|
Cincinnati Symphony Youth Orchestra
The Cincinnati Symphony Orchestra is an American orchestra based in Cincinnati, Ohio. Its primary concert venue is Music Hall. In addition to its symphony concerts, the orchestra gives pops concerts as the Cincinnati Pops Orchestra. The Cincinnati Symphony is the resident orchestra for the Cincinnati May Festival, the Cincinnati Opera, and the Cincinnati Ballet. Additionally, the orchestra supports the Cincinnati Symphony Youth Orchestra (CSYO), a program for young musicians in grades 9 to 12. History Several orchestras had existed in Cincinnati between 1825 and 1872. The immediate precursor ensemble to the current orchestra was the Cincinnati Orchestra, founded in 1872. In 1893, Helen Herron Taft founded the Cincinnati Orchestra Association, and the name of the orchestra was formalised to the Cincinnati Symphony Orchestra. The Cincinnati Symphony Orchestra gave its first concerts in 1895 at Pike's Opera House. A year later, the orchestra moved to Music Hall. Its first condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cincinnati Symphony Orchestra Logo
Cincinnati ( ; colloquially nicknamed Cincy) is a city in Hamilton County, Ohio, United States, and its county seat. Settled in 1788, the city is located on the northern side of the confluence of the Licking and Ohio rivers, the latter of which marks the state line with Kentucky. It is the third-most populous city in Ohio and 66th-most populous in the U.S., with a population of 309,317 at the 2020 census. The city is the economic and cultural hub of the Cincinnati metropolitan area, Ohio's most populous metro area and the nation's 30th-largest, with over 2.3 million residents. Throughout much of the 19th century, Cincinnati was among the top 10 U.S. cities by population. The city developed as a river town for cargo shipping by steamboats, located at the crossroads of the Northern and Southern United States, with fewer immigrants and less influence from Europe than East Coast cities in the same period. However, it received a significant number of German-speaking immig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Rudolf (conductor)
Max Rudolf (June 15, 1902 — February 28, 1995) was a German conductor and music institute teacher. Rudolf was born in Frankfurt am Main, where he studied cello, piano, organ and trumpet. He was a composition student of Bernhard Sekles at the Hoch Conservatory in Frankfurt. He held positions in Freiburg as assistant conductor at the Städtisches Theater, and as second conductor at the Hessisches Staatstheater in Darmstadt. In 1929, he became principal conductor of the German Theatre in Prague. In 1940, Rudolf emigrated to the United States, and took American citizenship in 1945. In 1942, he conducted the Naumburg Orchestral Concerts, in the Naumburg Bandshell, Central Park, in the summer series. He served on the conducting staff of the Metropolitan Opera between 1946 and 1958 and had the title of musical administrator of the company between 1950 and 1958. In 1958, Rudolf became music director of the Cincinnati Symphony Orchestra, and held this post until 1970. He was directo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remington Records
Remington Records was a low budget record label. It existed from 1950 until 1957 and specialized in classical music. The discs suffered from considerable surface noise.Soundfountain website History The earliest Remington recordings were made in Vienna. They were produced by Marcel Prawy from 1950 till 1953. In 1953 West Berlin became the recording venue outside the United States.Soundfountain Producer Don Gabor, recording director Laszlo Halasz and engineer Robert Blake made the very first commercial stereophonic tape recordings in the United States in 1953 with Thor Johnson and the Cincinnati Symphony Orchestra. They included Dvořák's ''Symphony No. 8'' (then No. 4) and symphonic and choral works by Sibelius. These stereo recordings were released as mono records in 1954. Mono and stereo recordings were also made in Berlin with the RIAS (Radio in the American Sector) Symphony Orchestra. The recordings were supervised by Don Gabor and conductor Laszlo Halasz. Besides the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thor Johnson
Thor Martin Johnson (June 10, 1913 – January 16, 1975) was an American conductor. He was born in Wisconsin Rapids, Wisconsin. He studied at the University of North Carolina at Chapel Hill, where he was president of the Alpha Rho chapter of Phi Mu Alpha Sinfonia fraternity. He was the first recipient of the fraternity's national Charles E. Lutton Man of Music Award in 1952. He was an initiate of the Alpha Xi chapter of Pi Kappa Alpha fraternity. From 1940 to 1942, he was music director of the Grand Rapids Symphony in Grand Rapids, Michigan, which was a community orchestra at the time. In 1947 he was appointed conductor of the Cincinnati Symphony Orchestra, the youngest American born conductor of a major American orchestra at that time. That same year, Johnson was named the first Music Director of the Ojai Music Festival in Ojai, California. He served in that capacity from 1947–1950 and again from 1952–53. A member of the Moravian Church, he was deeply devoted to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln Portrait
''Lincoln Portrait'' (also known as ''A Lincoln Portrait'') is a 1942 classical orchestral work written by the American composer Aaron Copland. The work involves a full orchestra, with particular emphasis on the brass section at climactic moments. The work is narrated with the reading of excerpts of Abraham Lincoln's great documents, including the Gettysburg Address. An orchestra usually invites a prominent person to be the narrator. History Conductor Andre Kostelanetz commissioned Copland to write a musical portrait of an "eminent American" for the New York Philharmonic. Copland chose President Abraham Lincoln, and used material from speeches and letters of Lincoln, as well as original folk songs of the period, including " Camptown Races" and " On Springfield Mountain". Copland finished ''Lincoln Portrait'' in April 1942. The first performance was by the Cincinnati Symphony Orchestra on 14 May 1942, with William Adams as the narrator. Because of his leftist views, Copland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanfare For The Common Man
''Fanfare for the Common Man'' is a musical work by the American composer Aaron Copland. It was written in 1942 for the Cincinnati Symphony Orchestra under conductor Eugene Goossens and was inspired in part by a speech made earlier that year by then American Vice President Henry A. Wallace, in which Wallace proclaimed the dawning of the "Century of the Common Man". Several alternative versions have been made and fragments of the work have appeared in many subsequent US and British cultural productions, such as in the musical scores of movies. Instrumentation This fanfare is written for the following instruments: * four French horns (in F) * three trumpets (in B) * three trombones * tuba * timpani * bass drum * tam-tam Fanfare Copland, in his autobiography, wrote of the request: " Eugene Goossens, conductor of the Cincinnati Symphony Orchestra, had written to me at the end of August about an idea he wanted to put into action for the 1942–43 concert season. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many consider the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which he called his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid (ballet), Billy the Kid'' and ''Rodeo (ballet), Rodeo'', his ''Fanfare for the Common Man'' and Symphony No. 3 (Copland), Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera, and film scores. After some initial studie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Aynsley Goossens
Sir Eugene Aynsley Goossens (; 26 May 189313 June 1962) was an English conductor and composer. Biography He was born in Camden Town, London, the son of the Belgian conductor and violinist Eugène Goossens (''fils'', 1867–1958) and Annie Cook, a Carl Rosa Opera Company singer. He was the grandson of the conductor Eugène Goossens (''père'', 1845–1906; his father and grandfather spelled Eugène with a grave accent; he himself did not). His younger sisters and brothers, all musicians, were Marie, Adolphe, Léon and Sidonie. Eugene studied music at the age of ten in Bruges, three years later at Liverpool College of Music, and in 1907 in London on a scholarship at the Royal College of Music under composer Charles Villiers Stanford and the violinist Achille Rivarde among others. He won the silver medal of the Worshipful Company of Musicians and was made associate of the Royal College of Music. He was a first violin in Henry Wood's Queen's Hall Orchestra from 1911 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Reiner
Frederick Martin Reiner (; December 19, 1888 – November 15, 1963) was an American conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s. Life and career Reiner was born in Budapest, Austria-Hungary into a secular Jewish family that resided in the Pest area of the city. After preliminary studies in law at his father's urging, Reiner instead decided to pursue the study of piano, piano pedagogy, and composition at the Franz Liszt Academy. Between 1903 and 1905 he studied the piano with István Thomán. From 1905 to 1908 he was a member of the composition class of Hans Koessler. From 1907 until 1909 he studied piano pedagogy with Kálmán Chován. During his last two years there, his piano teacher was the you ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Ysaÿe
Eugène-Auguste Ysaÿe (; 16 July 185812 May 1931) was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar". Early years Born in Liège, Ysaÿe began violin lessons at age five with his father. He would later recognize his father's teaching as the foundation of everything he knew on his instrument, even though he went on to study with highly reputed masters. In 1867, Ysaÿe entered the Royal Conservatory of Liège to study with Désiré Heynberg, and in the process won a shared second prize with the Viotti 22nd Violin Concerto. He then went on to study with Henryk Wieniawski for two years in Brussels and Henri Vieuxtemps in Paris. Studying with these teachers meant that he was part of the so-called Franco-Belgian school of violin playing, which dates back to the development of the modern violin bow by François Tourte. Qualities of this "École" included elegance, a full tone with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Kunwald
Ernst Kunwald (April 14, 1868 – December 12, 1939) was an Austrian conductor. Life Ernst Kunwald was born and died in Vienna. He studied law at the University of Vienna, earning his Dr. Juris in 1891. He also studied piano with Teodor Leszetycki and composition with Hermann Graedener. At the Leipzig Conservatory he studied with the composer Salomon Jadassohn. He conducted opera in the following cities: Rostock (1895–1897), Sondershausen (1897–1898), Essen (1898–1900), Halle (1900–1901), Madrid (1901–1902), Frankfurt (1902–1905), and at Berlin’s Kroll Opera House (1905−1906). A review of a concert he led with the New York Philharmonic in February 1906 described him as “not a great conductor; not one with the finest feelings or a subtle sense for the deeper things in music; but he is a capable one, in many ways an intelligent one, a vigorous and energetic one”. He served as assistant conductor of the Berlin Philharmonic (1907–1912). He was the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
