Choices – The Singles Collection
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Choices – The Singles Collection
''Choices – The Singles Collection'' is a greatest hits album by British band The Blow Monkeys, released in 1989 by RCA Records, RCA and distributed by Bertelsmann Music Group, BMG / Ariola Records, Ariola. The album includes most of the band's singles and features genres from the New wave music, new wave of Limping for a Generation, their debut album to pop rock and funky evolution, up to their discovery of the potentialities of the new dance revolution, a genre that they embraced on their final album, ''Springtime for the World'', which was released the following year, shortly before they split up. Composition Two editions of the album were released: the Gramophone record, vinyl version only included the first 10 songs (from "Wait" to "It Pays to Belong"), whereas the CD version contained six more songs, also presenting the singles from their 1984 debut album, ''Limping for a Generation'', which didn't chart in the UK Singles Chart, UK Top 75, as well as two 12" remixes of " ...
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The Blow Monkeys
The Blow Monkeys are a British pop band formed in 1981. Their first single, "Live Today Love Tomorrow", was released in 1982. They subsequently enjoyed a successful career with several hit singles and albums throughout the 1980s before splitting up at the beginning of the 1990s. Their first hit song was " Digging Your Scene" which hit No. 12 on the UK Singles Chart and No. 14 on the US ''Billboard'' Hot 100 chart in August 1986. They had four albums and eleven singles in the UK charts between 1986 and 1990. In late 2007 the original band members reunited and have now released a total of twelve albums. Career Formation The Blow Monkeys formed in London in 1981 when lead singer, songwriter, guitarist, bassist, and piano player Dr. Robert (born Bruce Robert Howard, 2 May 1961, Haddington, Scotland) returned to the United Kingdom after having spent five years in Australia. Dr. Robert is named after the Beatles song Doctor Robert. The other band members are Mick Anker on bass ...
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Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music of DJs and producers from the area, such as Ron Hardy and Phuture History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite song ...
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Albums Produced By Adam Moseley
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), vinyl (record), audio tape (like 8-track or cassette), or digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s before sharply declini ...
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1989 Greatest Hits Albums
1989 was a turning point in political history with the "Revolutions of 1989" which ended communism in Eastern Bloc of Europe, starting in Poland and Hungary, with experiments in power-sharing coming to a head with the opening of the Berlin Wall in November, the Velvet Revolution in Czechoslovakia and the overthrow of the communist dictatorship in Romania in December; the movement ended in December 1991 with the dissolution of the Soviet Union. Revolutions against communist governments in Eastern Europe mainly succeeded, but the year also saw the suppression by the Chinese government of the 1989 Tiananmen Square protests in Beijing. It was the year of the first Brazilian direct presidential election in 29 years, since the end of the military government in 1985 that ruled the country for more than twenty years, and marked the redemocratization process's final point. F. W. de Klerk was elected as State President of South Africa, and his regime gradually dismantled the aparthei ...
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Ariola
Ariola (also known as Ariola Records, Ariola Express, Ariola-Eurodisc and BMG Ariola) is a German record label. In the late 1980s, it was a subsidiary label of the Bertelsmann Music Group, which in turn has become a part of the international media conglomerate Sony Music Entertainment. Profile Ariola Eurodisc GmbH was founded in 1958 as a music outlet of Bertelsmann. It set up several foreign subsidiaries. Leveraging acquisitions by its parent company, Ariola positioned itself to become a strong contender in the German record industry in the mid-1960s. Ariola America was founded in 1975 in Los Angeles, and achieved ''Billboard'' magazine number one singles with Mary MacGregor's "Torn Between Two Lovers" (1976) and Amii Stewart's cover version of the 1966 Eddie Floyd hit " Knock on Wood" (1979). Other artists on the Ariola America roster during the late 1970s included Gene Cotton, The Three Degrees, Chanson, and the Canadian band Prism among others. After its pop success d ...
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UK Albums Chart
The Official Albums Chart is the United Kingdom's industry-recognised national record chart for album, albums. Entries are ranked by sales and audio streaming. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on ''UKChartsPlus'' as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of ''The Guinness Book of British Hit Albums'') in the 1980s until January 1989, since the compilations were removed, this definition was changed to Top 75 with follow-up books such as ''The Virgin Book of British Hit Albums'' only including this data. As of 2021, Since 1983, the OCC generally provides a public charts for hits and weeks up to the Top 100. Business customers can require a ...
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UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house and jungle production methods, but also incorporates elements from dance-pop and R&B. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. The 2010s saw a resurgence in the genre, then in the early 2020s, a ...
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She Was Only A Grocer's Daughter
''She Was Only a Grocer's Daughter'' is the third album by British pop band the Blow Monkeys, originally released in 1987. The album's title is a reference to Prime Minister of the United Kingdom, Margaret Thatcher, whose Conservative government was unpopular with left wing, pro- Labour Party music acts of the 1980s (including the Blow Monkeys), some of whom joined the Red Wedge movement as part of their political activism. Some songs on the album reflect dissatisfaction with the political situation in the UK at the time. After a gradual shift towards a slicker, pop-oriented style, the Blow Monkeys also introduced a dance beat, which became a defining feature of the band's later releases. History The band's record label RCA invested heavily in the promotion of ''She Was Only a Grocer's Daughter'' by issuing it in several different editions (e.g. the vinyl LP included 10 songs and a thick photo book, while the CD was released in two versions, with bonus tracks and alternative ...
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Animal Magic (The Blow Monkeys Album)
''Animal Magic'' is the second album from the British band The Blow Monkeys, released in 1986 by RCA/Ariola (now BMG). It gave the group their commercial breakthrough after their debut album, '' Limping for a Generation'', had won critical acclaim but had only sold modestly. Sales of ''Animal Magic'' were boosted by the hit single "Digging Your Scene", which charted in the UK (peaking at No. 12), the rest of Europe and the US. The album's first single, the ballad "Forbidden Fruit", had been released almost a year before the LP. After "Digging Your Scene", two more singles were taken from the album, both of which, though catchy and cleverly built, didn't replicate the same level of commercial success: "Wicked Ways" reached No.60 in Great Britain, and "Don't Be Scared of Me" charted at No.77 in UK. ''Animal Magic'' displayed an intelligent collection of slick, soul-influenced, mid-tempo tunes. A couple of ballads offered some diversity: one of them, "I Backed a Winner (in You)", ...
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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ...
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Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ...
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