acquired royal privileges for his music b ...
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Branle
A branle (, ), also bransle, brangle, brawl, brawle, brall(e), braul(e), brando (in Italy), bran (in Spain), or brantle (in Scotland), is a type of French dance popular from the early 16th century to the present, danced by couples in either a line or a circle. The term also refers to the music and the characteristic step of the dance. History Beginnings and courtly adoption The name ''branle'' derives from the French verb ''branler'' (to shake, wave, sway, wag, wobble), referring to the side-to-side movement of a circle or chain of dancers holding hands or linking arms. Dances of this name are encountered from about 1500 and the term is used for dances still danced in France today. Before 1500, the only dance-related use of this word is the "swaying" step of the basse danse. The branle was danced by a chain of dancers, usually in couples, with linked arms or holding hands. The dance alternated a number of larger sideways steps to the left (often four) with the same number of ...
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