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Chaturvimshatimurti
The chaturvimshatimurti () is the representation of twenty-four aspects of the deity Vishnu in Hindu iconography. These aspects are described to represent the central tenets of the Pancharatra tradition. They are believed to be the most significant of the thousand names of the deity featured in the Vishnu Sahasranama. The names of these aspects of the deity are ritually chanted in daily prayer by adherents. Literature The twenty-four forms of Vishnu seem to have been conceived in the Mahabharata. His forms are first mentioned in Agni Purana, the Rūpamaṇḍana, and the Aparājitapṛcchā. They are also mentioned in Vaishnava Puranas such as the Bhagavata Purana and the Vishnu Purana. Usage * The achamanam is a ritual where these names are used while simultaneously touching the numerous parts of the body to purify them. * The names form an important part of the Bhakti tradition, with saints such as Purandara Dasa having sung many devotional songs in their praise. Iconogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchavimshatimurti
The panchavimshatimurti () is the representation of twenty-five forms of Shiva in Hindu iconography. These forms are described in the Agama (Hinduism), Shaiva Agamas of the southern Shaiva Siddhanta sect of Saivism, Shaivism. The Sritattvanidhi calls these the panchavimshatililamurti (twenty-five sportive forms). These forms are based on the Puranas and the Itihasas, in which the theme of Shiva's divine play is explained with numerous narratives. Most of these forms are featured in South Indian temples as the Mulavar, main images of the Garbhagriha, sanctum or sculptures and reliefs in the outer walls of Shiva temples. Description The Agama texts describe twenty-five forms of Shiva, offering specifications in which the deity is to be represented. For each form, the attire, ornaments, posture, weapons, as well as the other accessories associated with the form are described, along with associated deities and objects. Iconography The common list of the Panchavimshatimurti is given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murti
In the Hinduism, Hindu tradition, a ''murti'' (, ) is a devotional image, such as a statue or icon, of a Hindu deities, deity or Hindu saints, saint used during ''Puja (Hinduism), puja'' and/or in other customary forms of actively expressing devotion or reverence – whether at Hindu temples or shrines. A ''mūrti'' is a symbolic icon representing divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are ''mūrti''; for example, purely decorative depictions of divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A ''mūrti'' itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God. ''Murti'' are also found in some nontheistic Jainism, Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in ''murtipujaka'' rituals. A ''murti'' is typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandara Dasa
Purandara Dasa (IAST: Purandara Dāsa; (1470 – 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhwacharya, Madhvacharya's Dwaitha, Dvaita philosophy. He was one of the chief founding proponents that shaped modern Carnatic music. In honor of his contributions to Carnatic music, he is referred to as the ''Pitamaha'' (''lit''. "grandsire") of Carnatic music. According to a legend, he is considered as an incarnation of Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Vishnu or Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of teaching Carnatic music by structuring grade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dashavatara
The Dashavatara (, ) are the ten primary avatars of Vishnu, a principal Hindus, Hindu god. Vishnu is said to descend in the form of an avatar to restore cosmic order. The word ''Dashavatara'' derives from , meaning "ten", and , roughly equivalent to "incarnation". The list of included avatars varies across sects and regions, particularly with respect to the inclusion of Balarama (brother of Krishna) or the Buddha. In traditions that omit Krishna, he often replaces Vishnu as the source of all avatars. Some traditions include a regional deity such as Vithoba or Jagannath in penultimate position, replacing Krishna or Buddha. All avatars have appeared except one: Kalki, who will appear at the end of the ''Kali Yuga''. The order of the ancient concept of Dashavataras has also been interpreted to be reflective of modern Darwinian evolution, as a description of the evolution of consciousness. Etymology "Dashavatara" or "" (दशावतार) means "ten avatars" or "ten inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caturvyūha
''Caturvyūha'' or ''Chatur-vyūha'' (), is an ancient Indian religious concept initially focusing on the four earthly emanations (Vyūhas) of the Supreme deity Nārāyaṇa, and later Viṣṇu. The first of these emanations is the hero-god Vāsudeva, with the other emanations being his kinsmen presented as extensions of Vāsudeva himself. From around the 1st century CE, this "Vyuha doctrine" (''Vyūhavāda'') developed out of the earlier ''Vīravāda'' cult of the Vrishni heroes, in which the five heroes Saṃkarṣaṇa, Vāsudeva, Pradyumna, Samba and Aniruddha had remained mostly human in character. Still later, around the 4th century CE, it evolved into the ''Avatāravāda'' system of incarnations of Vishnu, in which Vishnu was the primordial being and the Vrishni heroes had become his avatars. Concept and evolution The four earthly emanations, or ''" Vyuhas"'', are identified as Samkarshana (Balarama-Samkarshana, son of Vasudeva by Devaki), Vāsudeva krishna (son of Vasud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiritamukuta
The Kiritamukuta () is a crown generally attributed to Vishnu in Hindu iconography. It is also depicted to be worn by the Avatar, avatars of Vishnu, such as Rama. Vishnu is depicted with the Kiritamukuta in some of his earliest icons, identified from the region of Mathura. Description Referred to as the 'highest of all crowns', the Kiritamukuta resembles a conical cap ending with an ornamental top, its centre featuring a pointed knob. It bears jewelled discs either on the front or on all of its sides, as well as jewelled bands present around its top and bottom. Among the gods, according to T. A. Gopinatha Rao, the crown is said to be exclusively attributed to Vishnu, while among humans, those who occupy the roles of Chakravarti (Sanskrit term), emperors or superior governors are allowed to don it. The sun god Surya is also represented with the Kiritamukuta in his iconography. Iconography of Vishnu wearing the kiritamukuta has been found in Thailand.{{Cite book , last=Jacq- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaturbhuja
Chaturbhuja () is a concept in Hindu iconography in which a deity is depicted with four arms. Several Hindu deities are often portrayed with four arms in their iconography, featured in Hindu literature. The iconography of four arms is regarded to symbolise divinity and power, as well as dominion over the four quarters of the universe. Chaturbhuja is also primarily employed as an epithet for the preserver deity, Vishnu. Description The earliest Vaishnava images, according to scholar Gavin Flood, are of a standing two or four-armed figure bearing a combination of the attributes of a conch, a wheel, and a mace in their iconography. This multiplicity convention, in which deities bore numerous limbs and heads in their imagery, was established in the Mathura region, before becoming a custom in later Hindu iconography. According to author Nanditha Krishna, the chaturbhuja representation of Hindu deities in their icons is regarded to depict their unlimited potential. It exhibit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma (Vishnu)
Padma () is one of the four attributes borne by Vishnu in his iconography. It is associated with Vishnu's Kshira Sagara, abode upon water, as well as his role in creation and birth. Mythology In the Vishnu Purana, in the beginning of time, Brahma is described to have been created within a lotus blooming from the navel of Vishnu. The ''padma'' is hence prominent in the Vaishnavism, Vaishnava narrative of cosmogony, where Brahma is instructed by Vishnu to start generating the universe and the rest of creation. The lotus is regarded to be a representation of dharma, the cosmic law, as well the epitome of purity, as it rose beneath the impure seabed towards the sun. During the Samudra Manthana, Samudra Manthanam, when Lakshmi chooses Vishnu as her eternal consort, she throws a garland of lotuses around his neck, and is also eulogised as the lotus-faced one. In the legend of the Gajendra Moksha, Gajendra Moksham, the elephant Gajendra holds a lotus as an offering to Vishnu as he arr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaumodaki
Kaumodaki () is the gadā (mace) of the Hindu deity Vishnu. Vishnu is often depicted holding the Kaumodaki in one of his four hands; his other attributes are the chakra, the conch and the lotus. The ''gada'' is also found in the iconography of some of Vishnu's avatars. The name, 'Kaumodak' first appears in the Hindu epic ''Mahabharata'', where it is associated with Vishnu's avatar, Krishna. The ''gada'' is depicted in images of Vishnu since . While initially unadorned, the size and shape of Kaumodaki vary in depictions. More elaborate design features like flutes and segments were added in depictions of Vishnu's ''gada''. Though the weapon may be depicted as an inanimate ''gada'', Kaumodaki sometimes appears personified as a woman known as Gadadevi or Gadanari in sculptures of Vishnu. In depictions that use this version, Vishnu rests one of his hands on her head, while she herself holds the ''gada'', is seen emerging from it or has the ''gada'' carved on her head/crown. The ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchajanya
Panchajanya (, ) is the '' shankha'' (conch) of the Hindu preserver deity Vishnu, one of his four primary attributes. The Panchajanya symbolises the five elements, and is considered to produce the primeval sound of creation when blown. Literature Mahabharata According to the Mahabharata, Vishnu is stated to have slain a daitya (a member of a clan of asuras) named Panchajana on a mountain named Chakravan constructed by Vishvakarma, and seized the conch shell in which Panchajana had lived for himself. The conch is named after the daitya. Bhagavad Gita In the Bhagavad Gita, the Panchajanya is mentioned: Harivamsha As per the Harivamsha, Krishna, the avatar of Vishnu, is described as possessing a conch shell called Panchajanya, one of his four attributes together with the mace Kaumodaki, the disc-like weapon Sudarshana Chakra, and a lotus. The conch was used during the Kurukshetra War, and is held in popular tradition to have signalled its beginning and end. Ska ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudarshana Chakra
The Sudarshana Chakra (, ) is a divine discus, attributed to Vishnu in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). In the ''Rigveda'', the Sudarshana Chakra is stated to be Vishnu's symbol as the wheel of time. The discus later emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as ''Chakraperumal'' or ''Chakratalvar''. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su'' () meaning "good/auspicious" and '' Darshana'' () meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root (''kram'') or (''rt'') or (''kri'') and refers among many meanings, to the wheel of a carriage, wheel of the sun's chariot or metaphorically to the wheel of time. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhakti Movement
The Bhakti movement was a significant religious movement in medieval Hinduism that sought to bring religious reforms to all strata of society by adopting the method of Bhakti, devotion to achieve salvation. Originating in Tamilakam during 6th century CE, it gained prominence through the poems and teachings of the Vaishnava Alvars and Shaiva Nayanars in Middle kingdoms of India#The Deccan plateau and South, early medieval South India, before spreading northwards. It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE. The Bhakti movement regionally developed around different God in Hinduism, Hindu gods and goddesses, and some sub-sects were Vaishnavism (Vishnu), Shaivism (Shiva), Shaktism (Shakti goddesses), and Smartism.Wendy Doniger (2009)"Bhakti" ''Encyclopædia Britannica'' The Bhakti movement preached using the local languages so that the message reached the masses. The movement was inspired by many poet- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
