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Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music of DJs and producers from the area, such as Ron Hardy and Phuture History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved from one source which is not an expert musical reference, but a sociological study of dance culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Hardy
Ron Hardy (May 8, 1958 – March 2, 1992) was an American, Chicago, Illinois-based DJ and record producer of early house music. He is well known for playing records at the Muzic Box, a Chicago house music club. Decades after his death, he is recognized for his innovative edits and mixes of disco, soul music, funk and early house music. Early career Hardy started his career in 1974 in Chicago's gay club Den One. Here, with a set-up of two turntables, a mixer and a reel-to-reel tape-deck, he played long nights of underground dance music. Around 1977, he went to work in Los Angeles. At the end of 1982, when DJ Frankie Knuckles left the Warehouse to open the Power Plant, Ron Hardy DJed at the Warehouse's new location until Robert Williams renamed it "The Music Box." Producer Chip E. introduced Hardy to recording music in 1986 when the two mixed "Donnie" by The It (featuring Chip E., Larry Heard, Robert Owens, and Harri Dennis). From humble beginnings, Hardy's contributions to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Robie
John Robie is an American musician, producer and songwriter. He has produced and/or written for such artists as: Chaka Khan, New Order, UB40, Cabaret Voltaire, Soulsonic Force, Boy George, Planet Patrol, Laura Branigan, and Freeez, among others. Career Robie launched his career as the co-writer and synthesizer "wizard" on '' Planet Rock'' by Soulsonic Force. Robie subsequently went on to produce other hits for Soulsonic Force; Looking for the Perfect Beat and Renegades of Funk (later covered by Rage Against The Machine), and continued to pursue an experimental approach towards electronic music, which resulted in his help pioneering a completely new musical genre, '' Electro''. "One More Shot", performed by C-Bank, and "Body Mechanic", performed by Quadrant 6, both written and produced by Robie, were among the first to define this art form. His songs have been sampled by such artists as City Girls, Lunchmoney Lewis, Snoop Dogg, Calvin Harris, Plump DJs, Jamie xx, LL C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Baker (musician)
Arthur Baker (born April 22, 1955) is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album '' Jill Jones'' (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, " In the Night". His remix of the song was used as the main theme for the BBC TV programme '' The Clothes Show'' between 1986 and 1994. He also remixed the "Massive Jungle Mix" for Tina Turner's UK top 40 single " Whatever You Want" (co-written by himself, Taylor Dayne and Fred Zarr). Arthur Baker's songs are represented by Downtown Music Publishing. Biography Early career Born in Boston, Massachusetts, on April 22, 1955, Baker first worked as a club DJ in Boston in the early-1970s, where he was known for playing crowd-pleasing soul and Philly soul. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jellybean Benitez
John Benitez (born November 7, 1957), also known as Jellybean, is an American musician, songwriter, DJ, remixer, and music producer. He has produced and remixed artists such as Madonna, Whitney Houston, Michael Jackson, and the Pointer Sisters. He was later the executive producer of Studio 54 Radio. In December 2016, ''Billboard magazine'' ranked him as the 99th most successful dance artist of all-time. Early life Benitez was born in the South Bronx neighborhood of New York City, the son of Puerto Rican parents. After his parents divorced, Benitez and his younger sister Debbie were raised by their mother, who worked in the executive offices of Sloan's supermarkets. Benitez grew up enjoying music and would watch deejays at local clubs. Benitez borrowed his sister's record player and practiced on two turntables. His sister nicknamed him Jellybean as his initials are J.B. and from the expression "Know what I mean, Jellybean?", he said. Benitez attended De Witt Clinton High School a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Parrish
Manuel Parrish (born May 6, 1958) is an American songwriter, vocalist and producer. He, along with artists such as Yellow Magic Orchestra, Kraftwerk, Art of Noise, Arthur Baker, Afrika Bambaataa, John Robie, Jellybean Benitez, Lotti Golden, Richard Scher and Aldo Marin, helped create and define electro in the early 1980s. Early life Parrish was born and raised in Brooklyn, New York. He left home at the age of 14 and became a member of the crowd that converged nightly at the Studio 54 nightclub in Manhattan. The nickname "Man" was given to Parrish by Andy Warhol, and first appeared in Warhol's ''Interview'' magazine. Career Parrish's early live shows at Bronx hip-hop clubs were spectacles of lights, glitter, and pyrotechnics, which drew as much from the Warhol mystique as the Cold Crush Brothers. His first release was "Hip Hop, Be Bop (Don't Stop)" issued in 1982, which Parrish said faced a racial backlash from the African-American hip hop community: "I was making the music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of dance music. It developed in the early 1980s in Western Europe, as an outgrowth of both the punk and the industrial music cultures. It combines sequenced repetitive basslines, programmed disco rhythms, and mostly undistorted vocals and command-like shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gained a stable follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Music
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of that emerged in the early 1980s. It is defined by the prominent use of the drum machine, and draws direct influence from early and |
Frankie Knuckles
Francis Warren Nicholls Jr. (January 18, 1955 – March 31, 2014), known professionally as Frankie Knuckles, was an American DJ, record producer, and remixer. He played an important role in developing and popularizing house music, a genre of music that began in Chicago during the early 1980s and subsequently spread worldwide. In 1997, Knuckles won the Grammy Award for Remixer of the Year, Non-Classical. Due to his importance in the development of the genre, Knuckles was often called "The Godfather of House Music". Musical career 1970s–1980s Born in New York City, in the Bronx, Knuckles and his friend Larry Levan began frequenting discos as teenagers. While studying textile design at the Fashion Institute of Technology, FIT, Knuckles and Levan began working as DJs, playing soul music, soul, disco, and Rhythm and blues, R&B at two of the most important early discos, The Continental Baths and The Gallery. Their DJing led them to the The Loft (New York City), Loft and the Gallery, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Mix 5
The Hot Mix 5 are an American DJ team originating from Chicago, Illinois, who were chosen by WBMX Program Director, Lee Michaels in 1981. The founding members were Farley "Funkin" Keith (later known as Farley "Jackmaster" Funk), Mickey "Mixin" Oliver, Ralphi Rosario, Kenny "Jammin" Jason, and Scott "Smokin" Silz. In 1984, Scott Silz was asked to leave the group and was replaced by Julian "Jumpin" Perez in 1985, as the winner of a HMF sponsored DJ Battle. Another DJ, Jeff Davis, was supposed to be a sixth member, but Silz mentioned in an interview that he never showed up, leaving just the five members. Julian's tenure as a member was about a year and then, Mario "Smokin" Diaz, became a member of the group and played with them throughout their radio time in Chicago. Background Created to act as the resident DJs on Chicago FM radio station (now defunct) WBMX's Saturday Night Live Ain't No Jive mix show hosted by Armando Rivera, the members quickly established themselves as a fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WVAZ
WVAZ (102.7 FM, "V103") is an urban adult contemporary radio station serving the Chicago metropolitan area and Northwest Indiana. Licensed to Oak Park, Illinois, WVAZ is owned by iHeartMedia, Inc., alongside sister stations WCHI-FM, WGCI-FM, WGRB, WKSC-FM, WLIT-FM and WVON. WVAZ carries the nationally syndicated " Steve Harvey Morning Show" and "The Sweat Hotel with Keith Sweat." WVAZ's radio studios and offices are located at the Illinois Center complex on Michigan Avenue in Downtown Chicago. It broadcasts from a transmitter atop the John Hancock Center. In 2005, WVAZ began broadcasting in IBOC digital radio, using the HD Radio system from iBiquity. Its HD2 digital subchannel carries the Black Information Network, which is simulcast market-wide on WMFN (640 AM) in Peotone. History WOPA-FM The station began broadcasting October 17, 1950 and held the call sign WOPA-FM. It was a sister station to WOPA 1490, the present-day WEUR.1952 Broadcasting Yearbook', Broa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
