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Celtic Ireland
Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the late prehistoric era until the 17th century. It comprised the whole island before Anglo-Normans conquered parts of Ireland in the 1170s. Thereafter, it comprised that part of the country not under foreign dominion at a given time (i.e. the part beyond The Pale). For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were chosen or elected through tanistry. Warfare between these territories was common. Traditionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of clans and, like the rest of Europe, was structured hierarchically according to class. Throughout this period, the economy was mainly pastoral and money was generally not used. A Gaelic Irish style of dress, music, dance, sport and art can be identified, with Irish art later merging with Ang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaelic Ireland
Gaelic Ireland () was the Gaelic political and social order, and associated culture, that existed in Ireland from the late Prehistory of Ireland, prehistoric era until the 17th century. It comprised the whole island before Anglo-Norman invasion of Ireland, Anglo-Normans conquered parts of Ireland in the 1170s. Thereafter, it comprised that part of the country not under foreign dominion at a given time (i.e. the part beyond The Pale). For most of its history, Gaelic Ireland was a "patchwork" hierarchy of territories ruled by a hierarchy of kings or chiefs, who were chosen or elected through tanistry. Gaelic warfare, Warfare between List of Irish kingdoms, these territories was common. Traditionally, a powerful ruler was acknowledged as High King of Ireland. Society was made up of Irish clans, clans and, like the rest of History of Europe, Europe, was structured hierarchically according to Social class, class. Throughout this period, the economy was mainly Pastoralism, pastoral a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Clothing
Traditional Irish clothing is the Folk costume, traditional attire which would have been worn historically by Irish people in Ireland. Such clothing among the men included the léine, brat and triúbhas while the women wore the leine, brat and gúna. These were the traditional items for centuries and are still worn today by a small number of enthusiasts. However, these items were at their height in the medieval period and went into a slow decline after the mid 17th century. During the 16th-century Tudor conquest of Ireland, the Dublin Castle administration prohibited many of Ireland’s clothing traditions. A series of photos captured by French photographers Marguerite Mespoulet and Madeleine Mignon-Alba in 1913 included images of Irish people in later clothing. Some of these photos were taken in Claddagh. Aran jumper, Aran jumpers were invented in the early 20th century and are not regarded as true traditional attire. Tweed (cloth), Irish Tweed is a woven fabric that has been fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protohistory Of Ireland
The prehistory of Ireland included a protohistorical period, when the literate cultures of Greece and Rome began to take notice of it, and a further proto-literate period of ogham epigraphy, before the early historical period began in the 5th century. Attempts have been made to reconstruct the political developments of this period by reference to early medieval Irish genealogical texts. Ireland in Classical literature Early references Classical writers occasionally refer to Ireland under a variety of names, but these references contain little reliable information. For example, Diodorus Siculus claims that the ''Prettanoi'' of the island of ''Iris'' eat human flesh. Strabo, who calls the island ''Ierne'', repeats the accusation, adding that they consider it honourable to eat their dead fathers, and openly have sex with their mothers and sisters (although he is sceptical about his sources). Pomponius Mela calls it ''Iuverna'' and says that, although the climate is unfavour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beith-Luis-Nin
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogham
Ogham (also ogam and ogom, , Modern Irish: ; , later ) is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries AD), and later the Old Irish language ( scholastic ogham, 6th to 9th centuries). There are roughly 400 surviving orthodox inscriptions on stone monuments throughout Ireland and western Britain, the bulk of which are in southern areas of the Irish province of Munster. The Munster counties of Cork and Kerry contain 60% of all Irish ogham stones. The largest number outside Ireland are in Pembrokeshire, Wales. The inscriptions usually consist of personal names written in a set formula. Many of the High Medieval '' Bríatharogaim'' (kennings for the ogham letters) are understood to reference various trees and plants. This interpretation was popularized by Robert Graves in his book '' The White Goddess''; for this reason, Ogham is sometimes known as the Celtic tree alphabet. The etymology of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogham Inscription
Roughly 400 inscriptions in the ogham alphabet are known from stone monuments scattered around the Irish Sea, the bulk of them dating to the fifth and sixth centuries. The language of these inscriptions is predominantly Primitive Irish, but a few examples are fragments of the Pictish language. Ogham itself is an Early Medieval form of alphabet or cipher, sometimes also known as the "Celtic Tree Alphabet". A number of different numbering schemes are used. The most common is after R. A. Stewart Macalister, R. A. S. Macalister's (CIIC). This covers the inscriptions which were known by the 1940s. Another numbering scheme is given by the Celtic Inscribed Stones Project (CISP) and is based on the location of the stones; for example CIIC 1 = CISP INCHA/1. Macalister's (1945) numbers run from 1 to 507, including also Latin and Runic inscriptions, with three additional added in 1949. Sabine Ziegler (1994) lists 344 Gaelic ogham inscriptions known to Macalister (Ireland and Isle of Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seanchaí
A seanchaí ( or ; plural: ) is a traditional Gaelic storyteller or historian, serving as an oral repository. In Scottish Gaelic the word is (; plural: ). The word is often anglicised as shanachie ( ). The word , which was spelled (plural ) before the Irish spelling reform of 1948, means a bearer of "old lore" (). In the Gaelic culture, long lyric poems which were recited by bards ( in the original pre-1948 spelling) in a tradition echoed by the . Traditional art were servants to the heads of the lineages and kept track of important information for them: laws, genealogies, annals, literature, etc. After the destruction of Gaelic civilization in the 1600s as a result of the English colonialism, these more formal roles ceased to exist and the term came to be associated instead with traditional storytellers from the lower classes. The made use of a range of storytelling conventions, styles of speech and gestures that were peculiar to the Irish folk tradition and charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Pre-history", 1990, ''UNESCO International Scientific Committee for the Drafting of a G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Polytheism
Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celts, Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts (some of them hostile and probably not well-informed), and literature from the early Christian period.Miranda Aldhouse-Green, Green, Miranda (2012). "Chapter 25: The Gods and the supernatural", ''The Celtic World''. Routledge. pp.465–485 Celtic paganism was one of a larger group of polytheistic Indo-European religion, Indo-European religions of Iron Age Europe. While the List of Celtic deities, specific deities worshipped varied by region and over time, underlying this were broad similarities in both Celtic deities, deities and "a basic religious homogeneity" among the Celtic peoples. Widely worshipped Celtic gods included Lugus, Toutatis, Taranis, Cernunnos, Epona, Maponos, Belenos, and Sucellos. Sacred springs we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insular Art
Insular art, also known as Hiberno-Saxon art, was produced in the sub-Roman Britain, post-Roman era of Great Britain and Ireland. The term derives from ''insula'', the Latin language, Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character. Most Insular art originates from the Hiberno-Scottish mission, Irish monastic movement of Celtic Christianity, or metalwork for the secular elite, and the period begins around 600 with the combining of Celtic art, Celtic and Anglo-Saxon art, Anglo-Saxon styles. One major distinctive feature is interlace (art), interlace decoration, in particular the interlace (visual arts), interlace decoration as found at Sutton Hoo, in East Anglia. This is now appli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Art
Anglo-Saxon art covers art produced within the Anglo-Saxons, Anglo-Saxon period of English history, beginning with the Migration period art, Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque art, Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast. Anglo-Saxon art sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
