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Charme (dance)
''Charme'' is a street dance style that originated in Brazil in the early 1980s. Like ''baile funk'', ''baile charme'' evolved from the so-called ''bailes black'' (Black parties), popular in the 1970s, which featured soul, funk, and R&B music. The press dubbed it the ''Movimento Black Rio'' (Black Rio Movement). In the 1980s, during the post-disco era, this scene began to branch into two distinct party styles: ''baile charme'' and ''baile funk''. ''Baile charme'' embraced smoother rhythms, drawing from contemporary R&B, often highlighting love songs and soulful melodies — which inspired the name "charme." In contrast, ''baile funk'' leaned into high-energy beats, influenced by Miami Bass Miami bass (also known as booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexual ... and freestyle, creating a fast-paced envir ...
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Baile Charme Em Frente à Câmara Municipal Do Rio De Janeiro 04
Baile ("dance" in Spanish) may refer to: * Baile (Spanish play), a Spanish dramatic form * Baile funk, a type of dance music from Rio de Janeiro * Baile, the Irish Gaelic word for a town, usually anglicized as "bally" or "balla" * Baile, the Scottish Gaelic word for a crofting township; see Township (Scotland) In Scotland a croft (land), crofting township is a group of farm, agricultural smallholdings (each with its own few hectares of pasture and arable land (in-bye land)) holding in common a substantial tract of unimproved upland grazing. Each town ... * Băile (other), several places in Romania {{disambiguation ...
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Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, Locking (dance), locking, house dance, waacking, voguing, etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social dance, social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African Americans who created the style were generally not accepted into dance studios because of their race. A significan ...
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New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ...
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Baile Funk
Funk carioca (), also known as baile funk and Brazilian funk, or even simply funk, is a Brazilian hip hop-influenced music genre from Rio de Janeiro, taking influences from musical styles such as Miami bass and freestyle. In Brazil, "baile funk" refers not to the music, but to the actual parties or discotheques in which the music is played (, from ''baile'', meaning "ball").
Although originated in Rio, "funk " has become increasingly popular among working classes in other parts of Brazil. In the whole country, funk carioca is most often simply known as "funk", although it is very musically different from the American genre of

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Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ...
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Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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Post-disco
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither R&B."Kellman, Andy"Unlimited Touch"artist biog ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ...
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Miami Bass
Miami bass (also known as booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds, and Overtown". Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of hip hop, dance music, and pop. History 1980s origins During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Si ...
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Freestyle Music
Freestyle, or Latin freestyleKlanten, Robert (1995). ''Die Gestalten Verlag: Localizer 1.0''. Die-Gestalten-Verlag. . Quote: "The other unavoidable influence n NYC hard housewas latin freestyle. A blend of hip hop, synth pop and salsa, latin freestyle was big in NY in the mid and later eighties, and little known anywhere else. Among the best known tracks is Jellybean Benitez's "Dreams of Santa Anna" and Benitez kicked off the whole latin freestyle movement with his sessions at the Funhouse in Manhattan. The labels were Sleeping Bag Records and Cutting." Retrieved August 10, 2018. (initially called Latin hip hop) is a form of electronic dance music that emerged in the New York metropolitan area, Philadelphia, and Miami, primarily among Black Americans, Hispanic Americans, and Italian Americans. An important precursor to freestyle is 1982's " Planet Rock" by Afrika Bambaataa & Soul Sonic Force. Shannon's 1983 hit " Let the Music Play" is often considered the first freestyle son ...
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Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, Locking (dance), locking, house dance, waacking, voguing, etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social dance, social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African Americans who created the style were generally not accepted into dance studios because of their race. A significan ...
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Afro-Brazilian Culture
Afro-Brazilian culture is the combination of cultural manifestations in Brazil that have suffered some influence from Culture of Africa, African culture since Colonial Brazil, colonial times until the present day. Most of Africa's culture reached Brazil through the Atlantic slave trade to Brazil, transatlantic slave trade, where it was also influenced by Culture of Europe, European and Indigenous peoples, indigenous cultures, which means that characteristics of African origin in Brazilian culture are generally mixed with other cultural references. Currently, strong aspects of African culture can be identified in many aspects of Brazilian society, such as Música popular brasileira, popular music, Religion in Brazil, religion, Brazilian cuisine, cuisine, Brazilian mythology, folklore and popular festivities. The states of Maranhão, Pernambuco, Alagoas, Bahia, Minas Gerais, Espírito Santo, Rio de Janeiro, São Paulo and Rio Grande do Sul were the most influenced by the culture of Af ...
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