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Cello Sonata (Poulenc)
Francis Poulenc completed his ''Sonate pour violoncelle et piano'' (Cello Sonata), FP 143, in 1948. He first sketched it in 1940. It was dedicated to the French cellist Pierre Fournier, who had helped with the technical aspects of the cello part. The work was published by Heugel in Paris. Genesis When World War II broke out, general mobilization was decreed in France in August 1939. Poulenc lived then in Noizay and worked on the re-writing of his Sextet and the instrumentation of the ''Cocardes'' as well as ''Fiançailles pour rire''. As of 2 June 1940, he was assigned to Bordeaux and composed a few bars during a short stay in Cahors. From 18 July 1940, he was demobilized after the armistice, joined a friend in Brive-la-Gaillarde and sketched the cello sonata as well as ''L'Histoire de Babar, le petit éléphant'' and '' Les Animaux modèles''. After World War II, Poulenc wrote several works including a major one, the ''Figure humaine'' cantata and ''Calligrammes'', completed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaud Machart
Renaud Machart (born 22 March 1962) is a French journalist, music critic, radio producer and music producer. Biography Renaud Machart was born in Lannion, and first studied music under the direction of his father and then with Claudette Bohn, professor agrégée. He studied at the Ecole Nationale de Musique (ENM) in Saint-Brieuc and received a complete training in singing, piano, musical writing and chamber music at the conservatoire de Tours and musicology at the François Rabelais University of this same city from 1979 until 1982. Trained in the singing classes of Denis Manfroy and Marie-Thérèse Foix, he met in 1979, when he entered the first year of DEUG at the University of Tours, Jean-Pierre Ouvrard, musicologist and conductor, who invited him to join the Ensemble Jacques Moderne of Tours, specializing in the repertoire of Renaissance music. The following year, he replaced a sick singer from La Chapelle Royale for a recording of ''Pygmalion'' by Jean-Philippe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Müller-Schott
Daniel Müller-Schott (born 2 November 1976) is a German cellist. Born in Munich, he studied with Walter Nothas, Austrian cellist Heinrich Schiff and British cellist Steven Isserlis. Violinist Anne-Sophie Mutter personally coached him in her foundation, thanks to which he could later spend one year studying with Mstislav Rostropovich. Aged 15, he aroused enthusiasm by winning the first prize in the International Tchaikovsky Competition for Young Musicians in Moscow in 1992. He plays a cello by Matteo Goffriller, Venice, 1727. He has worked with conductors such as Vladimir Ashkenazy, Charles Dutoit, Christoph Eschenbach, Kurt Masur, Sakari Oramo and André Previn. He recorded and released the Mozart Piano Trios in 2006 with Anne-Sophie Mutter and André Previn. With Angela Hewitt, he has recorded Beethoven's complete works for cello and piano. Recordings *2000 Johann Sebastian Bach – 6 Suiten für Violoncello solo; Daniel Müller-Schott *2002 Music for Cello and Piano � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éric Le Sage
Éric Le Sage (born 15 June 1964 in Aix-en-Provence) is a contemporary French classical pianist. Biography After he finished his studies at the Conservatoire de Paris, Le Sage went to London to improve by Maria Curcio. Éric Le Sage is best known for his interpretations of romantic music, Schumann, but also for recording the complete piano music of Francis Poulenc. His curiosity for the unknown works led him to play more than twenty rare concertos by Dvořák, Schoenberg, Stravinsky, Britten and others. Lesage is a guest of renowned groups such as the Orchestre philharmonique de Radio France, the Royal Scottish National Orchestra or the Dresden Philharmonic. Prizes He was the winner of the Porto International Piano Competition in 1985, of the Robert Schumann International Competition for Pianists and Singers at Zwickau in 1989 and of the Leeds competition in 1990. In 2000 and 2001, he obtained the ''grand prix du disque'' of the Académie Charles Cros, a Victoire de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Salque
François Salque is a contemporary French classical cellist and academic teacher. Life and career A graduate from Yale University, Salque teaches at the Haute École de musique de Lausanne and at the Conservatoire de Paris. He has played and recorded chamber music with Éric Le Sage, Alexandre Tharaud, Emmanuel Pahud and Vincent Peirani. Salque also played in the Ysaÿe Quartet from 2000 to 2004, recording Fauré, Magnard, Haydn, Schumann, Boucourechliev, but also little known works or fragments by Beethoven, the piano quintet by César Franck (with Pascal Rogé) and the Clarinet Quintet by Mozart (with Michel Portal). Nicolas Bacri, Karol Beffa, Thierry Escaich, Bruno Mantovani and Krystof Maratka have dedicated works to him. Discography François Salque has recorded for the Æon, Alpha, Arion, Lyrinx, Naïve, RCA, Sony and Zig-Zag Territoires labels. His numerous recordings have received awards from the '' Diapason d'or de l'année'', "Chocs" of the ''Le Monde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Février
Jacques Février (; 26 July 1900 – 2 September 1979) was a French pianist and teacher. Life and career Jacques Février was born in Saint-Germain-en-Laye, the son of the composer Henry Février and grandson of architect Jules Février. He studied with Édouard Risler and Marguerite Long at the Conservatoire de Paris, taking a ''premier prix'' in 1921. In 1932 he and the composer were the soloists in the first performance of Francis Poulenc's Concerto for two pianos. Although Paul Wittgenstein premiered Maurice Ravel's Concerto for the Left Hand, Février was expressly chosen by the composer to be the first French pianist to perform the work. When Wittgenstein's exclusive right to play the piece ended in 1937, Février performed it, first in Paris, then secondly in Boston with conductor Sergei Koussevitsky. He made many recordings of the French repertoire, receiving a Grand Prix du Disque of the Charles Cros Academy in 1963 for his recording of Ravel's piano works. He also tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romantic music, Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the eighteenth century, though the inspiring canon belonged as frequently to the Baroque music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavatina
(Italian for "little song") is a musical term, originally meaning a short song of simple character, without a second strain or any repetition of the air. It is now frequently applied to any simple, melodious air, as distinguished from brilliant arias or recitatives, many of which are part of a larger movement or scena in oratorio or opera. " Ecco, ridente in cielo" from Gioachino Rossini's opera ''The Barber of Seville'', "Porgi amor" and " Se vuol ballare" from Mozart's ''The Marriage of Figaro'' are well-known ''cavatinas.'' A famous piece that bears the name, although without words, is the 5th movement of Beethoven's String Quartet in B-flat major, Opus 130. Ralph Vaughan Williams also gave the title of "Cavatina" to the 3rd movement of his Symphony No. 8. Camille Saint-Saëns wrote a Cavatine for trombone and piano. In opera, the term has been described as: a musical form appearing in operas and occasionally in cantatas and instrumental music....In opera the cavatina i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albéric Magnard
Lucien Denis Gabriel Albéric Magnard (; 9 June 1865 – 3 September 1914) was a French composer, somewhat influenced by César Franck and Vincent d'Indy. Magnard became a national hero in 1914 when he refused to surrender his property to German invaders and died defending it. Biography Magnard was born in Paris, the son of , a bestselling author and editor of ''Le Figaro''. Albéric could have chosen to live the comfortable life that his family's wealth afforded him, but he disliked being called ''"fils du Figaro"'' and decided to make a career for himself in music, based entirely on his own talent and without any help from family connections. After military service and graduating from law school, he entered the Paris Conservatoire, where he studied counterpoint with Théodore Dubois and went to the classes of Jules Massenet. There he met Vincent d'Indy, with whom he studied fugue and orchestration for four years, writing his first two Symphonies under d'Indy's tutelage. Magnard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
