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Chaalis
Chaalis Abbey (, ) was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. History It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Most of the buildings fell into ruins thanks to mismanagement on the part of the commendatory abbots. Among the ruins, a chapel with important frescos by Primaticcio survives intact. For Louis, Count of Clermont and commendatory abbot of Chaalis, the architect Jean Aubert created plans for the reconstruction of the abbey in 1736. Begun in 1739 and intended as a large quadrangle, only the entrance wing with the abbot's residence was completed. Further work was halted in 1745 due to lack of funds and never resumed. File:Abbatiale de l'abbaye de Chaalis 02.jpg, Jean Aubert's château, now the museum, next to the ruins of the former abbey The monastery was sold and demolished during the French Revolution. Museum The former abbey is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaalis Ensemble
Chaalis Abbey (, ) was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. History It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Most of the buildings fell into ruins thanks to mismanagement on the part of the commendatory abbots. Among the ruins, a chapel with important frescos by Primaticcio survives intact. For Louis, Count of Clermont and commendatory abbot of Chaalis, the architect Jean Aubert created plans for the reconstruction of the abbey in 1736. Begun in 1739 and intended as a large quadrangle, only the entrance wing with the abbot's residence was completed. Further work was halted in 1745 due to lack of funds and never resumed. File:Abbatiale de l'abbaye de Chaalis 02.jpg, Jean Aubert's château, now the museum, next to the ruins of the former abbey The monastery was sold and demolished during the French Revolution. Museum The former abbey is now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fontaine-Chaalis
Fontaine-Chaalis () is a commune in the Oise department in northern France. On 3 March 1974, Turkish Airlines Flight 981, a McDonnell Douglas DC-10, crashed within the political boundaries of the commune, in the state-owned Ermenonville Forest. See also * Communes of the Oise department * Chaalis Abbey Chaalis Abbey (, ) was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. History It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Mo ... References Communes of Oise {{SenlisArrondissement-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Aubert (architect)
Jean Aubert (; ca. 1680 – 13 October 1741) was a French architect, the most successful of the ''Régence'' and designer of two of the most important buildings of the period: the stables of the Château de Chantilly and the Hôtel Biron in Paris. He also created innovative interior designs, the most notable, the separation of private and public spaces for the Palais Bourbon in Paris. Biography He was the son of Jean-Jacques Aubert, master carpenter in the Bâtiments du Roi, and was trained in the large atelier of Jules Hardouin-Mansart. Aubert was employed in the Bâtiments du Roi as a designer from 1703 (Kimball p 131); in 1707, Hardouin-Mansart had him appointed an ''architecte du Roi'' and attempted to get him seated in the second class of the Académie royale d'architecture. As a protégé of Hardouin-Mansart, Aubert may have come into conflict with Robert de Cotte, Hardouin-Mansart's successor as ''premier architecte'' though not as director at the Bâtiments du Roi. Diver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primaticcio
Francesco Primaticcio (; April 30, 1504 – 1570) was an Italian Mannerist painter, architect and sculptor who spent most of his career in France. Biography Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ermenonville
Ermenonville () is a commune in the Oise department, northern France. Located near Paris, Ermenonville is notable for its park named for Jean-Jacques Rousseau by René Louis de Girardin. Rousseau's tomb was designed by the painter Hubert Robert, and sits on the Isle of Poplars in its lake. History On 3 March 1974, Turkish Airlines Flight 981 crashed in the Ermenonville Forest in Fontaine-Chaalis, Oise, near Ermenonville killing all 346 occupants onboard. Three town councilors died on 1 June 2009 when Air France Flight 447 crashed into the Atlantic killing all 228 occupants onboard. Park The garden at Ermenonville was one of the earliest and finest examples of the French landscape garden. The garden at Ermenonville was planned beginning in 1762 by Marquis René Louis de Girardin, the friend and final patron of Jean-Jacques Rousseau. Girardin's master plan drew its inspiration from Rousseau's novels and philosophy of the nobility of Nature. Rousseau's tomb is prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Francia
__NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the ''Felicini Madonna'', which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's ''Santa Cecilia'' is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Di Credi
Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci, who seems to have influenced his style considerably. He trained with Verrocchio, and became his principal assistant, inheriting the workshop after his master's death in 1488, when Lorenzo was still in his twenties. He largely continued his master's style, working until at least the 1520s, by which time he was becoming rather old-fashioned. He does not seem to have painted frescos himself, although his workshop may have done so. Vasari says that he avoided large paintings of all sorts, preferring to create smaller works with a meticulous finish. Life Lorenzo was born in Florence in 1456 or 1459 to a goldsmith name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joos Van Cleve
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles. An active member and co-deacon of the Guild of Saint Luke of Antwerp, he is known mostly for his religious works and portraits, some of royalty. He ran a large workshop, with at least five pupils and other assistants, which produced paintings in a variety of styles over his career. As a skilled technician, his art shows sensitivity to color and a unique solidarity of figures. His style is highly eclectic: he was one of the first to introduce broad world landscapes in the backgrounds of his paintings, sometimes collaborating with Joachim Patinir, which would become a popular technique of sixteenth century northern Renaissa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Jacopo Robusti (late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594), best known as Tintoretto ( ; , ), was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed . His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer – in Italian and in Venetian; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Davidsz De Heem
Jan Davidsz. de Heem or in-full ''Jan Davidszoon de Heem'', also called ''Johannes de Heem'' or ''Johannes van Antwerpen'' or ''Jan Davidsz de Hem'' (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting. Life De Heem was born in Utrecht as ''Johannes van Antwerpen''. He studied first under his father David de Heem the Elder (1570–1631), then under Balthasar van der Ast. His "middle name", Davidsz, is a patronym referring to his father's name: In Dutch a name ending in -sz is like -son in English and Mac- in Scottish, meaning "son of" the rest of the name. He lived in Leiden from about 1625 to 1629, where he studied in 1629 under David Bailly (1584- c. 1657). His professional name, "de Heem", means literally "the home". He moved to the Southern Netherlands and joined the Guild of Saint Luke of Antwerp in 1635 o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma The Younger
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ('Young Palma'), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567, Guido ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cima Da Conegliano
Giovanni Battista Cima, also called Cima da Conegliano (), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school (art), Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones. He often repeated popular subjects in different versions with slight variations, including his Madonnas and ''Saint Jerome in a Landscape''. His paintings of the ''Madonna and Child'' include several variations of a composition that have a standing infant Jesus, which in turn are repeated several times. Biography Giovanni Battista Cima was born at Conegliano, then part of the Domini di Terraferma, terrafirma of the Republic of Venice but now part of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
