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Chaâlis Abbey
Chaalis Abbey (, ) was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. History It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Most of the buildings fell into ruins thanks to mismanagement on the part of the commendatory abbots. Among the ruins, a chapel with important frescos by Primaticcio survives intact. For Louis, Count of Clermont and commendatory abbot of Chaalis, the architect Jean Aubert created plans for the reconstruction of the abbey in 1736. Begun in 1739 and intended as a large quadrangle, only the entrance wing with the abbot's residence was completed. Further work was halted in 1745 due to lack of funds and never resumed. File:Abbatiale de l'abbaye de Chaalis 02.jpg, Jean Aubert's château, now the museum, next to the ruins of the former abbey The monastery was sold and demolished during the French Revolution. Museum The former abbey is now t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaalis Ensemble
Chaalis Abbey (, ) was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. History It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Most of the buildings fell into ruins thanks to mismanagement on the part of the commendatory abbots. Among the ruins, a chapel with important frescos by Primaticcio survives intact. For Louis, Count of Clermont and commendatory abbot of Chaalis, the architect Jean Aubert created plans for the reconstruction of the abbey in 1736. Begun in 1739 and intended as a large quadrangle, only the entrance wing with the abbot's residence was completed. Further work was halted in 1745 due to lack of funds and never resumed. File:Abbatiale de l'abbaye de Chaalis 02.jpg, Jean Aubert's château, now the museum, next to the ruins of the former abbey The monastery was sold and demolished during the French Revolution. Museum The former abbey is now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Institut De France
The ; ) is a French learned society, grouping five , including the . It was established in 1795 at the direction of the National Convention. Located on the Quai de Conti in the 6th arrondissement of Paris, the institute manages approximately 1,000 foundations, as well as museums and châteaux open for visit. It also awards prizes and subsidies, which amounted to a total of over €27 million per year in 2017. Most of these prizes are awarded by the institute on the recommendation of the . History The building was originally constructed as the Collège des Quatre-Nations by Cardinal Mazarin, as a school for students from new provinces attached to France under Louis XIV. The inscription over the façade reads "JUL. MAZARIN S.R.E. CARD BASILICAM ET GYMNAS F.C.A M.D.C.LXI", attesting that Mazarin ordered its construction in 1661. The was established on 25 October 1795, by the National Convention. On 1 January 2018, Xavier Darcos took office as the 's chancellor. Elected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Desportes
François () is a French masculine given name and surname, equivalent to the English name Francis. People with the given name * François Amoudruz (1926–2020), French resistance fighter * François-Marie Arouet (better known as Voltaire; 1694–1778), French Enlightenment writer, historian, and philosopher * François Beauchemin (born 1980), Canadian ice hockey player for the Anaheim Ducks * François Blanc (1806–1877), French entrepreneur and operator of casinos * François Bonlieu (1937–1973), French alpine skier * François Cevert (1944–1973), French racing driver * François Chau (born 1959), Cambodian American actor * François Clemmons (born 1945), American singer and actor * François Corbier (1944–2018), French television presenter and songwriter * François Coty (1874–1934), French perfumer * François Coulomb the Elder (1654–1717), French naval architect * François Coulomb the Younger (1691–1751), French naval architect * François Couperin (1668–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas De Largillière
Nicolas de Largillière (; baptised 10 October 1656 – 20 March 1746) was a French people, French painter and Drawing, draughtsman. Biography Early life Largillière was baptised at the in Paris on 10 October 1656. The son of a merchant hatmaker, his family moved to Antwerp when Largillière was around three years old. Following a trip to London, Largillière's father apprenticed him to the Flemish painter Anton Goubau. However, he left at the age of eighteen and again went to England, where he was befriended and employed by Peter Lely, Sir Peter Lely for four years at Windsor, Berkshire. While there, Largillière also worked under the direction of Italian painter Antonio Verrio. Painting career Early career His painting caught the attention of Charles II of England, Charles II, who wished to retain Largillière in his service, but the controversy aroused by the Rye House Plot against Roman Catholics alarmed Largillière. He left for Paris, where he was well received by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Le Brun
Charles Le Brun (; baptised 24 February 1619 – 12 February 1690) was a French Painting, painter, Physiognomy, physiognomist, Aesthetics, art theorist, and a director of several art schools of his time. He served as a court painter to Louis XIV, who declared him "the greatest French artist of all time". Le Brun was a dominant figure in 17th-century French art and was influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Pierre Séguier, Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier (painter), François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe De Champaigne
Philippe de Champaigne (; 26 May 1602 – 12 August 1674) was a Duchy of Brabant, Brabant-born French people, French Baroque era painter, a major exponent of the French art, French school. He was a founding member of the Académie royale de peinture et de sculpture in Paris, the premier art institution in the Kingdom of France in the eighteenth century. Life and work Born of a poor family in Brussels (Duchy of Brabant, Southern Netherlands), during the reign of the Archduke Albert VII, Archduke of Austria, Albert and Isabella Clara Eugenia, Isabella, Champaigne was a pupil of the landscape painter Jacques Fouquier. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the under the direction of Nicolas Duchesne, whose daughter he would eventually marry. According to Houbraken, Duchesne was angry at Champaigne for becoming more popular than he was at court, and so Champaigne returned to Brussels to live with his brother. It was only after he receive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Davidsz De Heem
Jan Davidsz. de Heem or in-full ''Jan Davidszoon de Heem'', also called ''Johannes de Heem'' or ''Johannes van Antwerpen'' or ''Jan Davidsz de Hem'' (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting. Life De Heem was born in Utrecht as ''Johannes van Antwerpen''. He studied first under his father David de Heem the Elder (1570–1631), then under Balthasar van der Ast. His "middle name", Davidsz, is a patronym referring to his father's name: In Dutch a name ending in -sz is like -son in English and Mac- in Scottish, meaning "son of" the rest of the name. He lived in Leiden from about 1625 to 1629, where he studied in 1629 under David Bailly (1584- c. 1657). His professional name, "de Heem", means literally "the home". He moved to the Southern Netherlands and joined the Guild of Saint Luke of Antwerp in 1635 o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma The Younger
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ('Young Palma'), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567, Guido ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Jacopo Robusti (late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594), best known as Tintoretto ( ; , ), was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed . His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer – in Italian and in Venetian; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joos Van Cleve
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles. An active member and co-deacon of the Guild of Saint Luke of Antwerp, he is known mostly for his religious works and portraits, some of royalty. He ran a large workshop, with at least five pupils and other assistants, which produced paintings in a variety of styles over his career. As a skilled technician, his art shows sensitivity to color and a unique solidarity of figures. His style is highly eclectic: he was one of the first to introduce broad world landscapes in the backgrounds of his paintings, sometimes collaborating with Joachim Patinir, which would become a popular technique of sixteenth century northern Renaissa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci, who seems to have influenced his style considerably. He trained with Verrocchio, and became his principal assistant, inheriting the workshop after his master's death in 1488, when Lorenzo was still in his twenties. He largely continued his master's style, working until at least the 1520s, by which time he was becoming rather old-fashioned. He does not seem to have painted frescos himself, although his workshop may have done so. Vasari says that he avoided large paintings of all sorts, preferring to create smaller works with a meticulous finish. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Francia
__NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the ''Felicini Madonna'', which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's ''Santa Cecilia'' is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
