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Cilappatikāram
''Cilappatikāram'' ( IPA: ʧiləppət̪ikɑːrəm, ''lit.'' "the Tale of an Anklet"), also referred to as ''Silappathikaram'' or ''Silappatikaram'', is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely ''akaval'' (''aciriyam'') meter. The epic is a tragic love story of an ordinary couple, Kaṇṇaki and her husband Kōvalaṉ. The ''Cilappatikāram'' has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the '' Natṟiṇai'' and later texts such as the ''Kovalam Katai''. It is attributed to a prince-turned-jain-monk Iḷaṅkō Aṭikaḷ, and was probably composed in the 5th century CE (although estimates range from 2nd to 6th century CE). The ''Cilappatikāram'' is an ancient literary masterpiece. It is to the Tamil culture what the ''Iliad'' is to the Greek culture, states R. Parthasarathy. It blends the themes, mythologies and theological va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannagi
Kannagi (), sometimes spelled Kannaki, is a legendary Tamil woman who forms the central character of the Tamil epic '' Cilappatikāram''. Kannagi is described as a chaste woman who stays with her husband despite his adultery, their attempt to rebuild their marriage after her unrepentant husband had lost everything, how he is framed then punished without the due checks and processes of justice. Kannagi proves and protests the injustice, then curses the king and city of Madurai, leading to the death of the unjust Pandyan king of Madurai, who had wrongfully put her husband Kovalan to death. The society that made her suffer then endures retribution as the city Madurai, in consequence, is burnt to the ground because of her curse. In Tamil folklore, Kannagi has been deified as the symbol – sometimes as a goddess – of chastity, with sculptures or reliefs in Hindu temples iconographically reminding the visitor of her breaking her anklet or tearing her bleeding breast and throwing it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannagi (Tamil Mythology)
Kannagi (), sometimes spelled Kannaki, is a legendary Tamil people, Tamil woman who forms the central character of the Tamil epic poetry, epic ''Cilappatikāram''. Kannagi is described as a chaste woman who stays with her husband despite his adultery, their attempt to rebuild their marriage after her unrepentant husband had lost everything, how he is framed then punished without the due checks and processes of justice. Kannagi proves and protests the injustice, then curses the king and city of Madurai, leading to the death of the unjust Pandya dynasty, Pandyan king of Madurai, who had wrongfully put her husband Kovalan to death. The society that made her suffer then endures retribution as the city Madurai, in consequence, is burnt to the ground because of her curse. In Tamil folklore, Kannagi has been deified as the symbol – sometimes as a goddess – of chastity, with sculptures or reliefs in Hindu temples iconographically reminding the visitor of her breaking her anklet or te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patiṟṟuppattu
The ''Patiṟṟuppattu'' (lit. ''Ten Tens'', sometimes spelled ''Pathitrupathu'',) is a classical Tamil poetic work and one of the Eight Anthologies (''Ettuthokai'') in Sangam literature. A panegyric collection, it contains ''puram'' (war and public life) poems. The Chera kings, known as the Cheramal, are the centre of the work. Its invocatory poem is about Mayon, or Perumal (Vishnu). The ''Patiṟṟuppattu'' originally contained ten sections of ten poems, each section dedicated to a decade of rule in ancient Kerala (Cerals, Chera); the first and last sections have been lost. Of the surviving poems, the second-to-sixth-decade-related poems are about the three generations of rulers from the Imayavaramban dynasty. The remaining poems are about the three generations of rulers from the Irumporai dynasty. In the ''Patirruppattu'' palm-leaf manuscripts, each decade ends with a (a verse epilogue followed by a prose colophon. According to U. V. Swaminatha Iyer (who rediscov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilango Adigal
Ilango Adigal (a title, literally "prince ascetic", fl. c. 4th-6th century CE) was a Jain monk, belonging to the Chera royal family, from the city of Vanchi. He is traditionally credited as the author of the epic poem Cilappatikaram (the Song of the Anklet), one of the Five Great Epics of Tamil literature. In the patikam (the prologue) to the poem, Ilango Adigal identifies himself as the brother of the Chera king Cenkuttuvan (c. late 2nd century CE). However, it is generally assumed that the author was a member of the Chera royal family who lived much later than Cenkuttuvan and composed the poem based on a reliable version of the historical tradition concerning Cenkuttuvan and Kannaki. Biography No directly verifiable information about Ilango Adigal exists outside of Cilappatikaram ("The Lay of the Anklet") and its prologue. According to the text, Ilango Adigal was a Chera prince ("Kudakko Ceral Ilanko"). He was the younger son of the Chera king "Imayavarampan" Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standard written representation for the sounds of speech. The IPA is used by linguists, lexicography, lexicographers, foreign language students and teachers, speech–language pathology, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical item, lexical (and, to a limited extent, prosodic) sounds in oral language: phone (phonetics), phones, Intonation (linguistics), intonation and the separation of syllables. To represent additional qualities of speechsuch as tooth wikt:gnash, gnashing, lisping, and sounds made with a cleft lip and cleft palate, cleft palatean extensions to the International Phonetic Alphabet, extended set of symbols may be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattanar
Satthanar or Chithalai Satthanar (, ''cītalai cāttanār'') was the Tamil poet who composed the epic Manimekalai. A total of 11 verses of the Sangam literature have been attributed to Satthanar, including verse 10 of the Tiruvalluva Maalai. Etymology Pronounced ''Sa-tha-naar,'' the name is derived from (, ''sāttu'') meaning Buddhist monk. Applying this principle to the name Maturai Kulavāṇikan Cāttan, the author of Manimekalai, we see that the two appellations Maturai and Kulavanikan were prefixed to his name in order to distinguish him from another poet of Maturai with the same name and from a third who lived elsewhere. Several examples could be cited of this system of nomenclature which prevailed during the early days. Biography Satthanar hailed from a place known as Seerthandalai, later came to be known as Seethalai. He was a grain merchant at Madurai and hence came to be called "Koolavanigan". He was a contemporary of Cheran Senguttuvan and was believed to have pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheran Chenkutuvan
Chenkuttuvan (c. 180 CE, literally 'the Righteous Kuttuvan'), title Kadal Pirakottiya, identified with Kadalottiya Vel Kezhu Kuttuvan, was the most celebrated Chera ruler of early historic South India. He is also mentioned in Chilappathikaram, the Tamil epic poem purportedly composed by the Chera prince Ilanko Adikal''.'' Chenkuttavan is eulogized by the poet Paranar in the fifth decade of the Pathitrupathu Collection, part of the Ettuthokai anthology of early Tamil literature. He was likely a member of the Muchiri-Karur branch (associated with present-day central Kerala) of the Chera dynasty. During his reign, the Chera territory encompassed the Malabar Coast (present-day Kerala) and the interior Kongu country (western Tamil Nadu). The influx of Yavana (Greco-Roman) gold into south India through the Indian Ocean spice trade during Chenkuttavan's reign is memorably described in ancient Tamil poems. According to Fifth Decade, Pathitrupathu, Chenkuttavan achieved a majo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Pre-history", 1990, ''UNESCO International Scientific Committee for the Drafting of a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallava Dynasty
The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The Pallavas played a crucial role in shaping in particular southern Indian history and heritage. The dynasty rose to prominence after the downfall of the Satavahana Empire, whom they had formerly served as feudatories. The Pallavas became a major southern Indian power during the reign of Mahendravarman I (600–630 CE) and Narasimhavarman I (630–668 CE), and dominated the southern Telugu region and the northern parts of the Tamil region for about 600 years, until the end of the 9th century. Throughout their reign, they remained in constant conflict with both the Chalukyas of Vatapi to the north, and the Tamil kingdoms of Chola and Pandyas to their south. The Pallavas were finally defeated by the Chola ruler Aditya I in the 9th century CE. The Pallavas are most noted for their patronage of Hindu Vaishnava temple architecture, the fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manimekalai
''Maṇimēkalai'' (, ), also spelled ''Manimekhalai'' or ''Manimekalai'', is a Tamil Buddhist epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably somewhere between the 2nd century to the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic '' Cilappatikaram'', with some characters from it and their next generation. The epic consists of 4,861 lines in ''akaval'' meter, arranged in 30 cantos. The title ''Manimekalai'' is also the name of the daughter of Kovalan and Madhavi, who follows in her mother's footsteps as a dancer and a Buddhist nun. The epic tells her story. Her physical beauty and artistic achievements seduces the Chola prince Udayakumara. He pursues her. She, a nun of Mahayana Buddhism persuasion, feels a commitment to free herself from human ties. She rejects his advances, yet finds herself drawn to him. She hides, prays and seeks the help of her mother, her Buddhist teacher Aravana Adikal and angels. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anklet
An anklet, also called ''ankle chain'', ''ankle bracelet'' or ''ankle string'', is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8,000 years by girls and women in Indus Valley, in Indian Subcontinent where it is commonly known as ''pattilu'', ''payal, golusu'' and sometimes as ''nupur''. They have also been worn by Egyptian women since predynastic times. In the United States both casual and more formal anklets became fashionable from the 1930s to the late–20th century. While in Western popular culture both younger men and women may wear casual leather anklets, they are popular among barefoot women. Formal anklets (of silver, gold, or beads) are used by some women as fashion jewellery. Anklets are an important piece of jewellery in Indian marriages, worn along with saris. Occasionally, anklets on both ankles are joined by a chain to limit the step. This practice was once prevalent in Southeast Asia, where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
