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Choregos
In the theatre of ancient Greece, the ''choregos'' (pl. ''choregoi; el, χορηγός, Greek etymology: χορός "chorus" + ἡγεῖσθαι "to lead") was a wealthy Athenian citizen who assumed the public duty, or ''choregiai'', of financing the preparation for the chorus and other aspects of dramatic production that were not paid for by the government of the ''polis'' or city-state.Brockett, p. 17 Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms ''choregi'' and ''choragi''. In Modern Greek, the word ''χορηγός'' is synonymous with the word "grantor". ''Choregoi'' were appointed by the archon and the tribes of Athenian citizens from among the Athenian citizens of great wealth. Service as a ''choregos'', though an honor, was a duty for wealthy citizens and was part of the liturgical system designed to improve the city-state's economic stability through the use of private wealth to fund public good. Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archon
''Archon'' ( gr, ἄρχων, árchōn, plural: ἄρχοντες, ''árchontes'') is a Greek word that means "ruler", frequently used as the title of a specific public office. It is the masculine present participle of the verb stem αρχ-, meaning "to be first, to rule", derived from the same root as words such as monarch and hierarchy. Ancient Greece In the early literary period of ancient Greece the chief magistrates of various Greek city states were called ''archontes''. The term was also used throughout Greek history in a more general sense, ranging from "club leader" to "master of the tables" at ''syssitia'' to "Roman governor". In Athens, a system of three concurrent archons evolved, the three office holders being known as '' archon eponymos'' (), the '' polemarch'' (), and the '' archon basileus'' (). According to Aristotle's '' Constitution of the Athenians'', the power of the king first devolved to the archons, and these offices were filled from the aristocracy b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysia
The Dionysia (, , ; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries. Rural Dionysia The Dionysia was originally a rural festival in Eleutherae, Attica ( – ''Dionysia ta kat' agrous''), probably celebrating the cultivation of vines. It was probably a very ancient festival, perhaps not originally associated with Dionysus. This "rural Dionysia" was held during the winter, in the month of Poseideon (the month straddling the winter solstice, i.e., Dec.-Jan.). The central event was the ''pompe'' (πομπή), the procession, in which '' phalloi'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choragic Monument Of Nikias
The Choragic Monument of Nikias is a memorial building built in the Acropolis of Athens in 320–319 BCE to commemorate the choregos Nikias, son of Nikodemos. It was situated between the Theatre of Dionysos and the Stoa of Eumenes where its foundations remain along with some fragmentary elements of the structure. It was built in the form of a substantial hexastyle Doric temple with a square cella and might have been surmounted with the prize tripod of the Dionysia. The monument was dismantled at some point in late antiquity and the masonry reused in the Beulé Gate. Most of the surviving architectural remains of the choragic monument are built into the central portion of the Beulé Gate, which was uncovered and identified by its inscription by Charles Ernest Beulé in 1852. The original site of the monument, however, was not excavated until 1885 by Wilhelm Dörpfeld, who four years later discovered the foundations of the building and some other fragmentary members. William ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Persians
''The Persians'' ( grc, Πέρσαι, ''Persai'', Latinised as ''Persae'') is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as '' choregos''. Place in Aeschylus' work The first play in the trilogy, called ''Phineus'', presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, ''Glaucus'', was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite (see Glaucus (son of Sisyphus)) or else a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy (see Glaucus). In ''The Persians'', Xerxes invites the gods' e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrynichus (tragic Poet)
Phrynichus (; grc-gre, Φρύνιχος), son of Polyphradmon and pupil of Thespis, was one of the earliest of the Greek tragedians. Some ancients regarded him as the real founder of tragedy. Phrynichus is said to have died in Sicily. His son Polyphrasmon was also a playwright. Phyrynichus wrote two out of the three known Greek tragedies that dealt with contemporary history from episodes from the Persian Wars (no longer extant). Works He gained his first victory in a drama contest in 511 BC. His famous play, the ''Capture of Miletus'' or the ''Sack of Miletus'', was probably composed shortly after the conquest of that city by the Persians during the Ionian Revolt. Miletus was a colony of Athens and therefore traditionally held especially dear to the mother city. The audience was moved to tears by Phrynichus' tragedy, with the poet being fined "", "for reminding familiar misfortunes". As a result, the play was banned from being performed again. (Herodotus 6.21.10) In 476 BC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choragic Monument Of Lysicrates
The Choragic Monument of Lysicrates near the Acropolis of Athens was erected by the ''choregos'' Lysicrates, a wealthy patron of musical performances in the Theater of Dionysus, to commemorate the prize in the dithyramb contest of the City Dionysia in 335/334 BCE, of which performance he was liturgist. The monument is known as the first use of the Corinthian order on the exterior of a building. It has been reproduced widely in modern monuments and building elements. History The circular structure, raised on a high squared podium, is the first Greek monument built in the Corinthian order on its exterior. It was originally crowned with an elaborate floral support for the bronze tripod, the prize awarded to Lysicrates' chorus. The sculpture on the frieze is thought to depict the myth of Dionysus and the Tyrrhenian pirates from the Homeric Hymn to Dionysus. Immediately below the architrave and between the column capitals is a second frieze depicting the choragic tripods. The m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy (ancient Greece)
The liturgy ( el, λειτουργία or λῃτουργία, leitourgia, from λαός / Laos, "the people" and the root / ergon, "work" ) was in ancient Greece a public service established by the city-state whereby its richest members (whether citizens or resident aliens), more or less voluntarily, financed the State with their personal wealth. It took its legitimacy from the idea that "personal wealth is possessed only through delegation from the city". The liturgical system dates back to the early days of Athenian democracy, but gradually fell into disuse by the end of the 4th century BC,Christ 1990, p. 148 eclipsed by the development of euergetism in the Hellenistic period. However, a similar system was in force during the Roman empire. Principles and types The liturgy was the preferred mode of financing of the Greek city, to the extent that it allowed them to easily associate each public expense with a ready source of revenue. This flexibility makes it particularly suited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysius II Of Syracuse
Dionysius the Younger ( el, Διονύσιος ὁ Νεώτερος, 343 BC), or Dionysius II, was a Greek politician who ruled Syracuse, Sicily from 367 BC to 357 BC and again from 346 BC to 344 BC. Biography Dionysius II of Syracuse was the son of Dionysius the Elder and Doris of Locri. When his father died in 367 BC, Dionysius, who was at the time under thirty years old, and completely inexperienced in public affairs, inherited the supreme power and began ruling under the supervision of his uncle, Dion, whose disapproval of the young Dionysius's lavishly dissolute lifestyle compelled him to invite his teacher Plato to visit Syracuse. Together they attempted to restructure the government to be more moderate, with Dionysius as the archetypal philosopher-king (see the '' Seventh Letter'' of Plato). However, under the influence of opponents of Dion's reforms, Dionysius conspired with the historian Philistus and banished his uncle, taking complete power in 366 BC. Without Dion, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kudos
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{{disambiguation ...
Kudos may refer to: Arts and media * ''Kudos'' (computer game), a life simulation game produced by Positech Games * Kudos (production company), a UK-based film and television production company * Kudos, a fictional currency used by the Dwellers in ''The Algebraist'' Other uses * Kudos (computer program), a vocational-counseling computer program * Kudos (granola bar), a brand of chocolate-covered cereal bar * Kudos, praise and honor received for an achievement See also * Cudos (other) * Kudus (other) Kudus may refer to * Merhawi Kudus (born 1994), Eritrean cyclist * Mohammed Kudus (born 2000), Ghanaian footballer * Sunan Kudus (died 1550), founder of: ** Kudus, Indonesia, capital city of: *** Kudus Regency in Central Java, Indonesia *** Persi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekkyklema
An ''ekkyklêma'' (; el, εκκύκλημα; "roll-out machine") was a wheeled platform rolled out through a '' skênê'' in ancient Greek theatre. It was used to bring interior scenes out into the sight of the audience. Some ancient sources suggest that it may have been revolved or turned. It is mainly used in tragedies for revealing dead bodies, such as Hippolytus' dying body in the final scene of Euripides' play of the same name, or the corpse of Eurydice draped over the household altar in Sophocles' ''Antigone''. Other uses include the revelation in Sophocles' '' Ajax'' of Ajax surrounded by the sheep he killed whilst under the delusion that they were Greeks.Rehm (1992, 69). The ''ekkyklêma'' is also used in comedy to parody the tragic effect. An example of this is in Aristophanes' ''Thesmophoriazusae ''Thesmophoriazusae'' ( grc-gre, Θεσμοφοριάζουσαι; ''Thesmophoriazousai'', meaning ''Women Celebrating the Festival of the Thesmophoria''), or ''Women at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
218-219-Halai_honorific_decree-2.JPG "Click for more on -> Choregos")
